Melodies of Mourning invites the reader to rethink the place of ecology in music and emotion and how emotions transcend cultural difference. It explores senses of the environment in the Northern Territory of Australia and how sentiments of place and belonging are performed in song. It argues that the environment is not just a mnemonics for singing and dancing but the basis of performing and embedding ritualised sentiment. It shows how sounds and the senses shape feelings for the landscape and seascape and argues that strings of performative emotion are gendered in ritual. Exploring these themes in relation to Yolngu of north east Arnhem Land, the book finally considers how religious music and dance shape emotion across ancestral and Christian contexts.

The Yolngu Indigenous people in the Northeast Arnhem Land of Australia respond to neo-colonial challenges by continuing to affirm their political autonomy and transmit ‘Yolngu Law’, which are ways of knowing and being with the younger generation. They deal with non-indigenous institutions, through participation of bodies, language, things, images of movement and notions of mutual care, feelings and accountability. This book explores the Yolngu relational ontology and epistemology in the context of everyday practices, ritual ceremonies, bicultural education, vernacular Christianity and the production of popular music.

The Aboriginal Australians first arrived on the continent at least 60,000 years ago, occupying and adapting to a range of environmental conditions—from tropical estuarine habitats, densely forested regions, open plains, and arid desert country to cold, mountainous, and often wet and snowy high country. Cultures adapted according to the different conditions and adapted again to environmental changes brought about by rising sea levels at the end of the last ice age. European colonization of the island continent in 1788 not only introduced diseases to which Aborigines had no immunity but also began an enduring and at times violent conflict over land and resources. Reconciliation between Aborigines and the settler population remains unresolved. This second edition of the Historical Dictionary of Australian Aborigines contains a chronology, an introduction, an extensive bibliography, and more than 300 cross-referenced entries on the politics, economy, foreign relations, religion, and culture of the Aborigines. This book is an excellent resource for students, researchers, and anyone wanting to know more about the indigenous people of Australia.

The foremost authorities in the field of music from around the world have contributed twenty original essays for this volume, edited by Elizabeth May. Only European musics have been omitted, except insofar as they affect other musics discussed here. North American music is represented by the musics of the Native Americans and the Alaskan Eskimos. The essays are profusely illustrated with maps, drawings, diagrams, photographs, and music examples. There are extensive glossaries, bibliographies, and annotated film lists. The book is directed to readers seriously interested in acquainting themselves with musics beyond the confines of Western musicology. Contributors include Bruno Nettl, Kuo-huang Han and Lindy Li Mark, Kang-sook Lee, William P. Malm, David Morton, Bonnie C. Wade, Margaret J. Kartomi, Adrienne L. Kaeppler, Trevor A. Jones, Atta Annan Mensah, John Blacking, Alfred Kwashie Ladzekpo and Kobla Ladzekpo, Cynthia Tse Kimberlin, Jozef M. Pacholczyk, Ella Zonis, Abraham A. Schwadron, David P. McAllester, Lorraine D. Koranda, and Dale A. Olsen. Please note: this book was originally published with records. The edition available now does not include the records. We are hoping to make the original recordings available in some other way.

The Gift of Song: Performing Exchange in Western Arnhem Land tells the story of the return of physical and digital cultural materials through song and dance. Drawing on extensive, first-person ethnographic fieldwork in western Arnhem Land, Australia, Brown examines how Bininj/Arrarrkpi (Aboriginal people of this region) enact change and innovate their performance practices through ceremonial exchange. As Indigenous communities worldwide confront new social and environmental challenges, this book addresses the questions: How do Indigenous communities come to terms with legacies of taking and collecting? How are cultural materials in digital formats received and ritualised? How do traditional forms of exchange continue to mediate relationships? Combining ethnomusicological analysis and linguistically and historically informed ethnography, this book reveals how multilingualism and musical diversity are maintained through kun-borrk/manyardi, a major genre of Indigenous Australian song and dance. It retheorises the core anthropological concept of ‘exchange’ and enriches understanding of repatriation as a process of re-embedding tangible objects through intangible practices of ceremony and language.

Circulating Cultures is an edited book about the transformation of cultural materials through the Australian landscape. The book explores cultural circulation, exchange and transit, through events such as the geographical movement of song series across the Kimberley and Arnhem Land; the transformation of Australian Aboriginal dance in the hands of an American choreographer; and the indigenisation of symbolic meanings in heavy metal music. Circulating Cultures crosses disciplinary boundaries, with contributions from historians, musicologists, linguists and dance historians, to depict shifts of cultural materials through time, place and interventions from people. It looks at the way Indigenous and non-Indigenous performing arts have changed through intercultural influence and collaboration.

Indigenous Australian Culture covers a vast array of subjects on Indigenous Australian culture -- from fine arts to ceremonies, from legends to the culture's global influence.

A stirring, foot-stomping treasure-trove of more than 100 traditional songs that celebrate what it is to be Australian. Warren Fahey's AUStRALIAN FOLK SONGS AND BUSH BALLADS is a stirring, foot-stomping treasure-trove of more than 100 traditional songs that celebrate what it is to be Australian. these are not some dusty old songs to be thrown in a drawer and forgotten. they are songs to be sung with gusto whenever the spirit takes you - on holiday, at school, at a party, around the barbecue or kitchen table. You'll find the words and music for sing-along favourites such as 'Old Bullock Dray', 'Wild Colonial Boy', 'Stir the Wallaby Stew', 'the Old Bark Hut', 'Limejuice tub', 'Banks of the Condamine', 'Euabalong Ball', 'Augathella Station', 'Click Go the Shears', 'the Dying Stockman', 'the Overlanders' and 'Waltzing Matilda', plus the song we should all know the words to (but few of us do) - 'Advance Australia Fair'. there are also several bush songs published for the first time.Featuring fascinating background notes and liberally illustrated with rare images, this book is a must for anyone interested in Australia's musical and cultural history. And it has been collected by the one who knows them best: legendary folklorist and performer, Warren Fahey.