The definitive and remarkable story of 2 Tone Records, featuring an introduction by Pauline Black —A Times/Sunday Times Book of the Year —An Uncut Book of the Year —Long-Listed for the Penderyn Music Book Prize —A Louder Than War Book of the Year —A Blitzed Magazine Book of the Year In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.

The definitive and remarkable story of 2 Tone Records

Walls Come Tumbling Down charts the pivotal period between 1976 and 1992 that saw politics and pop music come together for the first time in Britain's musical history; musicians and their fans suddenly became instigators of social change, and 'the political persuasion of musicians was as important as the songs they sang'. Through the voices of campaigners, musicians, artists and politicians, Daniel Rachel follows the rise and fall of three key movements of the time: Rock Against Racism, 2 Tone, and Red Wedge, revealing how they all shaped, and were shaped by, the music of a generation. Composed of interviews with over a hundred and fifty of the key players at the time, Walls Come Tumbling Down is a fascinating, polyphonic and authoritative account of those crucial sixteen years in Britain's history.

From an award-winning writer and producer comes the latest edition in the 365 series. The most provocative photography documents the performances, looks, and attitudes of the punk movement that exploded onto the music scene more than 30 years ago.

'Fascinating . . . a must-read' Mojo As bass player with the Specials, in his second-hand suit and pork pie hat, Horace Panter was a member of one of the most innovative and exciting bands to come snarling out of the punk era. Founded by Jerry Damners, their fusion of punk, reggae and ska created a new musical fashion, spearheaded by their own record label Two Tone. They stood for unity and racial harmony in a polarised society. They even got British men dancing again. In Ska'd for Life Horace takes the reader on a musical odyssey with the Specials from their early days on Coventry's punk circuit to chart storming success with singles like 'Too Much Too Young' and the eerily prescient 'Ghost Town', released as the race riots saw Toxteth and Brixton go up in flames. Written with wry humour, taking an affectionate look at a band whose sublime music remains influential today, this is a must for all Specials fans. 'I found myself laughing out loud whilst revisiting some long forgotten memories . . . It was a fantastic journey and I thank Horace for sharing it' Lynval Golding

Patch & Tweak with Moog is the ultimate resource for Moog synthesizer enthusiasts and musicians of all skill levels interested in an immersive modular synthesis experience. Opening with a foreword from acclaimed film score composer Hans Zimmer, this hardcover book by Kim Bjørn features 200 pages full of synthesizer techniques, creative patch ideas, sound design tips, professional artist interviews, in-depth discussions with Moog engineers, and a glimpse into the company's remarkable history. The book's primary focus is Moog's well-loved line of semi-modular analog synthesizers: Mother-32, DFAM, Subharmonicon, Grandmother, and Matriarch. Patch & Tweak with Moog brings readers inside the creative minds of composers, producers, and performing artists like Suzanne Ciani, Trent Reznor, Lisa Bella Donna, Paris Strother, Hannes Bieger, Stranger Things composers Michael Stein and Kyle Dixon, and Moog synthesizer co-inventor Herb Deutsch in detailed interviews featuring patching tips and tricks for musicians of all skill levels.

Born in 1953 to Anglo-Jewish/Nigerian parents, Pauline Black was subsequently adopted by a white, working class family in Romford. Never quite at home there, she escaped her small town background and discovered a different way of life - making music. Lead singer for platinum-selling band The Selecter, Pauline Black was the Queen of British Ska. The only woman in a movement dominated by men, she toured with The Specials, Madness, Dexy's Midnight Runners when they were at the top of the charts - and, sometimes, on their worst behaviour. From childhood to fame, from singing to acting and broadcasting, from adoption to her recent search for her birth parents, Black By Design is a funny and enlightening story of music, race, family and roots.

Before Bob Marley brought reggae to the world, before Jimmy Cliff and Peter Tosh, before thousands of musicians played a Jamaican rhythm, there were the men and women who created ska music, a blend of jazz, American rhythm and blues, and the indigenous music of the Caribbean. This book tells the story of ska music and its development from Jamaica to England, where the music took on a distinctively different tone, and finally to the rest of the world. Through the words of legendary artists, gleaned from more than a decade of interviews, the story of ska music is finally told by those who were there.

New Foreword by Irvine Welsh. In Before We Was We Madness tell us how they became them. A story of seven originals, whose collective graft, energy and talent took them from the sweaty depths of the Hope and Anchor's basement to the Top of the Pops studio. In their own words they each look back on shared adventures. Playing music together, riding freight trains, spraying graffiti and stealing records. Walking in one another's footsteps by day and rising up through the city's exploding pub music scene by night. Before We Was We is irreverent, funny and full of character. Just like them.

This book explores representations of gender, sexuality and ethnicity in Hindi films, in the socio-political context and in terms of how young audiences in India and the UK construct them. In-depth interviews, observations and photographs provide insights into spectatorship and comparison with theories about Hindi film and popular culture.