Tony Hunt's Sketchbook illustrates the connection between brain and hand in conceiving structural concepts and details as possible solutions to structures in architecture. This new edition features 100 previously unpublished sketches. These sketches illustrate alternative structural concepts, ideas and details developed by Tony Hunt for over one hundred projects throughout his professional life. They relate directly to projects built and unbuilt in the field of structural engineering and were either produced at the time of relevant design meetings or as a response to a problem posed by an architect and are, therefore, a record of ideas proposed at the particular time. They are a source of design inspiration and an insight into the work of this well respected engineer.

Tony Hunt's Sketchbook illustrates the connection between brain and hand in conceiving structural concepts and details as possible solutions to structures in architecture. This new edition features 100 previously unpublished sketches. These sketches illustrate alternative structural concepts, ideas and details developed by Tony Hunt for over one hundred projects throughout his professional life. They relate directly to projects built and unbuilt in the field of structural engineering and were either produced at the time of relevant design meetings or as a response to a problem posed by an architect and are, therefore, a record of ideas proposed at the particular time. They are a source of design inspiration and an insight into the work of this well respected engineer.

This second-expanded edition of Towards A New Engineering is almost double in volume compared to the first edition, with several new chapters, new material and is more graphically oriented in order to guide readers more smoothly throughout the text. It is a collection of intimate reflections on structural engineering, its present and future. A testimony on many issues that ‘bothered’ the author during his years of designing structures. A critique and praise of built structures, structural design strategies, codes, the educational system, digital tools and much more. It’s a professional memoir dedicated to the unsung heroes of structural engineering. Not the unknown ones but the unrecognized ones. It’s an album of their thoughts and designs. This book is a rare possibility for structural engineers to consider the meaning of their profession, to meditate about it and its relation to, or distinction from, the practice of architecture. This is a collection of thoughts but not conclusions and theories. The book is recommended for all structural and architectural engineers, as well as for students of engineering and architecture, especially those who have chosen structural engineering as their lifelong profession. It is an eye-opening book that will provide a clearer, more realistic perspective while also offering an idea of where engineers will be in the future and how they should adapt to the time that comes.

Design Expertise explores what it takes to become an expert designer.It examines the perception of expertise in design and asks what knowledge, skills, attributes and experiences are necessary in order to design well. Bryan Lawson and Kees Dorst develop a new model of design expertise and show how design expertise can be developed. This book is designed for all students, teachers, practitioners and researchers in architecture and design. To enable all readers to explore the book in a flexible way, the authors’ words are always found on the left hand page. On the right are diagrams, illustrations and the voices of designers, teachers and students and occasionally others too. 'Design Expertise' provides a provocative new reading on the nature of design and creative thought.

Being a professional designer is one of the most intellectually rewarding careers. Learning to become a designer can be tremendous fun but it can also be frustrating and at times painful. What you have to do to become a designer is not often clearly laid out and can seem mysterious. Over the past 50 years or so we have discovered a great deal about how designers think. This book relies upon that knowledge but presents it in a way specifically intended to help the student and perhaps the teacher. Bryan Lawson’s classic book How Designers Think has been in print since 1980 and has gone through four editions to keep it up to date. This book can be seen as a companion volume for the design student.

This book explores the fascinating role that language plays in the construction of non-verbal objects by mapping out the ontological meaning of the specialised concepts and the domain-specific knowledge embedded in them. In doing so, it provides a comprehensive linguistic insight into the discourse of professional domain-specific communities and hence, into the communication practices and procedures of those communities. In this respect, the book offers a response to the claims made by many of the most influential applied linguists today, such as Vijay Bhatia (1993, 2004), John Swales (1990, 2004) or Ken Hyland (2002), among others, who have consistently defended the need for applied linguistic research into the textual, generic and social perspectives on the under-researched interrelatedness of the discoursal and professional practices of a discipline. Specifically, this book provides readers with an integrative multi-perspective approach to the study of professional, domain-specific discourses. While it mainly draws on the tenets of genre theory and discourse semantics, it also nurtures from the theoretical and empirical foundations of applied linguistics, cognitive linguistics, corpus linguistics and ontological engineering. The book starts from the analysis of domain specific texts as final written products with specific lexico-grammatical, semantic and rhetorical features to later enquire into the written products as textual artefacts closely linked to the social context of production and interpretation of the text. This integrative approach provides fresh new insights into the way the processes of writing are affected by the community-specific, institutional and socio-historical circumstances in which domain-specific texts are produced.

Here, in one volume, is all the architect needs to know to participate in the entire process of designing structures. Emphasizing bestselling author Edward Allen's graphical approach, the book enables you to quickly determine the desired form of a building or other structure and easily design it without the need for complex mathematics. This unique text teaches the whole process of structural design for architects, including selection of suitable materials, finding a suitable configuration, finding forces and size members, designing appropriate connections, and proposing a feasible method of erection. Chapters are centered on the design of a whole structure, from conception through construction planning.

Using real working drawings from a 50 year career, Ron Slade shows how drawing remains at the heart of the design process in the everyday working life of engineers and architects. The book explains simple techniques that can be learnt and used to enhance any professional’s natural ability. Using over 180 categorised examples it demonstrates that drawing remains the fastest, clearest and most effective means of design communication. Unlike many other books on drawing in the construction industry, this book is ‘engineer led’ and science oriented but effectively shows that there is a close affinity between the working methods of architects and engineers.

'Tony Hunt's Structures Notebook' was a basic primer on structural engineering in a visual and non-mathematical form. 'Tony Hunt's Sketchbook' illustrates the connection between brain and hand in conceiving structural concepts and details as possible solutions to structures in architecture. Drawing is an important tool for initial communication of ideas. Design concepts originate in the mind and are transferred roughly and quickly to paper as freehand sketches. These sketches illustrate alternative structural concepts, ideas and details for discussions with the design team. The drawings in this sketchbook are a selection from notebooks produced by Tony Hunt over the last 30 or so years. They relate directly to projects built and unbuilt in the field of structural engineering. The author has worked extensively with most of he well-known architects in this country and some abroad. The sketches represent early thoughts and structural ideas on a wide range of projects, both large and small. They were either produced at the time of relevant design meetings or as a response to a problem posed by an architect and are, therefore, a record ideas proposed at the particular time. In most cases a range of structural alternatives are proposed. Sometimes the first idea was the one adopted. All drawings are freehand. The style and approach has varied over the years and has become 'freer' in later years, but all are by the author. World famous author - the first Engineer's sketchbook in the UK Tony Hunt is well known for his sketches Companion volume to the successful 'Tony Hunt's Structures Notebook'

This volume reviews the work of Anthony Hunt and explores the relationship between engineering and architecture in some of the most important buildings of the late 20th century.