The intimate memoirs of one of the most acclaimed and controversial artists of her generation. Here I am, a fucked, crazy, anorexic-alcoholic-childless, beautiful woman. I never dreamt it would be like this. 'Frequently affecting...intriguing, almost incantatory' Telegraph Tracey Emin's Strangeland is her own space, lying between the Margate of her childhood, the Turkey of her forefathers and her own, private-public life in present-day London. Her writings, a combination of memoirs and confessions, are deeply intimate, yet powerfully engaging. Tracey retains a profoundly romantic world view, paired with an uncompromising honesty. Her capacity both to create controversies and to strike chords is unequalled in British life. A remarkable book - and an original, beautiful mind. 'As spare and poignant as one of Emin's line drawings' Marie Claire

Tracey Emin is one of Great Britain's best-known and most controversial artists. This catalogue accompanies the first major survey exhibition of Tracey Emin's work at the Hayward Gallery in London since her rise to prominence in the 1990s. Bringing together suites of works from across the artist's career emphasising the diversity of her dynamic practice, the exhibition spotlights her achievements in a wide variety of media, including sculpture, drawing, painting, text-based works, photographs, video and performance. The book is conceived and produced in close collaboration with the artist and designed by Graphic Thought Facility, London. The exhibition shows at Hayward Gallery, London, 18 May - 29 August 2011

An anthology of pieces artist Tracey Emin wrote for The Independent newspaper in London, a weekly column that ran between 2005 and 2009, that touch on everything from the themes behind her work to her process, inspirations, and her alternately humorous and profound observations of daily life. Moving from diatribes on contemporary art and culture to confessional pieces chronicling her travels abroad and reflecting on her private life in London, the columns bring together elements of essay and diary that present a unique perspective on life and the work of the queen of the young British artists.

Tracey Emin first came to public attention in the early 1990s and has gone on to achieve a level of visibility unparalleled for an artist in recent times. Her use of intensely personal, everyday materials gives her work an intimate quality, combining avant-garde ideas with traditions of craft. Employing a variety of media that have included installation, film and video, prints and drawings, neon, fabric and artists' books, Emin has built up a formidable body of work whilst maintaining a distinctive artistic vision that is all her own.

"The most highly publicized of the infamous Young British Artists, Emin has stirred as much controversy as she has acclaim, being both highly personal and extremely original in her art. Emin's work is engaging, titillating, disturbing, and startlingly confessional. One of her most famous pieces is Everyone I Ever Slept With 1963-1995, a tent appliquEd with names. Another notorious work, My Bed--the scene where she spent four days contemplating suicide--was exhibited at Tate Britain when the artist was short-listed for the Turner prize in 1999. Though denounced by conservative critics at the outset, Emin's work has attracted serious critical attention for more than a decade. In the words of Art in America, "What brought Emin to prominence was shock value, but what keeps her work powerful as she continues is the strength and nuance of its form and content." Compiled in close collaboration with the artist herself--and unprecedented in its scope--this is the definitive book on Emin, featuring drawings, paintings, sculptures, appliquEs and embroideries, neon and video stills as well as her own writing."--Publisher's website.

Accompanies the exhibition Tracy Emin: Angel without you, Museum of Contemporary Art, North Miami, Dec. 4, 2013-Mar. 9, 2014.

Catalog of an exhibition held at the British Pavilion, 52nd Venice Biennale, June 10-Nov. 21, 2007.

A journey through the life of British artist Tracey Emin using photographs from her personal collection

Published to accompany the first UK retrospective of Emin's work, covering her output during the last 20 years.

Regarded as one of the world's leading contemporary artists, Tracey Emin (born 1963) has gained international acclaim for her blunt, personal and revealing style, which elicits a broad spectrum of emotions ranging from shock to empathy to self-reflection. Drawing on personal experience, Emin often reveals painful situations with brutal honesty and poetic humor. I Followed You to the Sun features a very personal collection of works titled the Lonely Chair drawings, which are published here for the first time. In this series of self-portraits, Emin depicts a solitary female in her signature gestural style. The images are drawn from photographs that Emin took of herself and convey poignant emotions of longing and sadness. Emin's musings on love and loneliness are interspersed throughout the book and further illustrate the subconscious nature of the drawings. This artist's book is published on the occasion of Emin's exhibitions at both of Lehmann Maupin's New York locations.