Against the vivid backdrops of a killer hurricane that nearly destroyed the Florida Keys in 1935, the Spanish Civil War, post-war Hollywood and the first days of the Castro regime in Cuba, Hector Lassiter--legendary crime novelist--engages in a decades-long duel against a cabal of killer artists.

Witness the modern era's first serial killer. Cleveland, 1935. The first bodies were found in a slum area. Both men had been hacked to pieces with a large knife. Over the next 3 years, there would be more victims--in six of the cases, the heads were never found. Eliot Ness is hot on the case of "The Mad Butcher of Kingsbury Run".

In more than 30 novels, several short stories, graphic novels, movies, plays and poems, Ernest Hemingway has been introduced or "appropriated" as an important fictional character. This book is an inquiry into that phenomenon from various perspectives--including that of fan fiction--and deals with such questions as what, if anything, this biographical fiction adds to the dialogue about America's best known and most talked about writer.

Ingeniously plotted and executed, Print the Legend is an epic masterpiece from Craig McDonald. Beginning to end, I was riveted by this story of character, history and intrigue.--MICHAEL CONNELLY The competition for the future of crime fiction is fierce, but don't take your eyes off Craig McDonald. He's wily, talented and -- rarest of the rare -- a true original. I am always eager to see what he's going to do next."--LAURA LIPPMAN What critics might call eclectic, and Eastern folks quirky, we Southerners call cussedness -- and it's the cornerstone of the American genius. As in: "There's a right way, a wrong way, and my way." You want to see how that looks on the page, pick up any of Craig McDonald's novels. He's built him a nice little shack out there way off all the reg'lar roads, and he's brewing some fine, heady stuff. Leave your money under the rock and come back in an hour. --JAMES SALLIS With Print the Legend, with a James Ellroy-like scope and vision of national history, McDonald takes on governmental conspiracy, Hemingway hagiography, the under-history of the FBI, the Death of the Author (literal and figurative) and the tantalizing, destructive mythologization of the Writer's Life. While the scale is immense, McDonald's hand is deft, and we never forget that, at its center, this is a human story, complex and bruising and deeply felt. --MEGAN ABBOTT "Print the Legend is a landmark book. Lassiter for me is the Flashman/Zelig of the new era, but with a ferocious literary knowledge that is worn so lightly. A book beyond genre, stunning." --KEN BRUEN Craig McDonald's debut, Head Games, a relentlessly slick and action packed literary caper novel, was shortlisted for the Edgar, Anthony, Crimespress and Gumshoe awards for Best First Novel. Now, with Print the Legend, McDonald exceeds the extraordinary promise of his debut, delivering a consummate mystery about a conspiracy gone wrong, and the outer edges of creative jealousy and obsessive revenge. It was the shot heard around the world: On July 2, 1961, Ernest Hemingway died from a shotgun blast to the head... 4 years later, two men have come to Idaho to confront the widow Hemingway—men who have doubts about the circumstances of Hemingway's death. One is crime novelist Hector Lassiter, the oldest and best of Hem's friends...the last man standing of the Lost Generation. Hector has heard rumors of some surviving Hemingway manuscripts: a "lost" chapter of A Moveable Feast and a full-length novel written by a deluded Hemingway that Hector fears might compromise his own reputation. The other man is professor Richard Paulson, who along with his pregnant wife Hannah, herself an aspiring writer, is bent on proving that Mary Hemingway murdered Papa. As Hector digs into the mystery of Hemingway's lost writings, he uncovers an audacious, decades-long conspiracy tied to the emergent art movements of 1920's Paris, the most duplicitous of Cold War espionage tactics, and J. Edgar Hoover's FBI...

Border tensions are escalating to bloody violence; terrorist attacks on small-town American citizens and petty squabbles in far-flung locales threaten countless more lives. Welcome to America, circa 1916-1918, and two of the bloodiest conflicts that starkly defined an era. Teenage Hector Lassiter, an aspiring author inspired by propaganda and a siren’s song of throbbing war drums, lies about his age, mounts a horse, and storms across the Mexican border behind General “Black Jack” Pershing and George S. Patton to bring the terrorist and Revolutionary General Pancho Villa to justice. Soon, the still underage Hector is shipped off to the bloody trenches of France, fighting the so-called “War to End All Wars” where he meets fellow novelists-in-waiting John Dos Passos and Ernest Hemingway. Once A World is a love story at once epic and intimate; a portrait of the artist, and his country of birth, at a defining moment in their storied history. Edgar, Anthony and Macavity Awards finalist Craig McDonald, author of the internationally bestselling Hector Lassiter series, delivers an adventure novel and historical thriller for the still-uncertain 21st Century. Praise for Craig McDonald: “The competition for the future of crime fiction is fierce, as it should be, but don’t take your eyes off Craig McDonald. He’s wily, talented and—rarest of the rare—a true original. I am always eager to see what he’s going to do next.” —Laura Lippman “With each of his Hector Lassiter novels, Craig McDonald has stretched his canvas wider and unfurled tales of increasingly greater resonance.” —Megan Abbott “Nobody does mad pulp history like Craig McDonald. Reading a Hector Lassiter novel is like having a great uncle pull you aside, pour you a tumbler of rye, and tell you a story about how the 20th century really went down.” —Duane Swierczynski “A writer of truly unique voice, approach and ambition.” —Michael Koryta

