Native elders remember well the last of the old days. They are living links to the past and their stories have the vitality and immediacy--as well as the authenticity--of those who have lived in the traditional way and experienced the transition to the new. In the short space of two generations, elders have gone from traveling the coast in canoes to flying in float planes. Four representative groups of the Northwest Coast are the focus of this book: the Makah, Nuu-chah-nulth (Nootka), Southern Kwakiutl, and Nuxalk (Bella Coola). These people speak closely related languages and have strong cultural ties. In these pages they speak both of tradition and of an embattled present together with dreams of the future. In many ways this book is a native chronicle about being native. First-person accounts drawn from archival tapes and manuscripts plus scores of direct interviews enliven every facet of life described here: ceremonials and gathering; artwork and potlatch; trade and conflict; the environment, prehistory, and archaeological discoveries; the arrival of Whites and the fur trade, followed by settlement, and the consequence of change, including loss of lands. Woven throughout are reminiscences of the past, assessments of the present, and hopes and fears of the future. Stunning photographs, including rare historic photographs and contemporary pictures specifically taken for this book, and drawings present telling images of native people and show their links with the land and their adherence to tradition in the midst of change.

With his investigation of slavery on the Northwest Coast of North America, Leland Donald makes a significant contribution to our understanding of the aboriginal cultures of this area. He shows that Northwest Coast servitude, relatively neglected by researchers in the past, fits an appropriate cross-cultural definition of slavery. Arguing that slaves and slavery were central to these hunting-fishing-gathering societies, he points out how important slaves were to the Northwest Coast economies for their labor and for their value as major items of exchange. Slavery also played a major role in more famous and frequently analyzed Northwest Coast cultural forms such as the potlatch and the spectacular art style and ritual systems of elite groups. The book includes detailed chapters on who owned slaves and the relations between masters and slaves; how slaves were procured; transactions in slaves; the nature, use, and value of slave labor; and the role of slaves in rituals. In addition to analyzing all the available data, ethnographic and historic, on slavery in traditional Northwest Coast cultures, Donald compares the status of Northwest Coast slaves with that of war captives in other parts of traditional Native North America.

In the late 1700s, when Euro-Americans began to visit the Northwest Coast, they reported the presence of vigorous, diverse cultures--among them the Tlingit, Haida, Kwakwaka'wakw (Kwakiutl), Nuu-chah-nulth (Nootka), Coast Salish, and Chinookans--with a population conservatively estimated at over 180,000. A century later only about 35,000 were left. The change was brought about by the introduction of diseases that had originated in the Eastern Hemisphere, such as smallpox, malaria, measles, and influenza. The Coming of the Spirit of Pestilence examines the introduction of infectious diseases among the Indians of the Northwest Coast culture area (present-day Oregon and Washington west of the Cascade Mountains, British Columbia west of the Coast Range, and southeast Alaska) in the first century of contact and the effects of these new diseases on Native American population size, structure, interactions, and viability. The emphasis is on epidemic diseases and specific epidemic episodes. In most parts of the Americas, disease transfer and depopulation occurred early and are poorly documented. Because of the lateness of Euro-American contact in the Pacific Northwest, however, records are relatively complete, and it is possible to reconstruct in some detail the processes of disease transfer and the progress of specific epidemics, compute their demographic impact, and discern connections between these processes and culture change. Boyd provides a thorough compilation, analysis, and comparison of information gleaned from many published and archival sources, both Euro-American (trading-company, mission, and doctors' records; ships' logs; diaries; and Hudson's Bay Company and government censuses) and Native American (oral traditions and informant testimony). The many quotations from contemporary sources underscore the magnitude of the human suffering. The Coming of the Spirit of Pestilence is a definitive study of introduced diseases in the Pacific Northwest. For more information on the author go to http: //roberttboyd.com/

Easy to use and easy to read, Understanding Northwest Coast Art is an essential source for understanding and visually identifying the underlying themes and subjects of Northwest Coast Native art. The first section of this book features an alphabetical list of words relating to Northwest Coast art, with definitions, descriptions and explanations and synopses of the major myths associated with them. As an aid to identification and understanding, many of the crests, beings and symbols are illustrated in the 60 black-and-white reproductions of contemporary works of art. The second section offers descriptions of the art styles and types of decorated objects created by the various Northwest Coast cultural groups.

The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027

In the dense rainforest of the west coast of Vancouver Island, the Somass River (c̓uumaʕas) brings sockeye salmon (miʕaat) into the Nuu-chah-nulth community of Tseshaht. C̓uumaʕas and miʕaat are central to the sacred food practices that have been a crucial part of the Indigenous community’s efforts to enact food sovereignty, decolonize their diet, and preserve their ancestral knowledge. In A Drum in One Hand, a Sockeye in the Other, Charlotte Coté shares contemporary Nuu-chah-nulth practices of traditional food revitalization in the context of broader efforts to re-Indigenize contemporary diets on the Northwest Coast. Coté offers evocative stories of her Tseshaht community’s and her own work to revitalize relationships to haʔum (traditional food) as a way to nurture health and wellness. As Indigenous peoples continue to face food insecurity due to ongoing inequality, environmental degradation, and the Westernization of traditional diets, Coté foregrounds healing and cultural sustenance via everyday enactments of food sovereignty: berry picking, salmon fishing, and building a community garden on reclaimed residential school grounds. This book is for everyone concerned about the major role food plays in physical, emotional, and spiritual wellness.

From the SAA Press Current Perspectives Series, this concise overview of the archeology of the Northwest Coast of North America challenges stereotypes about complex hunter-gatherers. Madonna Moss argues that these ancient societies were first and foremost fishers and food producers and merit study outside socio-evolutionary frameworks. Moss approaches the archaeological record on its own terms, recognizing that changes through time often reflect sampling and visibility of the record itself. The book synthesizes current research and is accessible to students and professionals alike.

In 1884, the Canadian government enacted a ban on the potlatch, the foundational ceremony of the Haida people. The tradition, which determined social structure, transmitted cultural knowledge, and redistributed wealth, was seen as a cultural impediment to the government’s aim of assimilation. The tradition did not die, however; the knowledge of the ceremony was kept alive by the Elders through other events until the ban was lifted. In 1969, a potlatch was held. The occasion: the raising of a totem pole carved by Robert Davidson, the first the community had seen in close to 80 years. From then on, the community publicly reclaimed, from the Elders who remained to share it, the knowledge that has almost been lost. Sara Florence Davidson, Robert’s daughter, would become an educator. Over the course of her own education, she came to see how the traditions of the Haida practiced by her father—holistic, built on relationships, practical, and continuous—could be integrated into contemporary educational practices. From this realization came the roots for this book.