From the author of Blues Dancing and Tumbling—a writer who “ought to be classified among the best of all contemporary fiction writers period” (Detroit Free Press)—comes a riveting novel about the desire for redemption and rebirth Moving across moments in time, Trading Dreams tells the story of a woman and the grandmother she is deeply connected by love and terrible pain. For years, 33-year-old Neena has waged a relentless search for Freeda, the mother who abandoned her 20 years ago. Neena supports herself by blackmailing married men, but when a stong goes wrong, she finds herself on the run, back to her younger sister, Tish, in Philadelphia. But returning brings terrible grief—and unexpected hope as Neena learns to face the past, her grandmother, and herself. A settled church lady and gifted seamstress, Nan is devoted to her granddaughter, Tish, who is soon to become a mother herself. A vibrant, passionate woman, Nan worries that in some way she caused her daughter Freeda’s instability. Neena’s returning holds unexpected consequences for Nan, too, and eventually she must confront her denial and fears—about the past and the future. In a style that has been characterized as “accessible Toni Morrison,” and “literary Terry McMillan,” Diane McKinney-Whetstone has crafted another powerful story of love, loss, community, and healing that captures what it means to be human.

A beautiful and uplifting debut from one of the,most exciting voices in new black fiction.,.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

“Vibrant. . . . Completely engaging. . . . A unique blend of poetic language and graphic depictions of the injustices suffered by African Americans in the post-Civil War period.”— Booklist (starred review) Diane McKinney-Whetstone's stunning historical novel, Lazaretto, begins in the chaotic back streets of post-Civil War Philadelphia as a young black woman, Meda, gives birth to a child fathered by her wealthy white employer. In a city riven by racial tension, the father’s transgression is unforgivable. He arranges to take the baby, so it falls to Sylvia, the midwife’s teenage apprentice, to tell Meda that her child is dead—a lie that will define the course of both women’s lives. A devastated Meda dedicates herself to working in an orphanage and becomes a surrogate mother to two white boys; while Sylvia, fueled by her guilt, throws herself into her nursing studies and finds a post at the Lazaretto, the country’s first quarantine hospital, situated near the Delaware River, just south of Philadelphia. The Lazaretto is a crucible of life and death; sick passengers and corpses are quarantined here, but this is also the place where immigrants take their first steps toward the American dream. The live-in staff are mostly black Philadelphians, and when two of them arrange to marry, the city’s black community prepares for a party on its grounds. But the celebration is plunged into chaos when gunshots ring out across the river. As Sylvia races to save the victim, the fates of Meda’s beloved orphans also converge on the Lazaretto. Here conflicts escalate, lies collapse, and secrets begin to surface. Like dead men rising, past sins cannot be contained.

Knowledge about one’s linguistic background, especially when it is different from mainstream varieties, provides a basis for identity and self. Ancestral values can be upheld, celebrated, and rooted further in the consciousness of its speakers. In the case of African American Vernacular English (AAVE) the matter is not straightforward and, ultimately, the social implications its speakers still face today are unresolved. Through detailed analysis of the four building blocks phonology, morphology, syntax, and vocabulary, Sophia Huber tries to trace the development of AAVE as a literary dialect. By unearthing in what ways AAVE in its written form is different from the spoken variety, long established social stigmata and stereotypes which have been burned into the consciousness of the USA through a (initially) white dominated literary tradition will be exposed. Analysing fourteen novels and one short story featuring AAVE, it is the first linguistic study of this scope.

Offering a fresh perspective on women's fiction for a broad reading audience—fans as well as librarians—this book defines and maps the genre, and describes hundreds of relevant titles. Women's Fiction: A Guide to Popular Reading Interests celebrates the books in this broad genre—titles that explore the lives of female protagonists, with a focus on their relationships with family, friends, and lovers. After a brief introductory history and a chapter that defines the characteristics of women's fiction, the author showcases annotations and suggestions of approximately 300 titles by more than 100 authors. She explains how women's fiction differs from romance fiction, enabling readers to appreciate this rich body of literature that encompasses titles as diverse as Meg Cabot's lighthearted chick lit to the more serious novels of Elizabeth Berg and Maeve Binchy. The book identifies some of the most popular and enduring women's fiction authors and titles, and provides invaluable reading lists and readalike suggestions that will be appreciated by both librarians and general readers.

For more than two hours or more every individual on earth dreams. The dreams might be bad or good, but if they are bad, it indicates an evil attack on such person. This book contains powerful night prayers that will put an end to bad dreams. You will also discover various types of bad dreams, their meanings and powerful prayers that specifically address each category of bad dreams. This book is invaluable for those that desire good dreams and sleep well.

