“Integrating her many years of experience as a therapist, her in-depth examination of Jungian Analyst Toni Wolff’s relational theory of women’s psychological development and her ecofeminist studies in South America, Rachel Fitzgerald has succeeded in providing therapists with a practical and insightful guide to better understanding the suffering of women who seek their help.” Noreen Cannon Au, Ph.D. Jungian Analyst member of the Los Angeles Jung Society and Co-author with Wilkie Au of The Discerning Heart and Urgings of the Heart. “Rachel brings her extensive background experiences in religion, psychotherapy, history of thought, indigenous healing, and women’s development to a creative synthesis in She Moves in Circles. Building on Toni Wolff’s relational archetypes, Rachel weaves a story that unfolds in multiple layers that, in turn, reveal multiple meanings. As she integrates adult development theory and cross-cultural insights with healing practices, we awaken to the universality of women’s experiences and to the richness and complexity of her work.” Joan P. Avis, Ph.D., psychologist and professor at the University of San Francisco and co-author of The Women Who Broke All the Rules.

Toni Wolff was at first the patient, and later the friend, mistress for a time, long-term colleague and personal analyst of Swiss Psychiatrist Carl Jung. In addition to her work as the founder, leader and teacher for the Psychological Society in Z rich which led to the establishment of the world-renowned C.G. Jung Institute in Z rich/K snacht, she published a seminal but little known work called "Structural Forms of the Feminine Psyche" ("Der Psychologie," Berne, 1951). This treatise, certainly one of the first studies in Analytical Psychology, has been the subject of the authors' investigation, attention, research and study for the past twelve years. Toni Wolff's original outline of her four archetypes barely filled fifteen pages of the journal, and was written in the academic style of professional publications of that period, sans illustration or commentary. While Wolff's work has been mentioned in short form in the work of several writers, Four Eternal Women is the first full and serious archetypal delineation of her original thesis, and examines each of her four feminine archetypes from several perspectives: Wolff's Own Words; An Overview of History and Myth; Familiar Characteristics; Lesser-Known (Shadow) Possibilities; Career Inclinations; Relationships to Men; Relationships to Children; Relationships to Each of the Other Types; The tension of the opposites set up by Wolff's own diagrammatic representation of these archetypes provided an additional dynamic to this study. Those who have followed Jung's individuation path will recognize aspects of Jung's 'Transcendent Function.' All readers may well become personally sensitized to discover their own type preferences, and how some aspects of shadow may be present in their 'opposite' partner.

Toni Wolff and C.G. Jung: A Collaboration is the first comprehensive account of the personal and professional collaboration between Toni Wolff and C.G. Jung. Little was known about Toni Wolff, the woman Jung called his "other wife," until now. It is constructed from critically reliable evidence, including archival records, private family documents, Wolff's and Jung's own statements, as well as material from Wolff's personal diaries.The material shows that Toni Wolff's influence on Jung was far greater than previously recognized. Their profound, yet poignant relationship during the early twentieth century gave rise to a groundbreaking vision of the human psyche.

This revolutionary reassessment of Jung's research, conclusions, and character asserts that Jung falsified his key research in developing the theory of a collective unconsciousness. Noll also reveals evidence that Jung founded a profascist religious cult in which he intended to be worshipped as an "Aryan-Christ", propagated racist and ant-Semitic theories, and practiced polygamy for much of his life.

The protagonist of Tobias Wolff’s shrewdly—and at times devastatingly—observed first novel is a boy at an elite prep school in 1960. He is an outsider who has learned to mimic the negligent manner of his more privileged classmates. Like many of them, he wants more than anything on earth to become a writer. But to do that he must first learn to tell the truth about himself. The agency of revelation is the school literary contest, whose winner will be awarded an audience with the most legendary writer of his time. As the fever of competition infects the boy and his classmates, fraying alliances, exposing weaknesses, Old School explores the ensuing deceptions and betrayals with an unblinking eye and a bottomless store of empathy. The result is further evidence that Wolff is an authentic American master.

