The 11th volume in Mike Filey's series of collected columns on the rich history of the city he loves - Toronto. Featured in this volume are Hurricane Hazel, the Great Lakes passenger ships of yore, the St. Clair streetcar redo, and the unforgettable Toronto snowstorm of 1944.

In 1953 eleven Canadian Abstract Expressionist artists banded together to break through the barricades of traditional art at a time when landscapes were about the only paintings collectors were buying. Hungry for recognition, raging against the art establishment that was shutting them out, they decided to form a collective, expecting they would gain more attention as a group than as solo artists. In 1954, The Painters Eleven--Jack Bush, Oscar Cahén, Hortense Gordon, Tom Hodgson, Alexandra Luke, Jock Macdonald, Ray Mead, Kazuo Nakamura, William Ronald, Harold Town and Walter Yarwood--held their first exhibition in Toronto. Initially the public response echoed the worldwide sentiments toward Abstract Expressionism --mockery and bewilderment. Nevertheless, the exhibition attracted wide public interest and criticism faded into acclaim from critics and collectors alike. A successful 1956 exhibition at the Riverside Gallery in New York even elicited praise from the influential critic Clement Greenberg. Packed with gorgeous full color reproductions, this highly detailed account reveals the influences of the indivudual artists on the group's dynamic art and uncovers why the Painters Eleven had such a struggle for recognition, and why they acheived it so masterfully.

After four straight decades as one of the Toronto Sunday Sun’s most popular columnists, Mike Filey is still telling the stories of Toronto, its people, places, and history. In this twelfth volume of his acclaimed columns, “The Way We Were,” Filey tackles the Union Station controversy, Toronto’s Kennedy family, and more.

Stories of Old Toronto never lose favour with the city’s nostalgia buffs, and as long as Mike Filey continues to provide us with his "The Way We Were" columns, no one’s appetite will have to go unsatisfied. When Mike’s Toronto Sunday Sun columns were first brought together in Toronto Sketches, demand was so high that it prompted a second collection ... then a third ... and a fourth ... and a fifth. Now, for 2000, Mike has once again brought together some of the best of his Toronto Sunday Sun columns for Toronto Sketches 6, the latest installment in the wildly popular series. This time around, Mike takes us to a performance at the Royal Alexandra Theatre by Al Jolson, the opening of Sunnybrook Hospital, a game between the baseball Leafs and the Havana Sugar Kings - with Fidel Castro throwing out the first pitch - and many more famous, notorious, and entertaining episodes in the history of this great city.

Joan Murray discusses social and political events in combination with the movements, ideas, attitudes, styles, and important groups in Canadian art of this century.

The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-

A captivating account of the formative years of one of Canada’s best-known artists, Jackson’s Wars follows A.Y. Jackson’s education and progress as a painter before he was a well-known artist and his time on the battlefield in Europe, before he cast his lot in with a group of like-minded Toronto artists. Jackson fought many battles: he was a feisty and opinionated combatant when he crossed swords with critics, collectors, museums, galleries, and fellow painters as an emerging artist. Moving from Montreal to Toronto in 1913, he became a key figure in a landscape movement that was determined to depict Canada in a bold new way, only to have a war dash the group's collective ambitions. Alone among his close associates, Jackson enlisted to fight with the 60th Infantry Battalion. Wounded at Sanctuary Wood in 1916, he returned to the field of combat as an official war artist – the first Canadian artist appointed, the only infantryman in the program – and militated for other Canadian appointments to what is now a storied moment of creation for such artists as F.H. Varley and Arthur Lismer. Jackson produced some of Canada’s most memorable depictions of the world’s first industrial-scale conflict, even as he reckoned with the anguish caused by the mysterious death of his close friend Tom Thomson. A life-changing event for soldiers, families, and nations alike, the First World War has been understood as a moment of stasis in the visual arts in Canada – the dead ground from which the Group of Seven emerged in the early 1920s. Douglas Hunter shows how Jackson’s war was a moment of intense transformation and artistic development on the canvas as well as an experience that tempered a young man into a constructive elder statesman for Canadian art. On his return home he was not only instrumental in the formation of the Group of Seven in Toronto, but a key figure for the Beaver Hall Group in Montreal. Jackson’s Wars is a story of brotherhoods of painters and soldiers, shot through with inspiration, ambition, trauma, and loss, on the home front as well as on the battlefield. Hunter widens and deepens A.Y. Jackson’s world of friends, family, and colleagues to capture the life of a complex man and the crucial events and relationships behind the creation of Canada’s best-known art collective.

Unbuilt Toronto explores the failed architectural dreams of Toronto. Delving into unfulfilled & largely forgotten visions for grand public buildings, landmark skyscrapers, roads & highways, transit systems, & sports & recreation venues, the authors outline such ambitious but ultimately unrealised schemes as St. Alban's Cathedral, the "Newark 2011" subway system, & a 1911 city plan that would have resulted in a Paris-by-the-Lake. Readers will lament the loss of some projects (such as the planned construction boom for the Olympics), be thankful for the loss of others ("City Hall was supposed to look like that?!?"), & marvel at the downtown that could have been (with underground roads & walkways in the sky). With an eye on the future as well as the past, the author takes stock of Toronto's status quo in 2008 & offers some bold predictions on the city's architectural future.

The Toronto Neighbourhoods bundle presents a collection of titles that provide fascinating insight into the history and development of Canada’s largest and most diverse city. Beginning with histories of Canada’s longest street and the early days of what was once called York (The Yonge Street Story, 1793-1860; A City in the Making; Opportunity Road), the titles in the bundle go on to examine the development of particular unique neighbourhoods that help give the city its character (Willowdale, Leaside). Finally, Mark Osbaldeston’s acclaimed, award-winning Unbuilt Toronto and Unbuilt Toronto 2 go beyond history and into the arena of speculation as the author details ambitious and possibly city-changing plans that never came to fruition. For lovers of Toronto, this collection is a bonanza of insights and facts. Includes A City in the Making Leaside Opportunity Road Unbuilt Toronto Unbuilt Toronto 2 Willowdale The Yonge Street Story, 1793-1860