Class, race, and sexuality converge in this page-turning story of desire, jealousy, and survival. Set in west Philadelphia in the early sixties, Tempest Rising tells the story of three sisters, Bliss, Victoria, and Shern, budding adolescents raised in a world of financial privilege among the upper-black-class. But their lives quickly unravel as their father's lucrative catering business collapses. When their father disappears suddenly, he is presumed dead, sending their mother spiraling into an apparent breakdown. The girls are wrenched from their mother and dumped into foster care in a working-class neighborhood in the home of Mae, a politically connected card shark. Though Mae lavishes affection onto her foster children, she is abusive to her own child, Ramona, a twenty-something stunning beauty. As Ramona struggles with Mae's abuse and her own hatred for the foster children, she also tries to keep at bay a powerful attraction she has for her boyfriend's father. In Tempest Rising, McKinney-Whetstone richly evokes the early 1960s in west Philadelphia in this story of loss and healing, redemption, and love.

James Rahn has led the Rittenhouse Writers' Group since he founded it in 1988, making it one of America's longest-running independent fiction workshops. Hundreds of writers and would-be writers have sought out the group for its remarkable level of instruction and collaboration. Rittenhouse Writers is Rahn's memoir of the workshop and how his own evolution as both a teacher and a writer—and as a son, husband, and (somewhat reluctant) father—has been intertwined with the establishment and growth of the RWG. In addition, Rahn includes ten short stories written by current and former members of the workshop. Rahn graduated from the University of Pennsylvania and earned an MFA at Columbia. He then began to imagine a future that included more than just writing, one that would also tap his aspiration to offer other writers support and motivation, tough but gentle—his self-described "Iron Fist in the Velvet Glove" approach. After all, as he says more than once, "Writing is hard." Over the years, James Rahn has witnessed every imaginable writing-group scenario, from awkward flirtations to suicide scares, catty critiques, near fistfights, and of course the satisfaction of watching someone's writing soar. With insight gained through years of observation and participation, and a discerning eye for amusing detail, he takes us along for the journey. Rahn's struggle to perfect his role as instructor runs throughout the narrative, as does his effort to balance that role with the friendships he forms in the group, and to keep up with his own writing while still giving the group the attention it needs to flourish. Through his eyes, we catch the spark of the workshop's spirit and get to meet various spirits who have invigorated Rittenhouse Writers' Group. Rahn cuts back and forth, reflecting, not only on the workshop, but also on his days as a high school dropout in Atlantic City, dead-end jobs and hopeless moves, the difficulty of his mother's decline and death, and his own unexpected plunge into parenthood—when, at age 51, he and his wife took on the responsibility of raising her two young nieces. His memoir serves, in a way, as an introduction to the short stories that follow; and the stories—as surprising and varied as the writers Rahn describes working with—stand as a fitting coda to Rahn's tale and offer another window onto his life's work. "James Rahn, Jersey boy and Philadelphia treasure, has written a moving and insightful book about what happens when you create something vibrant and necessary and stick around for the long haul, whether it's teaching, writing, friendships, or love. The answers aren't always simple, and Rahn explores them with the same gusto, honesty, wry humor, and generosity of spirit he brings to his fiction and his famous workshops. This book is a powerful reminder of the importance of community and mentorship in the making of literature."—Sam Lipsyte The 10 short stories included in Rittenhouse Writers: "On Fire" by Gwen Florio "Mother—6/7 Months" by Romnesh Lamba "Moon Penitent" by Diane McKinney-Whetstone "The Last Confession" by Tom Teti "Ivory Is Wrong About Me" by Caren Litvin "The Conference Rat" by Samantha Gillison "Dropping a Line into the Murky Chop" by Saral Waldorf "What She Missed" by Lisa Paparone "Kingdom of the Sun" by Alice Schell "The Letters of Hon. Crawford G. Bolton III" by Daniel R. Biddle

From New York Times bestselling author Joanne Harris comes a richly imagined and captivating novel of two colliding worlds. Deep in the heart of London, a young photographer named Tom Argent walks the streets and captures whatever catches his eye: an old man drinking coffee; a striking woman sipping champagne in St. Pancras station; a cloud of moths taking flight across the sky. He’s orphaned, lonely, and lost in his work. He certainly has no intention of falling in love. And yet, love finds him in the shape of beautiful Vanessa, who lives a dangerous double life in the heart of the city. Tom’s pursuit of Vanessa leads him to discover an alternate world, hiding in plain sight among the streets and rooftops of London. A world unseen by common folk and inhabited by strange and colorful beings, in which two warring factions—one nocturnal, one in the light—wage war for the sake of a long-lost love, which can only end with one side’s total annihilation. The Moonlight Market will enchant readers with new worlds and epic romance and in this captivating modern fairytale about what could be hiding in the corner of your eye.