“A powerfully told story of family, honor, love, and truth . . . the beautiful and haunting stories told in this book transcend policy and politics.” —Beto O’Rourke A literary gem researched over a year the author spent living in Berlin, Endpapers excavates the extraordinary histories of the author’s grandfather and father: the renowned publisher Kurt Wolff, dubbed “perhaps the twentieth century’s most discriminating publisher” by the New York Times Book Review, and his son Niko, who fought in the Wehrmacht during World War II before coming to America. Born in Bonn into a highly cultured German-Jewish family, Kurt became a publisher at twenty-three, setting up his own firm and publishing Franz Kafka, Joseph Roth, Karl Kraus, and many other authors whose books would soon be burned by the Nazis. After fleeing Germany in 1933, Kurt and his second wife, Helen, founded Pantheon Books in a small Greenwich Village apartment. Pantheon would soon take its own place in literary history with the publication of Nobel laureate Boris Pasternak’s novel Doctor Zhivago, and as the conduit that brought major European works to the States. But Kurt’s taciturn son Niko, offspring of his first marriage to Elisabeth Merck, was left behind in Germany, where despite his Jewish heritage he served the Nazis on two fronts. As Alexander Wolff visits dusty archives and meets distant relatives, he discovers secrets that never made it to the land of fresh starts, including the connection between Hitler and the family pharmaceutical firm E. Merck. With surprising revelations from never-before-published family letters, diaries, and photographs, Endpapers is a moving and intimate family story, weaving a literary tapestry of the perils, triumphs, and secrets of history and exile.

Love was the great mystery in C. G. Jung's life. His confrontation with love for a woman and a feminine soul animated the composition of Jung's great Red Book, the book he formally titled Liber Novus. C. G. Jung's relationships with women during these central years of life have generated several commentaries and critiques. But the power and depth of love has figured little in most of the romances about this period patched together by biographers, dramatists, and psychoanalysts. In consequence, a crux experience of Jung's life has been miscast and little understood. Three decades after the events chronicled in his Red Book, C. G. Jung turned to writing a commentary on the still hidden records. In Jung in Love, Lance Owens illustrates how Jung's four last books -- his "last quartet" of major works published after 1945 -- are summary statements about his experiences during the years he labored with Liber Novus. Owens illustrates how in the first volume of this "last quartet" -- The Psychology of the Transference, published in 1946 -- Jung employed a sixteenth-century alchemical text to provide context for what is in fact a statement about his own experience with love recounted both in his private journals and in Liber Novus. Based on long-sequestered documentary sources, Jung in Love offers a balanced and historically contextualized account of Jung's relationships with four women during the years that led him into the visionary experiences recorded in the Red Book: Emma Jung-Rauschenbach, Sabina Spielrein, Maria Moltzer and Toni Wolff. Jung in Love - The Mysterium in Liber Novus was originally published as a chapter in Das Rote Buch – C. G. Jungs Reise zum anderen Pol der Welt, ed. Thomas Arzt (Verlag Königshausen & Neumann, 2015). This English monograph edition adds illustrations and minor corrections to the previously published edition.

This collection of Wolfe's essays, articles, and chapters from previous collections is filled with observations on U.S. popular culture in the 1960s and 1970s.

NEW YORK TIMES BESTSELLER • Now a major motion picture directed by Martin Scorsese and starring Leonardo DiCaprio By day he made thousands of dollars a minute. By night he spent it as fast as he could. From the binge that sank a 170-foot motor yacht and ran up a $700,000 hotel tab, to the wife and kids waiting at home and the fast-talking, hard-partying young stockbrokers who called him king, here, in Jordan Belfort’s own words, is the story of the ill-fated genius they called the Wolf of Wall Street. In the 1990s, Belfort became one of the most infamous kingpins in American finance: a brilliant, conniving stock-chopper who led his merry mob on a wild ride out of Wall Street and into a massive office on Long Island. It’s an extraordinary story of greed, power, and excess that no one could invent: the tale of an ordinary guy who went from hustling Italian ices to making hundreds of millions—until it all came crashing down. Praise for The Wolf of Wall Street “Raw and frequently hilarious.”—The New York Times “A rollicking tale of [Jordan Belfort’s] rise to riches as head of the infamous boiler room Stratton Oakmont . . . proof that there are indeed second acts in American lives.”—Forbes “A cross between Tom Wolfe’s The Bonfire of the Vanities and Scorsese’s GoodFellas . . . Belfort has the Midas touch.”—The Sunday Times (London) “Entertaining as pulp fiction, real as a federal indictment . . . a hell of a read.”—Kirkus Reviews