Dark, violent, and shot through with corruption, TOMORROW, THE KILLING is a fantastic successor to THE STRAIGHT RAZOR CURE, one of the most heralded fantasy debuts of recent times. Once he was a hero of the Great War, and then a member of the dreaded Black House. Now he is the criminal linchpin of Low Town. His name is Warden. He thought he had left the war behind him, but a summons from up above brings the past sharply, uncomfortably, back into focus. General Montgomery's daughter is missing somewhere in Low Town, searching for clues about her brother's murder. The general wants her found, before the stinking streets can lay claim to her, too. TOMORROW, THE KILLING was chosen as one of the best novels of 2012 by Forbidden Planet, Fantasy Faction, The Founding Fields and A Fantastical Librarian.

Drug dealers, hustlers, brothels, dirty politics, corrupt cops . . . and sorcery. Welcome to Low Town. In the forgotten back alleys and flophouses that lie in the shadows of Rigus, the finest city of the Thirteen Lands, you will find Low Town. It is an ugly place, and its cham­pion is an ugly man. Disgraced intelligence agent. Forgotten war hero. Independent drug dealer. After a fall from grace five years ago, a man known as the Warden leads a life of crime, addicted to cheap violence and expensive drugs. Every day is a constant hustle to find new customers and protect his turf from low-life competition like Tancred the Harelip and Ling Chi, the enigmatic crime lord of the heathens. The Warden’s life of drugged iniquity is shaken by his dis­covery of a murdered child down a dead-end street . . . set­ting him on a collision course with the life he left behind. As a former agent with Black House—the secret police—he knows better than anyone that murder in Low Town is an everyday thing, the kind of crime that doesn’t get investi­gated. To protect his home, he will take part in a dangerous game of deception between underworld bosses and the psy­chotic head of Black House, but the truth is far darker than he imagines. In Low Town, no one can be trusted. Daniel Polansky has crafted a thrilling novel steeped in noir sensibilities and relentless action, and set in an original world of stunning imagination, leading to a gut-wrenching, unforeseeable conclusion. Low Town is an attention-grabbing debut that will leave readers riveted . . . and hun­gry for more.

Eve and Villanelle plan for a high-stakes showdown in this sophisticated follow-up to the spy thriller that inspired the hit TV series Killing Eve. "If you want us to remain silent -- if you want to retain your freedom, your job, and your reputation -- you need to tell us everything, and I mean everything. . ." We last saw Eve and Villanelle in a spy vs. spy race around the world, crossing powerful criminal organizations and dangerous governments, each trying to come out on top. But they aren't finished yet. In this sequel to Killing Eve: Codename Villanelle, former M16 operativeEve reveals a new side to her strengths, while coming ever closer to a confrontation with Villanelle, the evasive and skilled assassin.

Lyrical and radical, a debut novel that created a sensation in France Winner of the Prix Goncourt for first novel, one of the most prestigious literary awards in France A young revolutionary plants a bomb in a factory on the outskirts of Algiers during the Algerian War. The bomb is timed to explode after work hours, so no one will be hurt. But the authorities have been watching. He is caught, the bomb is defused, and he is tortured, tried in a day, condemned to death, and thrown into a cell to await the guillotine. A routine event, perhaps, in a brutal conflict that ended the lives of more than a million Muslim Algerians. But what if the militant is a “pied-noir”? What if his lover was a member of the French Resistance? What happens to a “European” who chooses the side of anti-colonialism? By turns lyrical, meditative, and heart-stoppingly suspenseful, this novel by Joseph Andras, based on a true story, was a literary and political sensation in France, winning the Prix Goncourt for First Novel and being acclaimed by Le Monde as “vibrantly lyrical and somber” and by the journal La Croix as a “masterpiece”.

In their isolated country house, a mother and her two children prepare to wait out a blinding snowstorm. Two violent predators walk through the door. Nothing will ever be the same.

In 1994 the Rwandan government implemented a policy for the Hutu majority to murder everyone in the Tutsi majority.

When the alien Mimics invade, Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. Keiji dies on the battlefield, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally--the female soldier known as the Full Metal Bitch. Is she the key to Keiji's escape or his final death? Now a major motion picture starring Tom Cruise! -- VIZ Media

#1 NEW YORK TIMES BESTSELLER • Don’t miss the hit streaming series Reacher! “High-powered, intricately wrought suspense.”—Janet Maslin, The New York Times New York City. Two in the morning. A subway car heading uptown. Jack Reacher, plus five other passengers. Four are okay. The fifth isn’t. And if you think Reacher isn’t going to get involved . . . then you don’t know Jack. Susan Mark, the fifth passenger, had a big secret, and her plain little life was being watched in Washington, and California, and Afghanistan—by dozens of people with one thing in common: They’re all lying to Reacher. A little. A lot. Or just enough to get him killed. A race has begun through the streets of Manhattan, a maze crowded with violent, skilled soldiers on all sides of a shadow war. For Jack Reacher, a man who trusts no one and likes it that way, the finish line comes when you finally get face-to-face and look your worst enemy in the eye. “Propulsive . . . [Child is] an expert at ratcheting up tension.”—Los Angeles Times “Hold on tight. . . . This novel will give you whiplash as you rabidly turn pages. . . . May be [Lee Child’s] best.”—USA Today

"The Polish postwar firebrand Andrzej Bursa acquired a reputation as a quick-burning, existentially tormented rebel. . . . Yet Bursa's dark humor and deadpan satire . . . keep utter bleakness at bay."—The Independent "A revolution against the banality of everyday life."—Gazeta Krakowska A young university student named Jurek, with no particular ambitions or talents, is adrift. After his doting aunt asks him to perform a small chore, he decides to kill her for no good reason other than, perhaps, boredom. Killing Auntie follows Jurek as he seeks to dispose of the corpse—a task more difficult than one might imagine—and then falls in love with a girl he meets on a train. Can he tell her what he's done? Will that ruin everything? "I'm convinced—simply—that we are all guilty," says Jurek, and his adventures with nosy neighbors, false-toothed grandmothers, and love-making lynxes shed light on how an entire society becomes involved in the murder and disposal of dear old Auntie. This is a short comedic masterpiece combining elements of Fyodor Dostoevsky, Jean-Paul Sartre, Franz Kafka, and Joseph Heller, coming together in the end to produce an unforgettable tale of murder and—just maybe—redemption. Andrzej Bursa was born in 1934 in Krakow, Poland, and died twenty-five years later. In his brief lifetime he composed some of the most original Polish writing of the twentieth century. Killing Auntie is his only novel. His brilliant career and tragic early death established him as a cult figure among restless and disenchanted youth.

The Australian YA adventure trilogy “comes to a thrill-a-minute conclusion as the teen heroes continue their guerrilla tactics against totalitarian foes" (Publishers Weekly). It's been nearly six months since Australia was invaded and Ellie’s life changed forever. Once normal teenagers, she and six of her friends are now trapped in a war zone where every moment is a struggle for survival. Living in the woods to evade capture, Ellie has become an expert in fear, hunger, sickness—and improvised explosives. Ellie and her friends are learning to fight back, attacking the army that stole their land, abducted their families, and destroyed their future. But to wage a war, they must strike their enemy where it hurts—and risk everything they hold dear. Concluding the story that began in Tomorrow, When the War Began and The Dead of Night, John Marsden “offers an unflinching look at living in war-torn Australia” (Kirkus Reviews).