This two-volume set presents information and images of the varied clothing and textiles of cultures around the world, allowing readers to better appreciate the richness and diversity of human culture and history. The contributors to Encyclopedia of National Dress: Traditional Clothing around the World examine clothing that is symbolic of the people who live in regions all over the world, providing a historical and geographic perspective that illustrates how people dress and explains the reasons behind the material, design, and style. The encyclopedia features a preface and introduction to its contents. Each entry in the encyclopedia includes a short historical and geographical background for the topic before discussing the clothing of people in that country or region of the world. This work will be of great interest to high school students researching fashion, fashion history, or history as well as to undergraduate students and general readers interested in anthropology, textiles, fashion, ethnology, history, or ethnic dress.

An introduction to the history, modern and traditional cultural practices, and economy of the Maori people of New Zealand.

This classic study of indigenous Polynesian music, conducted in the 1960s, includes a survey of traditional songs in different styles that embody the fundamental values of Maori culture in New Zealand. Musical transcriptions, Maori texts, English translations, and extensive notes on more than 50 traditional Maori songs are included. Common ceremonial songs are represented, including elaborate laments, love songs, war chants, songs of welcome, and witty occasional songs.

'Relationships between and among people need to be managed and guarded by some rules'. Professor Hirini Moko Mead's comprehensive survey of tikanga Maori (Maori custom) is the most substantial of its kind every published. Ranging over topics from the everyday to the esoteric, it provides a breadth of perspectives and authoritative commentary on the principles and practice of tikanga Maori past and present.

In this article, I provide a rich resource for artists, designers, teachers and design students. I include a short clothing and fashion design overview over the past 700 years of Māori in New Zealand. I start with traditional clothing and then progress to AI-inspired clothing—a modern and contemporary approach. See the AI images generated by Midjourney/Discord. Extravagant Māori shapes, forms, patterns and colours are included. The images will provide excellent prompts for designers. Specifically, the resource will provide a great background and new foreground for Māori-inspired designs. Considering the new NCEA Level 1 Technology Curriculum for New Zealand (launched in 2024), this resource will provide a brief overview with pointers to the future of fabric and fashion design.

Tikanga Maori is the authoritative and accessible introduction to understanding the correct Maori ways of doing things as they were done in the past, as they are done in the present - and as they may yet be.In this revised edition, Hirini Mead has added an extensive new chapter on mana whenua, mana moana, Maori authority over land and ocean, and the different interpretations and applications of mana whenua and mana moana historically and today.Hirini Mead has also updated the section on tangihanga to include contemporary issues about cremation choices and what happens to the deceased in Maori/non-Maori partnerships where there are disputes about following tangi tikanga or Pakeha traditions.The remainder of the book explores how tikanga Maori may influence contemporary life and society, and Hirini Mead proposes guidelines to help us test appropriate responses to challenges that may yet be laid down.

Touching on indigenous Maori relationships with the now-extinct, flightless moa; the attitudes of Pakeha, or European, settlers toward sheep; the iconography of whales and dolphins; the problems of pest-control; and the pleasures of pet-keeping, this modern-day bestiary is a fascinating study of human–animal relations. In the book’s four parts, the authors unravel the contradictory ways New Zealanders nurture and eradicate, glorify and demonize, cherish and devour, and describe and imagine animals. The study brings together insights from New Zealand’s arts and literature, popular culture, historiography, media, and everyday life to describe and analyze their interactions with nga kararehe and nga manu, the beasts and birds of the land. In doing so, it illuminates fundamental aspects of New Zealand society: how New Zealanders understand their own identities and those of others; how they regard, inhabit and make use of the natural world; and how they think about what they buy, eat, wear, watch, and read. Rich, multifaceted, and engaging, A New Zealand Book of Beasts satisfyingly explores how culture both shapes and is shaped by the “beasts” of Aotearoa.