Kolb discusses postmodern architectural styles and theories within the context of philosophical ideas about modernism and postmodernism. He focuses on what it means to dwell in a world and within a history and to act from or against a tradition.

This is the first bibliography of Postmodernism to take account of work published in all subject areas and in all languages. Deborah Madsen has identified a new first occurrence of the term in 1926, preceding by more than twenty years the first occurence documented by the Oxford English Dictionary. In a chronological listing, books, articles, notes, letters and working papers on Postmodernism are described with full bibliographical details. Reviews of major books are documented and full contents listings are given for special issues of journals devoted to Postmodernism. An appendix includes books on Postmodernism announced for publication in 1995. This bibliography brings together in one place all secondary material published on Postmodernism. All disciplines are included, from anthropology to zoology: architecture, cultural studies, dance, drama, feminism, fiction, geography, history, legal studies, literary theory, mathematics, medicine, music, pedagogical theory, philosophy, photography and film, poetry, politics, religion, sociology, the visual and plastic arts, and others. The bibliography also documents items in a range of languages other than English: Chinese, French, German, Italian, Japanese, Russian, Slovanian, Spanish, and the Scandinavian languages. Access to the information contained in the bibliography is made easy with a comprehensive index providing guidance according to author, subject, language, and key words. Postmodernism: A Bibliography, 1926-1994 is an essential reference text for anyone working in the area of contemporary culture studies.

This book presents a groundbreaking analysis of the emergence of a pos tmodern paradigm in theory, the arts, science, and politics. From the authors of Postmodern Theory, the much-acclaimed introduction to key p ostmodern thinkers and themes, The Postmodern Turn ranges over diverse intellectual and artistic terrain--from architecture, painting, liter ature, music, and politics, to the physical and biological sciences. C ritically engaging postmodern theory and culture, Steven Best and Doug las Kellner illuminate our momentous transition between a modernist pa st and a future struggling to define itself.

At last! Everything you ever wanted to know about postmodernism but were afraid to ask. Hans Bertens' Postmodernism is the first introductory overview of postmodernism to succeed in providing a witty and accessible guide for the bemused student. In clear and straightforward but always elegant prose, Bertens sets out the interdisciplinary aspects, the critical debates and the key theorists of postmodernism. He also explains, in thoughtful and illuminating language, the relationship between postmodernism and poststructuralism, and that between modernism and postmodernism. An enjoyable and indispensible text for today's student.

A comprehensive guide to the scope of contemporary urban design theory in Europe and the USA.

This title was first published in 2001. Autonomy and Normativity explores central topics in current philosophical debate, challenging the prevailing post-modern dogma that theory, practice and art are captive to contingent historical foundations by showing how foundational dilemmas are overcome once validity is recognized to reside in self-determination. Through constructive arguments covering the principal topics and controversies in epistemology, ethics, and aesthetics, Autonomy and Normativity demonstrates how truth, right and beauty can retain universal validity without succumbing to the mistaken Enlightenment strategy of seeking foundations for rational autonomy. Presenting a compact, yet comprehensive statement of a powerful and provocative alternative to the reigning orthodoxies of current philosophical debate, Richard Winfield employs Hegelian techniques and focus to object to opponents, and presents a radical and systematic critique of the work of mainstream thinkers including Kant, Rawls, Husserl, Habermas and others. The ramifications for the legitimation of modernity are thoroughly explored, in conjunction with an analysis of the fate of theory, practice and art in the modern world. This book offers an invaluable resource for students of both analytic and continental philosophical traditions, and related areas of law, social theory and aesthetics.

"We are becoming fluid and many-sided. Without quite realizing it, we have been evolving a sense of self appropriate to the restlessness and flux of our time. This mode of being differs radically from that of the past, and enables us to engage in continuous exploration and personal experiment. I have named it the 'protean self,' after Proteus, the Greek sea god of many forms."—from The Protean Self "A fascinating and appealing book. . . . As he revises the psychology of the self, Dr. Lifton is subtle, even profound, in drawing a line between multiplicity and fragmentation. To those who are nostalgic for the age of the unitary ego, his message is that it is better to be fluid, resilient and on the move than to be firm, fixed, self-assured and settled. To those who worry that the post-modern age is an age of shattered selves, dissociative states, multiple personality disorders and identity diffusion, Dr. Lifton brings the good news that discontinuity can be a mirror of reality, and the standard for a reasonable life."—Richard A. Shweder, New York Times "Lifton has challenged the conventional social-scientific wisdom of the last half century. . . .He has called attention to the emergence of a new form of self and considered it in a bold and imaginative light."—Howard Gardner, Boston Book Review

This book brings together the core writings on architecture by key philosophers and cultural theorists of the twentieth century - the very best theoretical writings on the ideas which have shaped our cities and experiences of architecture.

Analysing a broad range of texts by inventors, cultural critics, photographers, and novelists, this book argues that Victorian photography ultimately defined the concept of memory for generations to come – including our own. The book will be of interest to students of Victorian and modernist literature, visual culture and intellectual history, as well as scholars working within the emerging field of research at the intersection of photographic and literary studies.