What happened to the ancient Egyptians? The Persians? The Romans? The Mayans? ARE WE THEIR DESCENDANTS? Recent genetic discoveries are uncovering surprising links between us and the peoples of old—links that rewrite race, ethnicity, and human history. Today’s Native Americans descend from Central Asians who arrived in the early A.D. era. Abraham, Isaac, and Jacob still have clearly identifiable descendants, albeit rare ones. Every people group on earth can genetically trace their origins to Noah and his three sons.

In most college and university libraries, materials published before 1800 have been moved into special collections, while the post-1923 books remain in general circulation. But books published between these dates are vulnerable to deaccessioning, as libraries increasingly reconfigure access to public-domain texts via digital repositories such as Google Books. Even libraries with strong commitments to their print collections are clearing out the duplicates, assuming that circulating copies of any given nineteenth-century edition are essentially identical to one another. When you look closely, however, you see that they are not. Many nineteenth-century books were donated by alumni or their families decades ago, and many of them bear traces left behind by the people who first owned and used them. In Book Traces, Andrew M. Stauffer adopts what he calls "guided serendipity" as a tactic in pursuit of two goals: first, to read nineteenth-century poetry through the clues and objects earlier readers left in their books and, second, to defend the value of keeping the physical volumes on the shelves. Finding in such books of poetry the inscriptions, annotations, and insertions made by their original owners, and using them as exemplary case studies, Stauffer shows how the physical, historical book enables a modern reader to encounter poetry through the eyes of someone for whom it was personal.

With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.

The theory of traces employs techniques and tackles problems from quite diverse areas which include formal language theory, combinatorics, graph theory, algebra, logic, and the theory of concurrent systems. In all these areas the theory of traces has led to interesting problems and significant results. It has made an especially big impact in formal language theory and the theory of concurrent systems. In both these disciplines it is a well-recognized and dynamic research area. Within formal language theory it yields the theory of partially commutative monoids, and provides an important connection between languages and graphs. Within the theory of concurrent systems it provides an important formal framework for the analysis and synthesis of concurrent systems.This monograph covers all important research lines of the theory of traces; each chapter is devoted to one research line and is written by leading experts. The book is organized in such a way that each chapter can be read independently ? and hence it is very suitable for advanced courses or seminars on formal language theory, the theory of concurrent systems, the theory of semigroups, and combinatorics. An extensive bibliography is included. At present, there is no other book of this type on trace theory.

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From one of the foremost medievalists of our time, a groundbreaking work on history and memory that goes well beyond the life of this influential saint. Elected bishop of Milan by popular acclaim in 374, Ambrose went on to become one of the four original Doctors of the Church. There is much more to this book, however, than the captivating story of the bishop who baptized Saint Augustine in the fourth century. Trace and Aura investigates how a crucial figure from the past can return in different guises over and over again, in a city that he inspired and shaped through his beliefs and political convictions. His recurring lives actually span more than ten centuries, from the fourth to the sixteenth. In the process of following Ambrose’s various reincarnations, Patrick Boucheron draws compelling connections between religion, government, tyranny, the Italian commune, Milan’s yearning for autonomy, and many other aspects of this fascinating relationship between a city and its spiritual mentor who strangely seems to resist being manipulated by the needs and ambitions of those in power.

Dr. Kay Scarpetta, now freelancing from south Florida, returns to the city that turned its back on her five years ago. Richmond, Virginia’s recently appointed chief medical examiner claims that he needs Scarpetta’s help to solve a perplexing crime. When she arrives, however, Scarpetta finds that nothing is as she expected: her former lab is in the final stages of demolition; the inept chief isn’t the one who requested her after all; her old assistant chief has developed personal problems that he won’t reveal; and a glamorous FBI agent, whom Scarpetta dislikes instantly, meddles with the case. Deprived of assistance from colleagues Benton and Lucy, who are embroiled in what first appears to be an unrelated attempted rape by a stalker, Scarpetta is faced with investigating the death of a fourteen-year-old girl, working with the smallest pieces of evidence—traces that only the most thorough hunters can identify. She must follow the twisting leads and track the strange details in order to make the dead speak—and to reveal the sad truth that may be more than even she can bear…

CAUGHT IN THE CROSSFIRE OF VENGEANCE AND DESIRE Undercover mercenary Trace Rivers loves the adrenaline rush of a well-planned mission. First he’ll earn the trust of corrupt businessman Murray Coburn, then gather the proof he needs to shut down the man’s dirty smuggling operation. It’s a perfect scheme—until Coburn’s long-lost daughter saunters in with her own deadly plan for revenge. With a smile like an angel and fire in her eyes, Priscilla Patterson isn’t who she seems to be. But neither is the gorgeous bodyguard who ignites all her senses. Joining forces to plot Coburn’s downfall, Priss and Trace must fight the undeniable heat between them. For one wrong move, one lingering embrace, will expose them to the wrath of a merciless opponent….

"I heard some things about you.... I just wondered if the rumors were true." "Like what?" "Don't you know? I mean, don't you know what's going around?" "Yeah, I know. Who told you?" "I don't want to say- I promised. But... is it true?" I held my breath, surprised at my own boldness. Trace said nothing at first. But I could hear him breathing. Had I made a mistake in asking him? I sat there holding the phone in anticipation, sharing the open line between us. I looked out my bedroom window, past the pink curtains, beyond the safety of all I knew, and stared into the darkness. Finally, Trace spoke. "Yeah. It's true." "It is?" "Yeah. Does that scare you? "No." "Really? Well, it could.... If you knew everything, you might really be afraid." It's 1988 and school is back in session at Fairview High. That means freshly waxed floors, the sound of lockers slamming and bells ringing through the halls. For one student, the challenge of a new school and new friends will be just the beginning of what she faces her freshman year when she meets Trace Erring, an older boy with a dark secret. Pursued by Trace, almost immediately, she is captivated by his mystery as well as his persistence. In her search to learn more about Trace, she soon finds herself drawn into a strange new world, seeking help from an unlikely source.

A sumptuous exploration of the work of renowned costume embroiderer, Michele Carragher. Staggeringly detailed and sumptuously worked, Michele Carragher's embroidered art is breathtaking to behold. This rich and detailed insight into her work guides you from her initial ideas, right through to the finished, astonishing pieces of work. Rich in symbolism and drawing inspiration from throughout history, the book contains three created, embroidered artifacts: a lavish glove, jeweled bodice and Japanese-style hair pin. From these she extracts a narrative which becomes the basis for three embroidered artworks, exploring themes of human duality and our behavioral effects on society and the planet. The book begins with an immersive, exquisitely photographed gallery tour of all the pieces, showcasing Michele's work in incredible detail. Following on from this, each artifact and artwork is discussed in detail, giving insight into the working process, creative choices and techniques used. Michele has worked for many years in the film and TV industry, including as Costume Embroiderer for HBO's Game of Thrones, and HBO's 2005 costume Emmy award winning production of Elizabeth 1. The last chapter of the book will feature a selection of images from her inspiring catalog of work.