Welcome to the childhood of Catherine McClure Gildiner. It is the mid-1950s in Lewiston, New York, a sleepy town near Niagara Falls. Divorce is unheard of, mothers wear high heels to the beauty salon, and television has only just arrived. At the tender age of four, Cathy accompanies Roy, the deliveryman at her father's pharmacy, on his routes. She shares some of their memorable deliveries-sleeping pills to Marilyn Monroe (in town filming Niagara), sedatives to Mad Bear, a violent Tuscarora chief, and fungus cream to Warty, the gentle operator of the town dump. As she reaches her teenage years, Cathy's irrepressible spirit spurs her from dangerous sled rides that take her "too close to the Falls" to tipsy dances with the town priest.

The vivid and touching sequel to the bestselling memoir Too Close to the Falls. It's 1960 and twelve-year-old Cathy McClure has just been thrown out of Catholic school for-among other transgressions-filling the holy water fount with vodka. In the hopes of giving Cathy a fresh start away from their small town, the McClures leave behind Niagara Falls and the family pharmacy to start over in suburban Buffalo. But life in a subdivision and a school filled with "pubescent cheddar" holds little appeal for a girl who began working at four and smoking at nine. As the quaint world of 1950s America recedes into history, Cathy dives headfirst into the 1960s. Along the way, she adopts many personas with gusto-vandal, HoJo hostess, FBI suspect, civil rights demonstrator- but when tragedy strikes at home, Cathy must take on her most challenging role yet. As candid and compelling as Mary Karr's The Liars' Club and Jeanette Walls's The Glass Castle, After the Falls is an irresistible account of one girl's comingof-age during a tumultuous era and the moving tale of a rebellious spirit learning what it means to be a daughter.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I was born in Lewiston, a small town in western New York, to conservative, devout Catholic parents. I was at the hub of the town because I worked in my father’s drugstore from the age of four. I was labeled eccentric by my mother. #2 I worked at a drugstore as a child, and I was exposed to situations that were unusual for a child. I never had a meal at home, and I was surrounded by adults. My peer group became my coworkers. #3 I loved working with Roy, the pharmacist, because he was always in a good mood, and he made me feel like I was important. He never put off a good time, yet he always got his work done. #4 At 10:30 A. M. on Saturdays, all the employees had a break. We sat around the large red Coke cooler where the ice had melted and fished out our Cokes. I liked looking at things Roy-style, and when I was four, my mother taught me to read. Roy had been all over the United States.

She could remember standing in a park near the falls, hypnotized by the sight and sound, and holding her father’s hand as they took a walk that would lead them closer. That’s what everyone wonders when they see Niagara . . . How close will their courage let them get to it? At the turn of the nineteenth century, a retired sixty-two-year-old charm school instructor named Annie Edson Taylor, seeking fame and fortune, decided to do something that no one in the world had ever done before—she would go over Niagara Falls in a wooden barrel. Come meet the Queen of the Falls and witness with your own eyes her daring ride!

It is 1950 and, after a disastrous honeymoon night, Ariah Erskine's young husband throws himself into the roaring waters of Niagara Falls. Ariah, "the Widow Bride of the Falls," begins a relentless seven-day vigil in the mist, waiting for his body to be found. At her side is confirmed bachelor and pillar of the community Dirk Burnaby, who is unexpectedly drawn to her. What follows is a passionate love affair, marriage, and family -- a seemingly perfect existence. But tragedy soon takes over their lives, poisoning their halcyon years with distrust, greed, and murder. Set against the mythic-historic backdrop of Niagara Falls in the mid-twentieth century, this haunting exploration of the American family in crisis is a stunning achievement from "one of the great artistic forces of our time" (The Nation). This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

The third and final volume in the spirited and witty memoir series. Picking up her story in the late '60s at age 21, Cathy Gildiner whisks the reader through five years and three countries, beginning when she is a poetry student at Oxford. Her education extended beyond the classroom to London's swinging Carnaby Street, the mountains of Wales, and a posh country estate. After Oxford, Cathy returns to Cleveland, Ohio, which was still reeling from the Hough Ghetto Riots. Not one to shy away from a challenge, she teaches at a high school where police escort teachers through the parking lot. There, she tries to engage apathetic students and tussles with the education authorities. In 1970, Cathy moves to Canada. While studying literature at the University of Toronto, she rooms with members of the FLQ (Quebec separatists) and then with one of the biggest drug dealers in Canada. Along the way, she falls in love with the man who eventually became her husband and embarks on a new career in psychology. Coming Ashore brings readers back to a fascinating era populated by lively characters, but most memorable of all is the singular Cathy McClure. The BackLit bonus content includes a reader’s guide, Q&A with the author, and more.

