With a voice as disarmingly bold, funny, and unsentimental as its author, this is a thoroughly unconventional memoir that shatters the myth of the tragic disabled life.

Everyone knew her. A lot of them like her. One of them killed her. Jeanne Clinton was a pretty and well-liked woman—though in her younger days she'd been known to be a bit wild. But she married an older man and settled down to a quiet, respectable life. Now she is dead, brutally murdered in her home. Dan Rhodes, the thoughtful, hard-working sheriff of Blacklin County, Texas, has enough to worry about already: a rash of burglaries in town and an election coming up against a hot-shot opponent. Now he's got to find a killer among the residents of his little town—a wily killer, bound and determined not to be caught. The deeper Rhodes digs into the hearts and minds of his neighbors, the more secrets he turned up...and the more violence he encounters. But Rhodes doesn't give up easily. And neither does the killer.

It's Too Late to Die Young Now answers the question: what became of the rock writer the day the music died? There is no field of journalism more mythologised or more derided than rock journalism - with good reason, according to Andrew Mueller. And he'd know. Starting out writing for the Sydney music street press in his teens, by his early twenties, Mueller was working for the legendary UK music weekly Melody Maker, earning a living by listening to records, going to gigs, hanging out in seedy pubs and travelling the world with his favourite rock groups. In barely two years, he went from a childhood bedroom with a poster of Robert Smith to The Cure's tour bus. Though it didn't seem like it at the time, the years Mueller was living the dream - the late-eighties to the mid-nineties - were actually the last hurrah for the music scene as we knew it. The era of flourishing live pub venues and record stores, and rock journalists as cultural arbiters and agitators, is now long gone. Featuring cameo appearances from luminaries of the Seattle grunge boom and the Britpop response to it, and encounters with the likes of U2, The Cure, Pearl Jam, The Fall and Elvis Costello, It's Too Late to Die Young Now is an Almost Famous for Generation X, and a hilarious and heartfelt eulogy to a life that seems even less probable now than it did at the time.

The legacy of the male baby boomer will be defined by how they choose to handle the physical, emotional, and financial burden they leave to the next generation. Author Dan Zeman is passionate about educating and motivating his fellow male baby boomers about the aging process. Today, these men are living much longer than they expected and will be forced to come to terms being gifted an increased life expectancy, both good and bad. As an exercise physiologist for over 35 years, Zeman has been in the trenches of the health, fitness, and sports medicine fields. He's had a ringside seat as medical advancements have increased life-spans, technological developments have decreased physical activity, and learned why society has struggled to address the resulting problems. Zeman lays the groundwork to help the male baby boomer plan ahead for living longer than any generation in history.

Having always prided herself on blending in with "normal" people despite her cerebral palsy, seventeen-year-old Jean begins to question her role in the world while attending a summer camp for children with disabilities.

"Forensic neuropathologist Bennet Omalu, MD, explains the science of brain trauma, offers practical solutions, and recounts the moving stories of the lives, and tragic deaths, of NFL stars cut down by gridiron dementia."-- Cover.

The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."

In the tradition of John Green’s The Fault in Our Stars and Me and Earl and the Dying Girl, this incredibly moving and harrowing true story of a teenager diagnosed with cancer is “a resounding affirmation of how music can lift one’s spirits beyond gray skies and bad news (Kirkus Reviews).” Punk’s not dead in rural West Virginia. In fact, it blares constantly from the basement of Rob and Nat Rufus—identical twin brothers with spiked hair, black leather jackets, and the most kick-ass record collection in Appalachia. To them, school (and pretty much everything else) sucks. But what can you expect when you’re the only punks in town? When the brothers start their own band, their lives begin to change: they meet friends, they attract girls, and they finally get invited to join a national tour and get out of their rat box little town. But their plans are cut short when Rob is diagnosed with a rare form of cancer that has already progressed to Stage Four. Not only are his dreams of punk rock stardom completely shredded, there is a very real threat that this is one battle that can’t be won. While Rob suffers through nightmarish treatments and debilitating surgery, Nat continues on their band’s road to success alone. But as Rob’s life diverges from his brother’s, he learns to find strength within himself and through his music. Die Young with Me is a “raw, honest picture of the weirdness of growing up” (Marky Ramone) and the story of a brave teen’s battle with cancer and the many ways music helped him cope through his recovery.

Drawing on letters, diaries, and tape-recorded conversations, the author recounts his friendship with Dean, including their sexual relationship, and reveals Dean's feelings about his success, his parents, and death