THE NIGHTMARE - For young artist Gina and her lover Jim, it began with a terrifying vision of Gina's long-missing sister, once thought dead, now a prisoner of a horror beyond imagining. THE SEARCH - Their last hope—a circle of witches who command powers that can help and heal—or wreak terrible destruction. Their destination—the dark heart of a New England forest where an evil dynasty built upon the unspeakable secrets of the damned plans a hellish fate for all who oppose it. THE BATTLE - Hounded by foul manifestations of the undead, in peril of losing both their lives and souls, Gina and her allies must race against time and terror to confront their demonic enemies ... and battle a monstrous inhuman force that may crush even the combined forces of light.

The sequel to the #1 bestselling thriller THE HUNTERS!!! THE TREASURE: For nearly two thousand years, the legendary tomb of Alexander the Great—and the extraordinary riches concealed within—has remained undiscovered, but recent events may hold the key to locating the fabled vault. Only one team has what it takes to solve the mystery that has plagued historians for centuries. THE MISSION: The Hunters—an elite group assembled by an enigmatic billionaire to locate the world’s greatest treasures—are tasked with finding the tomb. Following clues to Alexandria, they encounter hostile forces that will do anything to stop them. Before long, the treasure hunt becomes a deadly rescue mission that will take the lives of hundreds and leave a city in ruins. THE PRIZE: As the danger continues to mount, will they rise to the challenge? Or will the team be killed before they find the ultimate prize?

Written by specialists in the field of Egyptology, this book is a readable introduction to ancient Egypt, covering all anticipated subjects and stressing the monuments and material culture of this remarkable ancient civilization. The rich natural resources of ancient Egypt provided a wealth of raw material for its structures, sculptures, and art, while its geographic isolation helped to ensure the survival of its rich culture for centuries. While other references focus on the people and battles central to Egyptian history, this reference explores the material culture and social institutions of ancient Egypt. The book focuses on pharaonic Egypt, covering the period from roughly 5000 BCE to the beginning of the Greco-Roman Period in 320 BCE. At the front of the work, a timeline provides a quick look at the major events in Egyptian history, and an introduction surveys ancient Egypt's physical geography and history. Alphabetically arranged reference entries written by expert contributors then provide fundamental information about the buildings, jewelry, social practices, and other topics related to the material culture and institutions that made up the Egyptian world. Excerpts from primary source historical documents provide evidence for what we know about ancient Egyptian culture, and suggestions for further reading direct users to additional sources of information.

Many of the key films in the career of horror icon Vincent Price (1911-1993) contain commentaries both obvious and subtle on the role of women, not only in the context of the times in which the films were created, but also during the historical periods depicted in the storylines. This examination of Price's horror films focuses on how the principal female characters--portrayed by such notable actresses as Barbara Steele, Hazel Court and Diana Rigg, to name but a few--are simultaneously villains, victims and objects of veneration. Also considered are issues of gender and sexuality as addressed in Vincent Price's most memorable movies. Included are dozens of rare production stills and a selected filmography that provides significant background information on the films cited.

Jaguars' Tomb is a novel in three parts, written by three interconnected characters. Part one, "Hidden Variables" by María Celina Igarzábal, is narrated by Bruno Seguer. Seguer in turn is the author of the second part, "Recounting from Zero" ("Contar desde zero"), in which Evelynne Harrington, author of the third, is a central character. Harrington, finally, is the author of "Uncertainty" ("La incertidumbre"), whose protagonist is the dying Igarzábal. Each of the three parts revolves around the octagonal room that is alternately the jaguars' tomb, the central space of the torture center, and the heart of an abandoned house that hides an adulterous affair. The novel, by Argentine author Angélica Gorodischer, is both an intriguing puzzle and a meditation on how to write about, or through, violence, injustice, and loss. Among Gorodischer's many novels, Jaguars' Tomb most directly addresses the abductions and disappearances that occurred under the Argentine military dictatorship of 1976–83. This is the fourth of Gorodischer's books translated into English. The first, Kalpa Imperial—translated by Ursula Le Guin—was selected for the New York Times summer reading list in 2003.

Winner, 2007 Albert Hourani Book Award, Middle East Studies Association Winner, 2008 Award for Excellence in the Study of Religion in Analytical-Descriptive Studies, American Academy of Religion Winner, 2011 John Nicholas Brown Prize, Medieval Academy of America Winner, 2008 Ralph Waldo Emerson Award, Phi Beta Kappa Shortlisted, 2008 Best First Book in the History of Religions, American Academy of Religion Longlisted, 2008 Cundill International Prize and Lecture in HIstory at McGill University In his probing study of the role of death rites in the making of Islamic society, Leor Halevi imaginatively plays prescriptive texts against material culture and advances new ways of interpreting highly contested sources. His original research reveals that religious scholars of the early Islamic period produced codes of funerary law not only to define the handling of a Muslim corpse but also to transform everyday urban practices. Relying on oral traditions, these scholars established new social patterns in the cities of Arabia, Mesopotamia, and the eastern Mediterranean. They distinguished Islamic rites from Christian, Jewish, and Zoroastrian rites and changed the way men and women interacted publicly and privately. In each chapter Halevi explores a different layer of human interaction, following the movement of the corpse from the deathbed to the grave. In the process he analyzes the real and imaginary relationships between husbands and wives, prayer leaders and mourners, and even dreamers and the dead. He describes how Muslims wailed for the deceased, prepared corpses for burial, marched in funerary processions, and prayed for the dead, highlighting the specific economic and political factors involved in these rituals as well as key religious and sexual divisions. Offering a unique perspective on the making of Islamic social and religious ideals during this early period, Halevi forges a fascinating link between the development of funerary rites and the efforts of an emerging religion to carve out its own, distinct identity. Muhammad's Grave is a groundbreaking history of the rise of Islam and the roots of contemporary Muslim attitudes toward the body and society.

The principal theme of this volume is the importance of the public use of human remains in a historical perspective. The book presents a series of case studies aimed at offering historiographical and methodological reflections and providing interpretative approaches highlighting how, through the ages and with a succession of complex practices and uses, human remains have been imbued with a plurality of meanings. Covering a period running from late antiquity to the present day, the contributions are the combined results of multidisciplinary research pertaining to the realities of the Italian peninsula, hitherto not investigated with a long-term and multidisciplinary historical perspective. From the relics of great men to the remains of patriots, and from anatomical specimens to the skeletons of the saints: through these case studies the scholars involved have investigated a wide range of human remains (real or reputed) and of meanings attributed to them, in order to decipher their function over the centuries. In doing so, they have traversed the interpretative boundaries of political history, religious history and the history of science, as required by questions aimed at integrating the anthropological, social and cultural aspects of a complex subject.

BELIEVE IN EVIL The Dysan children needed to be punished. Daddy took care of them… permanently. Now he's come to Dallas's biggest comic book convention to continue his bloody work. So many bad children. So little time. BELIEVE IN FEAR She is Toxique, the ultimate comic book avenger. She was born in the vivid imagination of one lonely boy. Tonight he is going to drive her out of his mind… and into a real world of unspeakable violence. BELIEVE IN HELL Two forces are about to collide. One is good. One is evil. Both are driven by blood and vengeance. Both are unstoppable. BELIEVE.