Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese? By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era. Using close reading of several novels and short stories as well as the analysis of various other texts and paratextual materials, Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan.

Arguably the greatest military commander in the history of the samurai, Toyotomi Hideyoshi rose from the ranks of the peasantry to rule over all Japan. A student of the great unifier Oda Nobunaga, Hideyoshi would later avenge the murder of his master at the battle of Yamazaki. After consolidating his position, Hideyoshi went on the offensive, conquering the southern island of Kyushu in 1587 and defeating the Hojo in 1590. By 1591, he had accomplished the reunification of Japan. This book looks at the complete story of Hideyoshi's military accomplishments, from his days as a tactical leader to his domination of the Japanese nation.

Here is the first full-length biography in English of the most important political figure in premodern Japan. Hideyoshi—peasant turned general, military genius, and imperial regent of Japan—is the subject of an immense legendary literature. He is best known for the conquest of Japan’s sixteenth-century warlords and the invasion of Korea. He is known, too, as an extravagant showman who rebuilt cities, erected a colossal statue of the Buddha, and entertained thousands of guests at tea parties. But his lasting contribution is as governor whose policies shaped the course of Japanese politics for almost three hundred years. In Japan’s first experiment with federal rule, Hideyoshi successfully unified two hundred local domains under a central authority. Mary Elizabeth Berry explores the motives and forms of this new federalism which would survive in Japan until the mid-nineteenth century, as well as the philosophical question it raised: What is the proper role of government? This book reflects upon both the shifting political consciousness of the late sixteenth century and the legitimation rituals that were invoked to place change in a traditional context. It also reflects upon the architect of that change—a troubled parvenu who acted often with moderation and sometimes with explosive brutality.

Hideyoshi, who called himself the Swordless Samurai, is the Japanese Horatio Alger. He was of peasant origin, but by bonding to powerful Lord Nobunaga, and being useful to him day and night, Hideyoshi secured a powerful patron. Much later, Hideyoshi became the most powerful man in Japan. This book tells how he did it.

Towards the end of the 16th century three outstanding commanders brought Japan's century of civil wars to an end, but it was Tokugawa Leyasu who was to ensure a lasting peace. In terms of his strategic and political achievements Leyasu ranks as Japan's greatest samurai commander. Leyasu possessed the rare wisdom of knowing who should be an ally and who was an enemy, a key skill for a successful military leader. Leyasu's crowning victory at Sekigahara depended on the defection to his side of Kobayakawa Hideaki, and the absence from the scene of Ieyasu's son Hidetada serves to illustrate how just once there was a failure in Ieyasu's otherwise classic strategic vision. To establish his family as the ruling clan in Japan for the next two and a half centuries was abundant proof of his true greatness.

“Hideyoshi made a strangled noise, words stifled by his rage. . . . [He] flew down from the dais, the toes of his gold brocade socks flashing over ten green grass mats in a second. Soji’s body was kicked from the corridor like a ball, hitting the stepping stone and rolling into the garden. . . . At the time, Rikyū was still in the tearoom, and knew nothing about it. On his way to see Hideyoshi, to inform him that the tea gathering had concluded successfully, Ōmura Yūki intercepted him and whispered urgently in his ear. But by that time, Soji’s head was already separated from his torso, lying in the corner of the stone wall.” —from Chapter 12 Nogami Yaeko’s compelling novel of political intrigue in sixteenth-century Japan depicts the intertwined lives of two iconic historical figures. Toyotomi Hideyoshi rose through the ranks from a common foot soldier to become the military ruler of Japan but struggled to win respect among the cultured nobility. He found both a friend and an invaluable political advisor in Sen no Rikyū, Japan’s most respected tea master. A wealthy merchant in his own right, Rikyū’s talent for tea ceremony propelled him into the ruler’s court. Deftly balancing Hideyoshi’s love of ostentatious display with the ideals of simplicity and rusticity embodied in the way of tea, Rikyū commands respect from loyal students and court nobles alike. As the story opens, the two men are several years into their friendship, and tensions have begun to build. Hideyoshi pursues his quest to unify Japan, and his ego grows with every victory. Rikyū watches his friends exiled and pardoned according to Hideyoshi’s whims and longs for freedom from the excess and intrigue of court life. Nogami explores the dynamic politics of conquest, the delicate connections of the human soul, and the power of speech and silence in her elegant psychological portrait of two powerful men.