Being a student of the clarinet is exciting. If you invest time at the beginning learning the basics of clarinet playing, you will reap rewards for many years to come. Practicing the exercises in this book can help you master the clarinet. the exercises will help you refine your tone, improve your technique, and enhance your musical expression. These are the cornerstones of great clarinet playing. Time spent with these exercises will make you more able to handle difficult passages and concentrate on the music rather than the technique.

Practicing the exercises in this book can help you master the clarinet. the exercises will help refine your tone, improve your technique and enhance your musical expression – these are the cornerstones of great clarinet playing. the studies in this book evolved from the Baermann Scale studies. for impetus and melodic direction, each exercise begins on the upbeat. the studies are written using eighth notes in Alla Breve. All studies are re-ordered from the original to a more logical sequence, staying within a given key for each exercise. the studies cover a broad range of musical forms including simple, interrupted and returning scales; major, minor and broken chords; dominant sevenths, thirds and sixths; fifths and octaves and diminished sevenths. Includes many diagrams to aid in learning new fingerings.

An ideal combination for the improvement of technical facility, articulation, intonation, and tone.

Ê100 Essential Exercises for Clarinet is a collection of exercises designed to improve finger positioning, hand positioning and overall technique. Most of the exercises are 32 measures in length. Although most of the studies are written to be played in a legato (slurred) manner, other articulations can be applied. Some of the exercises are written for specific problem areas such as over the break, interval connections, left-hand pinkies and right-hand pinkies. There are a number of pages for scale and arpeggio work, along with five solos at the end of the book for applying articulations. The etudes in this book will enhance the technique of any clarinetist.

Another great addition to the Avrahm Galper Clarinet Series, here Avrahm presents 42 fantastic Klezmer tunes to add to your repertoire. All arranged for clarinet and B-Flat instruments in easy to read notation, all on single pages to avoid awkward page turns. Intermediate in difficulty.

Dr. Suzuki questioned why all vocalists vocalize every day to improve their voices, but instrumentalists do not do so every day with their instruments. He believes that on any instrument, one needs to practice to make a more beautiful tone. First he talks about playing a beautiful resonant tone with the bow while plucking the string with a finger. When a pizzicato is played, the resonance goes on for a long time. Students should listen to that resonance and play the same kind of clear beautiful sound. He talks about how to make a difference in the tone by using a different bow speed, how to practice to find the resonance point, how to change the weight of the arm on the bow to produce a different kind of tone, and how to change tone color. This book includes all of Dr. Suzuki's basic ideas about tone.

This second edition of Clarinet Secrets is a compilation of Distinguished Professor Michele Gingras’s acclaimed books that spearheaded Rowman & Littlefield’s Music Secrets series: Clarinet Secrets and More Clarinet Secrets. It is the result of Gingras’s thirty years of hands-on experience spent in the clarinet studio working with students. Learn practical and technical secrets about rapid tonguing and double-tonguing; circular breathing; sight-reading and transposition; reed fixing and repair equipment; improving tone, intonation, technique, and musicianship; contemporary techniques; classical and non-classical performance; performance anxiety; auditioning; career planning and marketability; and more. The concepts are discussed in a straightforward way, explained clearly, and illustrated with photos, diagrams, and musical examples. Easy to use and intended for the intermediate and advanced musician, this second edition of Clarinet Secrets is perfect for students in a class or private situation, professionals, or instructors engaged in pedagogical research.

(Woodwind Method). For unaccompanied clarinet.

Keith Stein was already a phenomenal clarinetist when he attended the very first session of the National Music Camp at Interlochen, Michigan. Stein was then accepted into the Chicago Symphony, and became one of its youngest members. He earned a master of music degree at the University of Michigan, and his teaching career began at Michigan State University and Interlochen, where he remained for the next 41 years until he retired. Within this book, the author makes the player aware of all the many faulty habits he may have acquired, then offers constructive suggestions for remedying each one.

"Harry Sparnaay, the bass clarinettist who has been often featured as prominent soloist, launches the most extended and rigorous study on bass clarinet. It deals with thorough technical aspects and emphasizes the resources of present music such as multiphonics, microtones and diverse effects. Everything is illustrated with fingering charts and there are more than 100 audio examples."--P. [4] of cover.