While traditional feminist readings on antagonism have pivoted around the sole axis of sex and/or gender, a broader and intersectional approach to antagonism is much needed; this book offers an innovative, feminist, and discursive reading on the Lacanian concept of sexual position as a way to problematize the concepts of political antagonism and political subjects. Can Lacanian psychoanalysis offer new grounds for feminist politics? This discursive mediation of Lacan's work presents a new theoretical framework upon which to articulate proposals for intersectional political theory. The first part of this book develops the theoretical framework, and the second part applies it to the construction of woman’s identity in European politics and economy. It concludes with notes for a feminist political and economic praxis through community currencies and municipalism. The interdisciplinary approach of this book will appeal to scholars interested in the fields of psychoanalysis, feminisms, and political philosophy as well as multidisciplinary scholars interested in discourse theory, sexuality and gender studies, cultural studies, queer theory, and continental philosophy. Students at master's and PhD level will also find this a useful feminist introduction to Lacanian psychoanalysis, discourse, and gender.

This text explores a set of key concepts in Marxist theory as developed and read by Lacan, demonstrating links and connections between Marxist thought and Lacanian practice. The book examines the complexity of these encounters through the structure of a comprehensive vocabulary which covers diverse areas, from capitalism and communism to history, ideology, politics, work, and family. Offering new perspectives on these concepts in psychoanalysis, as well as in the fields of political and critical theory, the book brings together contributions from a range of international experts to demonstrate the dynamic relationship between Marx and Lacan, as well as illuminating "untranslatable points" which may offer productive tension between the two. The entries trace the trajectory of Lacan’s appropriation of Marx’s concepts and analyses how they were questioned, criticized, and reworked by Lacan, accounting for the wide reach of two thinkers and worlds in constant homology. Each entry also discusses psychoanalytic debates relating to the concept and seeks to refine the clinical scope of Marx’s work, demonstrating its impact on the social and individual dimensions of Lacanian clinical practice. With a practical and structured approach, The Marx through Lacan Vocabulary will appeal to psychoanalysts and researchers in a range of fields, including political science, cultural studies, and philosophy.

Psychoanalysis and the New Rhetoric: Freud, Burke, Lacan, and Philosophy's Other Scenes is an innovative work that places the fields of psychoanalysis and rhetoric in dynamic resonance with one another. The book operates according to a compelling interdisciplinary conceit: Adleman provocatively explores the psychoanalytic aspects of rhetoric and Vanderwees probes the rhetorical dimensions of psychoanalytic practice. This thoroughly researched text takes a closer look at the "missed encounter" between rhetoric and psychoanalysis. The first section of the book explores the massive, but underappreciated, influence of Freudian psychoanalysis on Kenneth Burke’s "new rhetoric." The book’s second section undertakes sustained investigations into the rhetorical dimensions of psychoanalytic concepts such as transference, free association, and listening. Psychoanalysis and the New Rhetoric then culminates in a more comprehensive discussion of Lacanian psychoanalysis in the context of Kenneth Burke’s new rhetoric. The book therefore serves as an invaluable aperture to the fields of psychoanalysis and rhetoric, including their much overlooked disciplinary entanglement. Psychoanalysis and the New Rhetoric will be of great interest to scholars of psychoanalytic studies, rhetoric, language studies, semiotics, media studies, and communication studies.

According to postmodern scholars, subjects are defined only through their relationship to institutions and social norms. But if we are only political people insofar as we are subjects of existing power relations, there is little hope of political transformation. To instigate change, we need to draw on collective power, but appealing to a particular type of subject, whether "working class," "black," or "women," will always be exclusionary. This issue is a particular problem for feminist scholars, who are frequently criticized for assuming that they can make broad claims for all women, while failing to acknowledge their own exclusive and powerful position (mostly white, Western, and bourgeois). Recent work in political and feminist thought has suggested that we can get around these paradoxes by wishing away the idea of political subjects entirely or else thinking of political identities as constantly shifting. In this book, Claudia Leeb argues that these are both failed ideas. She instead suggests a novel idea of a subject in outline. Over the course of the book Leeb grounds this concept in work by Adorno, Lacan, and Marx - the very theorists who are often seen as denying the agency of the subject. Leeb also proposes that power structures that create political subjects are never all-powerful. While she rejects the idea of political autonomy, she shows that there is always a moment in which subjects can contest the power relations that define them.

Innovative exploration of the relationship of Lacanian psychoanalysis to political and democratic theory.

This fully updated and revised fourth edition of Theory/Theatre is a unique and highly engaging introduction to cultural theory as it relates to theatre and performance. It is a comprehensive and accessible examination of current theoretical approaches, from semiotics and poststructuralism, through to cultural materialism, postcolonial studies, queer and feminist theories. Key updates to the new edition include further perspectives and expanded content on: - Technology, audience reception and liveness - Further examinations of feminism, transgender and gender theory, as well as queer theory - Disability studies - Critical Race Theory - Decolonization - Intersectionality - Critical Phenomenology Bringing contemporary voices and examples to light, author Mark Fortier introduces the ways in which established and emerging theories can interact with theatre and performance. This is essential reading for undergraduate and postgraduate students of theatre and performance studies.

Using Lacanian psychoanalysis as a starting point, Campbell examines contemporary feminism's turn to accounts of feminist 'knowing' to create new conceptions of the political.

Betty McLellan surveys the development of psychotherapy and discusses the theory of feminist therapy. She uncovers the oppressiveness of Freudian psychoanalysis, humanistic therapies, lesbian sex therapy, new age and popular psychologies. McLellan explodes myths about women's mental and emotional 'illness'. The book concludes with a feminist therapy that calls for total commitment to action in the world to meet women's needs, both individual and collective.

In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.

The influence of the French psychoanalyst Jacques Lacan has extended into nearly every field of the humanities and social sciences--from literature and film studies to anthropology and social work. yet Lacan's major text, Ecrits, continues to perplex and even baffle its readers. In Reading Lacan, Jane Gallop offers a novel approach to Lacan's work based on his own theories of language. Lacan locates truth in the letter rather than in the spirit-in the ways statements are expressed rather than in their intended meaning. Gallop here grapples with six of Lacan's essays from Ecrits: "The Seminar on 'The Purloined Letter, ' " "The Mirror Stage," "The Freudian Thing, '' "The Agency of the Letter in the Unconscious, '' "The Signification of the Phallus," and "The Subversion of the Subject." While other commentators have chosen not to confront Lacan's notoriously problematic style in their discussions of his ideas, Gallop addresses herself directly to the problem and the practice of reading Lacan. She takes her direction from Lacan's view of subjectivity and offers a deeply personal, feminist reading of Ecrits. Concentrating on the relation of desire and interpretation, she opens up the rich implications of Lacan's thought, for psychoanalytic theory, for the act of reading, and for knowledge itself. Forceful and revealing, yet utterly candid about its own areas of uncertainty, Gallop's book will be indispensable to readers of Lacan and to scholars and students who have felt his impact.