The resurgence of ethnic consciousness over the past decade has had a profound effect on many Jewish artists, writers, performers, and the Jewish community at large. Surprisingly, however, Jewish identity remains one of the least explored terrains in contemporary discussions of multiculturalism and identity-based art. Too Jewish? takes a fresh, often confrontational and sometimes humorous, approach to newly considered representations of Jewish identity. This book, accompanied by a major exhibition at The Jewish Museum, New York, places the Jewish identity subjects in the recent art of such artists as Deborah Kass, Rona Pondick, Archie Rand, Elaine Reichek, Art Spiegelman, Hannah Wilke, and others within a larger continuum of influences ranging from nineteenth-century art history to twentieth-century media and pop culture. Essays by major writers explore the historic and scientific roots of the construction of the Jew's "otherness," assimilation strategies, and stereotypes inherent in past and present definitions of Jewish masculinity and femininity. The contributors include cultural critic Maurice Berger, sociologist Sander L. Gilman, playwright Tony Kushner, art theorist Rhonda Lieberman, art historian Margaret Olin, and anthropologist Riv-Ellen Prell. Renowned art historian Linda Nochlin provides a clever and highly personal foreword that captures her complicated reaction to the Hasidic-inspired clothing from Jean Paul Gaultier's Fall 1993 collection. The exhibition curator and editor of this work, Norman L. Kleeblatt, offers an insightful introduction on the complex history of post war Jewish identity and its impact on visual artists. This is a lively and provocative book that offers a unique critical perspective on Jewish identity, multiculturalism, or contemporary art.

Traditionally, American Jews have been broadly liberal in their political outlook; indeed African-Americans are the only ethnic group more likely to vote Democratic in US elections. Over the past half century, however, attitudes on one topic have stood in sharp contrast to this group's generally progressive stance: support for Israel. Despite Israel's record of militarism, illegal settlements and human rights violations, American Jews have, stretching back to the 1960s, remained largely steadfast supporters of the Jewish "homeland". But, as Norman Finkelstein explains in an elegantly-argued and richly-textured new book, this is now beginning to change. Reports by Human Rights Watch, Amnesty International and the United Nations, and books by commentators as prominent as President Jimmy Carter and as well-respected in the scholarly community as Stephen Walt, John Mearsheimer and Peter Beinart, have increasingly pinpointed the fundamental illiberalism of the Israeli state. In the light of these exposes, the support of America Jews for Israel has begun to fray. This erosion has been particularly marked among younger members of the community. A 2010 Brandeis University poll found that only about one quarter of Jews aged under 40 today feel "very much" connected to Israel. In successive chapters that combine Finkelstein's customary meticulous research with polemical brio, Knowing Too Much sets the work of defenders of Israel such as Jeffrey Goldberg, Michael Oren, Dennis Ross and Benny Morris against the historical record, showing their claims to be increasingly tendentious. As growing numbers of American Jews come to see the speciousness of the arguments behind such apologias and recognize Israel's record as simply indefensible, Finkelstein points to the opening of new possibilities for political advancement in a region that for decades has been stuck fast in a gridlock of injustice and suffering.

"The stories in It's too crowded in here! are based on selected pieces chosen from Lessons from our living past (Behrman House (c) 1972) and Stories from our living past (Behrman House (c) 1974)"--Galley.

When Charlie moves next door to Sam, he's thrilled to have a new friend—even if she is a girl. Charlie has a little sister, also named Sam—or Sam Too, as the other Sam comes to call her. Both Sam and Charlie (and Sam Too) are Jewish, and they try to live by the religion's motto: Love your neighbor as yourself. The five brief stories in this book, accompanied by colorful illustrations, highlight the value of friendship and its ups and downs.

Aron Lieb approached Sue Resnick at a Jewish Community Center fifteen years ago and found a companion and soul mate who was steadfastly by his side for the rest of his life. You Saved Me, Too is the incredible story of how two people shared the hidden parts of themselves and created a bond that was complicated, challenging, but ultimately invaluable. Sue was first attracted to Aron's warmth and wit, such a contrast to his tragic past and her recent battle with postpartum depression. Soon she would be dealing with his mental illness, fighting the mainstream Jewish community for help with his care, and questioning her faith. The dramatic tension builds when Sue promises not to let Aron die alone. This book chronicles their remarkable friendship, which began with weekly coffee dates and flourished into much more. With beautiful prose, it alternates between his history, their developing friendship, and a current health crisis that may force them to part.

Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews.

