A stunning collection of reproductions of some of the artist's major works sets the paintings of Henri de Toulouse-Lautrec within the context of the art scene of Montmartre, from 1885 to 1901, featuring a selection of paintings, drawings, prints, and posters capturing Montmartre subjects, as well as incisive essays on the artist, his work, the members of his circle, and his influence.

"Toulouse-Lautrec will examine the artist's abilities as an acute observer of Parisian life, his skill as a draughtsman, his experimentation in composition and the brilliance of his technical execution in all media. The exhibition will shed new light on Toulouse-Lautrec through an examination of his involvement in Parisian culture - the high life and the low life. The exhibition will trace Toulouse-Lautrec's career from his earliest works to his extraordinary depictions of the Paris social scene, the dance halls, the café-concerts, the brothels and theatres. This he did in an insightful way, capturing the essence of his Parisian characters and haunts. Toulouse-Lautrec's subject matter was to become thoroughly modern and he became an influential figure in the evolution of the art of the twentieth century."--Gallery website.

Though deeply engaged with painting and drawing, Toulouse-Lautrec's lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography's new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector's living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art's collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec's prints from the Museum's collection, each accompanied by an illuminating essay on the theme.

Located on the fringes of Paris, Montmartre attracted artists such as Toulouse-Lautrec, Picasso, Steinlen, and Jules Chéret. By the beginning of the twentieth century, the artists in the quarter began to create works blurring the boundaries between fine art and popular illustration, the artist and the audience, as well as class and gender distinctions. The creative expression that ensued was an exuberant mix of high and low-a breeding ground for what is today termed popular culture. The carefully interlocked essays in Montmartre and the Making of Mass Culture demonstrate how and why this quarter was at the forefront of such innovation. The contributors bring an unprecedented range of approaches to the topic, from political and religious history to art historical investigations and literary analysis of texts. This project is the first of its kind to examine fully Montmartre's many contributions to the creation of a mass culture that reigned supreme in the twentieth century.

The Post-Impressionist art of Toulouse-Lautrec (1864-1901), is accompanied by a particularly interesting text by O'Connor, and great period photographs, in many cases of the same subjects as the art works. 9 3/4 x12 1/2 ". Annotation c. by Book News, Inc., Portland, Or.

An album of the stars of Paris nightlife, as seen by Henri de Toulouse-Lautrec - who captured their performances in great works of art and helped make them famous This tour of the Parisian scene focuses on six performers who were depicted in and in some senses defined by Henri de Toulouse-Lautrec's renderings - Yvette Guilbert, Jane Avril, Aristide Bruant, Marcelle Lender, May Belfort and Loïe Fuller - and explores how the performers and the artist collaborated in exploiting new mass media to create a new stardom. Lavishly illustrated with reproductions of iconic images along with rarely seen sketches, and illuminated by insightful essays, this volume shines a spotlight on the stars of the Paris stage, the birth of celebrity culture and the brilliance of the artist who gave them enduring life.

The world of Henri Toulouse-Latrec was inhabited by denizens of the street and night life of fin-de-siecle Paris--with its dance halls, bars, brothels, and circuses. Portraying this world in his paintings, drawings, posters, and prints, Latrec created a vibrant body of art that has earned him lasting renown. This lavishly illustrated book offers the fullest and most searching treatment yet written of the achievement of this beloved artist.

Previously published: London: Fig Tree, [2014].

Between 1860 and 1920, artists flocked to take up residence in Montmartre, including Degas, Pissarro, Renoir and Van Gogh. This book sets out to tell the story of these artists and to bring back to life the successive pictorial revolutions in Montmartre.

Removed from the glamour of Paris during the French Belle Époque, the village-like district of Montmartre offered a bohemian refuge for many poets and artists. Esprit Montmartre explores this rich period of artistic production, its sociopolitical contexts and how they continue to influence the image of the artist and his subjects today. 0Exhibition: Schirn Kunsthalle, Frankfurt, Germany (07.02.-01.06.2014).