In this collection of essays, various manifestations of traditional as well as modern and postmodern themes and techniques in Arabic literature are explored. For the first time the tripartite concepts of tradition, modernity, and postmodernity in Arabic literary works are analyzed in one volume.

Kolb discusses postmodern architectural styles and theories within the context of philosophical ideas about modernism and postmodernism. He focuses on what it means to dwell in a world and within a history and to act from or against a tradition.

When studying social practices that are regarded as traditional, 'tradition' is usually seen as an element of meaning. Whose meaning is it? Is it a meaning generated by those who study tradition or those who are being studied? In both cases, particular criteria for traditionality are employed, whether these are explicated or not. The individuals, groups of people and institutions that are studied may continue to uphold their traditions or name their practices traditions without having to state in analytical terms their criteria for traditionality. This cannot, however, apply to people who make the study of traditions their profession, especially those engaged in the academic field of the 'science of tradition,' a paraphrase given to folklore studies. Traditions call for explanation, instead of being merely described or used as explanations for apparent repetitions, reiterations, replications, continuations or symbolic linking in social practice, values, meaning, culture, and history. In order to explain the concept of tradition and the category of the traditional, scholars must situate its use in particular historically specific discourses -- ways of knowing, speaking, conceptualisation and representation -- in which social acts receive their meanings as traditional. This book argues that since the concepts of tradition and modern are fundamentally modern, what they aim to and are able to describe, report and denote is epistemologically modern, as that which is regarded as non-modern and traditional is appropriated into modern social knowledge through modern concepts and discursive means. Modernity cannot represent non-modernity without modern mediation, which therefore makes the representations of non-modernity also modern. Accordingly, the book deals with the modernness of objectifying, representing and studying folklore and oral traditions. The first section focuses on modern and tradition as modern concepts, and the conception of folklore and its study as a modern trajectory. The second section discusses the politics of folklore with regard to nationalism, and the role of folk tradition in the production of nation-state identity in Finland.

Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.

Reverse Tradition invites the reader of postmodern fiction to travel back to the nineteenth-century novel without pretending to let go of contemporary anxieties and expectations. What happens to the reader of Beckett when he or she returns to Melville? Or to the enthusiast of Toni Morrison who rereads Charlotte Bronte? While Robert Kiely does not claim that all fictions begin to look alike, he finds unexpected and illuminating pleasures in examining a variety of ways in which new texts reflect on old. In this engaging book, Kiely not only juxtaposes familiar authors in unfamiliar ways; he proposes a countertradition of intertextuality and a way to release the genie of postmodernism from the bottleneck of the late twentieth century. Placing the reader's response at the crux, he offers arresting new readings by pairing, among others, Jorge Luis Borges with Mark Twain, and Maxine Hong Kingston with George Eliot. In the process, he tests and challenges common assumptions about transparency in nineteenth-century realism and a historical opacity in early and late postmodernism.

History of buildings, groups of buildings, the styles in which they were built, and the architects responsible for them from Stonehenge to the present.

Not so long ago it would have been fair to say that the Catholic Church and the Catholic faith determined human life and social existence, more or less unquestioned, in Flanders and in a large part of Western Europe. The Catholic faith community in Flanders today, however, is struggling with the fact that the transmission of the Christian tradition has been flagging in recent years. This has not only led to diminished faith engagement and a massive decline in church attendance, it has also had its effects in the cultural domain: culture has become de-traditionalised; 'traditional' Christian culture is worn out. Even convinced Christians are having problems reflecting on the plausibility of their faith, precisely because of the chasm that has opened up between faith and culture. The author of the present study argues that every new context challenges the Christian tradition to recontextualise its presentation of meaning and purpose in a cogent and credible fashion. Christians today do themselves a disservice when they withdraw into a world of absolute self-justification. At the same time, however, the author avoids any form of appeal for an extensive adaptation to the postmodern context. Only a new dialogue between tradition and culture, respectful of (and indeed thanks to) the growing division between both, can claim to offer a future. In the first part of the book the author provides a pithy description of the vicissitudes of the Christian tradition in modernity and postmodernity. Against this background, he attempts to clarify the situation in which the Christian tradition finds itself today. The second part of the book is devoted to an analysis of the actual context with a view to establishing points of intersection on the basis of which the dialogue between faith and culture may be revivified. The third part of the book endeavours to provide this dialogue with concrete form. The reader is introduced to a challenging image of Jesus, an image that is contextual and theologically motivated, prior to being invited by the author into a reopened reflection on God. The volume concludes by drawing renewed attention to the place of the Christian faith in relation to the other world religions. The results of Boeve's study reveal that Christians do indeed have the capacity to reflect on their faith in a credible and relevant manner in relation to the actual context in which they find themselves and without relapsing into the extremes of traditionalism or relativism. Lieven Boeve is professor of Fundamental Theology at the Faculty of Theology, K.U.Leuven (Belgium). He is also co-ordinator of the research group Theology in a postmodern context.

Addresses the promises and perils of postmodernity for the church today.

The Cambridge History of Postmodern Literature offers a comprehensive survey of the field, from its emergence in the mid-twentieth century to the present day. It offers an unparalleled examination of all facets of postmodern writing that helps readers to understand how fiction and poetry, literary criticism, feminist theory, mass media, and the visual and fine arts have characterized the historical development of postmodernism. Covering subjects from the Cold War and countercultures to the Latin American Boom and magic realism, this History traces the genealogy of a literary tradition while remaining grounded in current scholarship. It also presents new critical approaches to postmodern literature that will serve the needs of students and specialists alike. Written by a host of leading scholars, this History will not only engage readers in contemporary debates but also serve as a definitive reference for years to come.