From three award-winning and bestselling humor writers comes a hilarious guide to everything you need to know about Jewish history, holidays, and traditions. Immerse yourself in the essence of Jewish humor and culture with A Field Guide to the Jewish People brought to you by Dave Barry, Adam Mansbach, and Alan Zweibel. Join them as they dissect every holiday, rite of passage, and tradition, unravel a long and complicated history, and tackle the tough questions that have plagued Jews and non-Jews alike for centuries. Combining the sweetness of an apricot rugelach with the wisdom of a matzoh ball, this is the last book on Judaism that you will ever need. So gather up your chosen ones, open a bottle of Manischewitz, and get ready to laugh as you finally begin to understand the inner-workings of Judaism.

A hilarious compendium of traditional wisdom, recipes, and lore from the authors of the bestselling Yiddish with Dick and Jane. Modern Jews have forgotten cherished traditions and become, sadly, all- too assimilated. It's enough to make you meshugeneh. Today's Jews need to relearn the old ways so that cultural identity means something other than laughing knowingly at Curb Your Enthusiasm- and The Big Jewish Book for Jews is here to help. This wise and wise-cracking fully-illustrated book offers invaluable instruction on everything from how to sacrifice a lamb unto the lord to the rules of Mahjong. Jews of all ages and backgrounds will welcome the opportunity to be the Jewiest Jew of all, and reconnect to ancestors going all the way back to Moses and a time when God was the only GPS a Jew needed.

“In The Ruined House a ‘small harmless modicum of vanity’ turns into an apocalyptic bonfire. Shot through with humor and mystery and insight, Ruby Namdar's wonderful first novel examines how the real and the unreal merge. It's a daring study of madness, masculinity, myth-making and the human fragility that emerges in the mix." —Colum McCann, National Book Award-winning author of Let the Great World Spin Winner of the Sapir Prize, Israel’s highest literary award Picking up the mantle of legendary authors such as Saul Bellow and Philip Roth, an exquisite literary talent makes his debut with a nuanced and provocative tale of materialism, tradition, faith, and the search for meaning in contemporary American life. Andrew P. Cohen, a professor of comparative culture at New York University, is at the zenith of his life. Adored by his classes and published in prestigious literary magazines, he is about to receive a coveted promotion—the crowning achievement of an enviable career. He is on excellent terms with Linda, his ex-wife, and his two grown children admire and adore him. His girlfriend, Ann Lee, a former student half his age, offers lively companionship. A man of elevated taste, education, and culture, he is a model of urbanity and success. But the manicured surface of his world begins to crack when he is visited by a series of strange and inexplicable visions involving an ancient religious ritual that will upend his comfortable life. Beautiful, mesmerizing, and unsettling, The Ruined House unfolds over the course of one year, as Andrew’s world unravels and he is forced to question all his beliefs. Ruby Namdar’s brilliant novel embraces the themes of the American Jewish literary canon as it captures the privilege and pedantry of New York intellectual life in the opening years of the twenty-first century.

ONE OF THE WASHINGTON POST'S TEN BEST BOOKS OF THE YEAR One of Christian Science Monitor's BEST FICTION OF 2019 "Funny and tender but also provocative and wise. . . One of the most hopeful and insightful novels I've read in years." - Ron Charles, The Washington Post "Serious yet joyous comedy, reminiscent of the Pultizer-winning Less" - Out Magazine A novel about what happens when an already sprawling family hosts an even larger and more chaotic wedding: an entertaining story about family, culture, memory, and community. In the seemingly idyllic town of Rundle Junction, Bennie and Walter are preparing to host the wedding of their eldest daughter Clem. A marriage ceremony at their beloved, rambling home should be the happiest of occasions, but Walter and Bennie have a secret. A new community has moved to Rundle Junction, threatening the social order and forcing Bennie and Walter to confront uncomfortable truths about the lengths they would go to to maintain harmony. Meanwhile, Aunt Glad, the oldest member of the family, arrives for the wedding plagued by long-buried memories of a scarring event that occurred when she was a girl in Rundle Junction. As she uncovers details about her role in this event, the family begins to realize that Clem's wedding may not be exactly what it seemed. Clever, passionate, artistic Clem has her own agenda. What she doesn't know is that by the end, everyone will have roles to play in this richly imagined ceremony of familial connection-a brood of quirky relatives, effervescent college friends, ghosts emerging from the past, a determined little mouse, and even the very group of new neighbors whose presence has shaken Rundle Junction to its core. With Strangers and Cousins, Leah Hager Cohen delivers a story of pageantry and performance, hopefulness and growth, and introduces a winsome, unforgettable cast of characters whose lives are forever changed by events that unfold and reverberate across generations.