Hughina Harold paints a powerful picture of a world that no longer exists in this compelling account of her experiences as a young teacher and nurse on the remote Broughton Archipelago on British Columbia’s coast in the 1930s. Fresh from nursing school in Victoria and eager to start work, Harold could not have imagined the challenges that awaited her in the tiny village of Mamalilikulla. Leaving the comforts of Victoria behind for a cold, leaky floathome that she shared with two elderly missionaries, she had to adapt quickly to her new circumstances. Travelling in unreliable boats to remote outposts to treat the sick, attending births in the most primitive conditions and teaching—from standard, middle-class textbooks—children who had never even seen a car, this gutsy young woman rose to the challenge. The clash of cultures Hughina experienced was extreme, but through it she developed a new understanding of the people she had been sent to teach and treat, discovering their age-old traditions and witnessing “things that should not be forgotten. Written decades later and based on letters Harold had written home, Totem Poles and Tea ensures that her memories will be preserved.

The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.

DigiCat Publishing presents to you this special edition of "Klee Wyck" by Emily Carr. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In 1884, the Canadian government enacted a ban on the potlatch, the foundational ceremony of the Haida people. The tradition, which determined social structure, transmitted cultural knowledge, and redistributed wealth, was seen as a cultural impediment to the government’s aim of assimilation. The tradition did not die, however; the knowledge of the ceremony was kept alive by the Elders through other events until the ban was lifted. In 1969, a potlatch was held. The occasion: the raising of a totem pole carved by Robert Davidson, the first the community had seen in close to 80 years. From then on, the community publicly reclaimed, from the Elders who remained to share it, the knowledge that has almost been lost. Sara Florence Davidson, Robert’s daughter, would become an educator. Over the course of her own education, she came to see how the traditions of the Haida practiced by her father—holistic, built on relationships, practical, and continuous—could be integrated into contemporary educational practices. From this realization came the roots for this book.

Long ago in Romania a prince dealt fairly with a lying merchant and an honest peasant.

A short series of profiles about medical pioneers in Central British Columbia, many of whom set up practice there in the latter part of the 19th century.

Winter 2003

New York Times bestselling author of The Wordy Shipmates and contributor to NPR’s This American Life Sarah Vowell embarks on a road trip to sites of political violence, from Washington DC to Alaska, to better understand our nation’s ever-evolving political system and history. Sarah Vowell exposes the glorious conundrums of American history and culture with wit, probity, and an irreverent sense of humor. With Assassination Vacation, she takes us on a road trip like no other—a journey to the pit stops of American political murder and through the myriad ways they have been used for fun and profit, for political and cultural advantage. From Buffalo to Alaska, Washington to the Dry Tortugas, Vowell visits locations immortalized and influenced by the spilling of politically important blood, reporting as she goes with her trademark blend of wisecracking humor, remarkable honesty, and thought-provoking criticism. We learn about the jinx that was Robert Todd Lincoln (present at the assassinations of Presidents Lincoln, Garfield, and McKinley) and witness the politicking that went into the making of the Lincoln Memorial. The resulting narrative is much more than an entertaining and informative travelogue—it is the disturbing and fascinating story of how American death has been manipulated by popular culture, including literature, architecture, sculpture, and—the author’s favorite—historical tourism. Though the themes of loss and violence are explored and we make detours to see how the Republican Party became the Republican Party, there are all kinds of lighter diversions along the way into the lives of the three presidents and their assassins, including mummies, show tunes, mean-spirited totem poles, and a nineteenth-century biblical sex cult.

Buying Saffron, a 24-foot racing sailboat, was an act of desperation meant to help single parent June Cameron and her youngest son validate themselves. It did that and more. A friend persuaded June to race the boat, and over the next decade June, either solo or with her all-female crew, competed in BC's major sailing races, taking home a lot of the hardware for their class. Shelter from the Storm is a fascinating memoir about finding one's place, even if that place is at sea.