When Pablo discovers he can predict the future through the cartoons he draws, he can hardly believe his luck. But what seems to be a brilliant discovery soon turns into a terrible burden, as Pablo's secret is uncovered by the wrong kind of people. Kidnapped and in a foreign country, with only a cartoon character for company - will Pablo be able to use his gift to escape?

Rorie and Elsie's parents are missing, and time is running out. The mission to rescue them will take the girls on a dangerous journey, deep into the nerve centre of the corporate machine that is robbing people of their identities. Can the Silk sisters reach their mum and dad before it's too late?

This study examines the impacts on the Prairie Provinces of climatic changes, and the possible adaptations or responses to those changes. It focuses on eight key climate-sensitive areas or sectors selected for analysis: agriculture, forestry, energy resources, insurance, recreation/tourism, water supply and demand, aquatic ecosystems, and wildlife/biodiversity. The first two chapters set out the regional context, with information on geography, population, economics, and climate. The next three chapters review regional climate sensitivities, impacts of climate change, and adaptation to climate for each of the areas or sectors. The final chapter suggests opportunities for further research. The appendix includes a summary of knowledge of proxy records of post-glacial climate in the Prairie Provinces.

When Pablo discovers he can predict the future through the cartoons he draws, he can hardly believe his luck. But what seems to be a brilliant discovery soon turns into a terrible burden, as Pablo's secret is uncovered by the wrong kind of people. Kidnapped and in a foreign country, with only a cartoon character for company - will Pablo be able to use his gift to escape?

It's a rare comic character who can make audiences laugh for well over half a century--but then again, it's a pretty rare cartoon hero who can boast of forearms thicker than his waist, who can down a can of spinach in a single gulp, or who generally faces the world with one eye squinted completely shut. When E.C. Segar's gruff but lovable sailor man first tooted his pipe to the public on January 7, 1929, it was not in the animated cartoon format for which he is best known today (and which would become the longest running series in film history). Instead it was on the comics page of the New York Journal, as Segar's Thimble Theatre strip. Over the decades to come, Popeye was to appear on radio, television, stage, and even in a live-action feature film. This comprehensive and lavishly illustrated history is a thoroughly updated and revised edition of the highly acclaimed 1994 work. Animated series and films are examined, noting the different directions each studio took and the changing character designs of the Popeye family. Popeye in other media--comics, books, radio, and a stage play--is thoroughly covered, as are Robert Altman's 1980 live-action film, and Popeye memorabilia.

Reallusion’s iClone is an animated movie making application that allows hobbyists, machinimators, home-based animators, and professionals to visualize their story or an idea by seeing it in action. Years ago, creating animations and single images would require a team of trained artists to accomplish. Now, iClone real time rending engine empowers its users to instantly view what is loaded into the 3D workspace or preview it as an animation, if you have the precise instructions. The iClone 3D Animation Beginner’s Guide will walk you through the building and animating of a complete scene and several one-off projects. First we create a scene with sky, terrain , water, props and other assets. Then add two characters and manipulate their features and animate their movement. We will also use particles to create the effect of a realistic torch and animate cameras to give different views to the scene. Finally we will see how to quickly import images to enhance the scene with a mountain, barn, and water tank. It will cover some fun stuff such as playing with props, characters, and other scene assets. It will also demonstrate some advanced topics such as screen resolution, formats and codecs but mostly it will deal with doing hands on animation with precise instructions. Starting with a blank project using stock and downloadable assets you will learn to lay out and animate a scene and export that scene to both a single image and a movie. The main project will demonstrate many common and undocumented techniques, while each project introduces and examines tools and techniques for successful and fun animation of ideas or scripts. Each project of the book including the main project is designed to cover the aspects of 3D animation in a manner which anyone with basic computer skills can follow. You will discover the importance of lighting a scene including daytime scenes. The concept of the timeline and key frames will be covered in detail and other topics such as rendering (exporting), character modification and prop placement all have their own sections with step by step instructions followed by an explanation of what just happened. Good animation habits and project basics are stressed throughout the book interspersed with time saving tips and techniques gained from years of experience with iClone. When you have finished The iClone 3D Animation Beginner’s Guide you will have a solid foundation in the basics of iClone by having animated a scene with multiple characters and props that involves dialog and interaction with other characters. You will have the knowledge to create new animation projects to hone your skills, tell your story, educate students or sell your product.

The funniest, most inaccurate, least useful guide to the Disneyland Resort ever published.

This book charts the history of more than 20 years of animation festivals. From Annecy, the oldest animation festival in the world, to Beirut, or the founding of the festival in Peja, Kosovo, Nancy Denney‐Phelps has recorded not just the films screened but also the people and what makes each festival unique. What is it like to travel to China, Beirut, or Kosovo for an animation festival? Spend a week on a boat with 200 animators from around the world or be thrown off a train in Belarus? All of this and much, much more has happened to Nancy Denney‐Phelps in her many years as an animation journalist. Documenting more than 20 years of travels, this book will appeal to all those with an interest in animation. If you are a young animator and want to know what festival life is like, this is the book for you. If you are a seasoned veteran and want to bring back some memories of festivals past, this book should bring some smiles to your face.