Niagara Falls, 1915 When Bess Heath returns to her family home near the picturesque falls, it is to an unfamiliar scene - the elegance of the life she once knew has vanished. Her father is a broken man, jobless and losing hope, and her mother is struggling to keep the family afloat. Isabel, the lively, charismatic sister Bess has always relied on is almost unrecognisable. Her engagement called off, she languishes in her bedroom, brooding and refusing to eat. Through all of this Bess finds solace in Tom Cole, a man she met by chance the night she returned home. Constant, gentle and devoted to Bess, he understands better than anyone the awesome and potentially devastating power of the falls - and consoles her through a tragedy that nearly ruins her. But as their lives become more fully entwined, Bess is forced to make a painful choice between what she wants and what is best for her family . . .

Welcome to the childhood of Catherine McClure Gildiner. It is the mid-1950s in Lewiston, New York, a sleepy town near Niagara Falls. Divorce is unheard of, mothers wear high heels to the beauty salon, and television has only just arrived. At the tender age of four, Cathy accompanies Roy, the deliveryman at her father's pharmacy, on his routes. She shares some of their memorable deliveries-sleeping pills to Marilyn Monroe (in town filming Niagara), sedatives to Mad Bear, a violent Tuscarora chief, and fungus cream to Warty, the gentle operator of the town dump. As she reaches her teenage years, Cathy's irrepressible spirit spurs her from dangerous sled rides that take her "too close to the Falls" to tipsy dances with the town priest.

NATIONAL BESTSELLER • “A richly textured portrait . . . an intimate look at a closed Orthodox community.”—Los Angeles Times Book Review NATIONAL BOOK AWARD FINALIST • A NEW YORK TIMES NOTABLE BOOK It is 1976. And the tiny upstate New York town of Kaaterskill Falls is bustling with summer people in dark coats, fedoras, and long, modest dresses. Living side by side with Yankee year-rounders, they are the disciples of Rav Elijah Kirshner. Elizabeth Shulman is a restless wife and mother of five daughters; her imagination transcends her cloistered community. Across the street Andras Melish is drawn to Kaaterskill by his adoring older sisters. Comforted, yet crippled by his sisters’ love, he cannot overcome the ambivalence he feels toward his own children and his young wife. At the top of the hill, Rav Kirshner is nearing the end of his life. As he struggles to decide which of his sons should succeed him—the pious but stolid Isaiah or the brilliant but rebellious Jeremy—his followers wrestle with their future and their past. With this community, Allegra Goodman weaves magic. The nationally bestselling author of The Family Markowitz crafts a tale of family and tradition—one that confirms this author’s place as a virtuoso of her generation.

“A near-miraculous, brilliant debut.”—George Saunders, Man Booker Prize–winning author of Lincoln in the Bardo “In one exquisitely crafted story after the next, Will Mackin maps the surreal psychological terrain of soldiers in a perpetual war.”—Phil Klay, National Book Award–winning author of Redeployment WINNER OF THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION The eleven stories in Will Mackin’s mesmerizing debut collection draw from his many deployments with a special operations task force in Iraq and Afghanistan. They began as notes he jotted on the inside of his forearm in grease pencil and, later, as bullet points on the torn-off flap of an MRE kit. Whenever possible he incorporated those notes into his journals. Years later, he used those journals to write this book. Together, the stories in Bring Out the Dog offer a remarkable portrait of the absurdity and poetry that define life in the most elite, clandestine circles of modern warfare. It is a world of intense bonds, ancient credos, and surprising compassion—of success, failure, and their elusive definitions. Moving between settings at home and abroad, in vivid language that reflects the wonder and discontent of war, Mackin draws the reader into a series of surreal, unsettling, and deeply human episodes: In “Crossing the River No Name,” a close call suggests that miracles do exist, even if they are in brutally short supply; in “Great Circle Route Westward Through Perpetual Night,” the death of the team’s beloved dog plunges them into a different kind of grief; in “Kattekoppen,” a man struggles to reconcile his commitments as a father and his commitments as a soldier; and in “Baker’s Strong Point,” a man whose job it is to pull things together struggles with a loss of control. Told without a trace of false bravado and with a keen, Barry Hannah–like sense of the absurd, Bring Out the Dog manages to capture the tragedy and heroism, the degradation and exultation, in the smallest details of war. Praise for Bring Out the Dog “Cuts through all the shiny and hyped-up rhetoric of wartime, and aggressively and masterfully draws a picture of the brutal, frightening, and even boring moments of deployment. . . . The Things They Carried, Redeployment, and now Bring Out the Dog: war stories for your bookshelf that will last a very long time, and serve as reminders of what America was, is, and can still become.”—Chicago Review of Books