Paris, 1924. A city teeming with would-be poets, writers, and painters. Hector Lassiter, fledgling author and best friend of Ernest Hemingway, is crossing the Pont Neuf when he hears a body fall into the icy Seine — the first in a string of brutal murders of literary magazine editors that throw a shroud over the City of Light. Frantic to stop the killings, Gertrude Stein gathers the most prominent crime and mystery writers in the city, including Hector and the dark, mysterious crime novelist Brinke Devlin. Soon, Hector and Brinke are tangled not only under the sheets, but in a web of murders, each more grisly than the next. As he is drawn deeper into the hunt, Hector finds himself torn between three women with hidden agendas and dark imaginations. When Hector learns that the murders may be the work of a strange cult of writers who are targeting the literary set, Hemingway, Hector, and Brinke must scramble to find the killer before they become the next victims. A Moveable Feast meets The Dante Club in this ­­­­exquisite mystery that takes readers from the cafés of Montparnasse, through the historic graveyards of Paris, to the smoky backrooms of bookstores and salons. As dark as the shadowy banks of the Seine and as addictive as absinthe, this unforgettable book will grab you and never let go.

She had an ass like a heart turned upside down and cut in half--and that's what we call foreshadowing, friend. Gruesome and glam, vicious and violent, this collection of the best new neo-noir fiction will hit you like a biker boot to the skull. Unleashed from the net's most hardcore award-winning site, these down, dirty, and deeply depraved tales don't just cut the edge . . . they pour gasoline on it and toss it in a meth lab full of C-4 . . . "Just because I killed my best friend with my bare hands doesn't make me all that bad. . . Christ, I loved the guy like a brother." Throw down a shot with the last word in badass--a scheming stripper playing one fool too far; the rage-haunted lesbian who's the last word in nightmare revenge; a mercenary sheriff doomed by ruthless payback; avenging street angels unleashing holy hell --and just try and stagger away intact. . . "This country's got a motto. It's pura vida, and it means when life gets you down, put your feet up, sister. But I lift my legs for no man." So settle back with your favorite rot-gut, keep your brass knuckles handy, and hang where the odds are never good, darkness is a permanent state of mind, and the house always takes all . . . Blood, Guts, And Whiskey "Lean, mean stories. . .today's brightest writers provide some of the darkest tales you've ever read." –Max Allan Collins Big Daddy Thug/Todd Robinson's writing has appeared in Plots With Guns, Danger City, Demolition, Out Of The Gutter, Pulp Pusher, Crimespree and Writers Digest's The Year's Best Writing 2003. He was nominated for a 2006 Derringer Award from the Short Mystery Fiction Society, and is the creator and chief editor of Thuglit.com. The stories he's edited for Thuglit.com have been nominated for several awards, including The Derringer and The Million Writer's Award, and been have been selected for The Best American Mystery Stories and Best Noir 2006. He lives and works in New York with his wife (Lady Detroit), a ferret named Matilda, and three freakin' cats.

In this graphic novel adaptation of the Edgar-nominated novel Head Games, Craig McDonald blends history and legend to tell the tale of the classic hard-drinking, hard-living, and hard-boiled protagonist. Artist Kevin Singles brings this noir thriller to life with a style reminiscent of the golden age of dime-store paperbacks. It’s 1957, and aging novelist Hector Lassiter thought that his adventures were long behind him. But then he receives a treasure worth killing for: the skull of Mexican revolutionary Pancho Villa. With his partners in crime, brooding poet Bud Fiske and hard-as-nails beauty Alicia Vicente, Hector must make a mad dash across the American southwest. If the trio can survive long enough to sell the skull to the highest bidder, they'll score big. But in the meantime, Hector must dodge bullets from deranged fraternity members, aging soldiers of fortune, vicious warlords, and crooked feds.

The first book by Helene Cixous on painting and the contemporary arts. These 11 chapters bring together Helene Cixous' writings about specific contemporary artists and artworks. Neither simply 'art criticism' nor critical essays, Cixous responds to these