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The face of the pedestrian safety crisis looks a lot like Ignacio Duarte-Rodriguez. The 77-year old grandfather was struck in a hit-and-run crash while trying to cross a high-speed, six-lane road without crosswalks near his son’s home in Phoenix, Arizona. He was one of the more than 6,000 people killed while walking in America in 2018. In the last ten years, there has been a 50 percent increase in pedestrian deaths. The tragedy of traffic violence has barely registered with the media and wider culture. Disproportionately the victims are like Duarte-Rodriguez—immigrants, the poor, and people of color. They have largely been blamed and forgotten. In Right of Way, journalist Angie Schmitt shows us that deaths like Duarte-Rodriguez’s are not unavoidable “accidents.” They don’t happen because of jaywalking or distracted walking. They are predictable, occurring in stark geographic patterns that tell a story about systemic inequality. These deaths are the forgotten faces of an increasingly urgent public-health crisis that we have the tools, but not the will, to solve. Schmitt examines the possible causes of the increase in pedestrian deaths as well as programs and movements that are beginning to respond to the epidemic. Her investigation unveils why pedestrians are dying—and she demands action. Right of Way is a call to reframe the problem, acknowledge the role of racism and classism in the public response to these deaths, and energize advocacy around road safety. Ultimately, Schmitt argues that we need improvements in infrastructure and changes to policy to save lives. Right of Way unveils a crisis that is rooted in both inequality and the undeterred reign of the automobile in our cities. It challenges us to imagine and demand safer and more equitable cities, where no one is expendable.

This volume traces a path across the metamorphoses of tragedy and the tragic in Western cultures during the bourgeois age of nations, revolutions, and empires, roughly delimited by the French Revolution and the First World War. Its starting point is the recognition that tragedy did not die with Romanticism, as George Steiner famously argued over half a century ago, but rather mutated and dispersed, converging into a variety of unstable, productive forms both on the stage and off. In turn, the tragic as a concept and mode transformed itself under the pressure of multiple social, historical and political-ideological phenomena. This volume therefore deploys a narrative centred on hybridization extending across media, genres, demographics, faiths both religious and secular, and national boundaries. The essays also tell a story of how tragedy and the tragic offered multiple means of capturing the increasingly fragmented perception of reality and history that emerged in the 19th century. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.

An introductory study into tragedy in drama and literature, and in the real world.

Jeff Hobbs tells the story of Robert DeShaun Peace, who went from a New Jersey ghetto to Yale but never truly escaped his past.

In this erudite and piercing biography, best-selling author Reza Aslan proves that one person’s actions can have revolutionary consequences that reverberate the world over. Little known in America but venerated as a martyr in Iran, Howard Baskerville was a twenty-two-year-old Christian missionary from South Dakota who traveled to Persia (modern-day Iran) in 1907 for a two-year stint teaching English and preaching the gospel. He arrived in the midst of a democratic revolution—the first of its kind in the Middle East—led by a group of brilliant young firebrands committed to transforming their country into a fully self-determining, constitutional monarchy, one with free elections and an independent parliament. The Persian students Baskerville educated in English in turn educated him about their struggle for democracy, ultimately inspiring him to leave his teaching post and join them in their fight against a tyrannical shah and his British and Russian backers. “The only difference between me and these people is the place of my birth," Baskerville declared, “and that is not a big difference.” In 1909, Baskerville was killed in battle alongside his students, but his martyrdom spurred on the revolutionaries who succeeded in removing the shah from power, signing a new constitution, and rebuilding parliament in Tehran. To this day, Baskerville’s tomb in the city of Tabriz remains a place of pilgrimage. Every year, thousands of Iranians visit his grave to honor the American who gave his life for Iran. In this rip-roaring tale of his life and death, Aslan gives us a powerful parable about the universal ideals of democracy—and to what degree Americans are willing to support those ideals in a foreign land. Woven throughout is an essential history of the nation we now know as Iran—frequently demonized and misunderstood in the West. Indeed, Baskerville’s life and death represent a “road not taken” in Iran. Baskerville’s story, like his life, is at the center of a whirlwind in which Americans must ask themselves: How seriously do we take our ideals of constitutional democracy and whose freedom do we support?