TOMB OF TERROR #15In the early 1950's, what was known as the "Pre-Code era", horror comics stretched (and often exceeded) the boundaries of what would be called "acceptable." TOMB OF TERROR was one of the most daring books, featuring not only suspenseful stories and excellent artistry, but the graphic horror that made parents fear for their childrens' sanity. Ah - good times!We have a great selection of issues for you: individually, as part of a multi-volume collection, or altogether in the giant CLASSIC COMICS LIBRARY #445These books are reprinted from the best available images, and the books will be updated as new copies are uncovered. Sometimes the early and rarer books reflect the age and the condition of the originals. Our books are NOT digitally remastered; they are taken from scans of actual comics. Many people enjoy these authentic characteristics. If you are not entirely happy, please contact us for exchange or refund at any time! ALL STORIES - NO ADSGet the complete catalog by contacting [email protected]

Bringing together the finest names in comic book horror, this volume features nearly 50 comics that caused a furor in the US and sparked legislation to crack down on explicit horror—from the 1940s to the 21st century. Includes names like Steve Niles, Pete Von Sholly, Michael Kaluta, Mike Ploog, Rudy Palais, Rand Holmes, Vincent Locke, Frank Brunner, and many more. Reproduced in black and white for this brand-new collection.

Republic Pictures Corporation, began as a motion picture laboratory in 1915. By 1935, Republic had become a studio and released its first movie, Westward Ho! starring a young John Wayne, who would stay with Republic for the next 17 years. Republic would go on to produce highly successful Westerns starring singing cowboys Gene Autry and Roy Rogers as well as serial adventure series. The studio cranked out so many exciting (not to mention money-making) serials that it became known as "The Thrill Factory." Occasionally, Republic would produce and distribute "A" features, such as Macbeth and The Quiet Man, but it was the "B" Westerns and adventure serials that they knew best how to produce and market. Until its demise in 1959, Republic fed hungry moviegoers with a steady diet of "B" Westerns, serials, dramas, series pictures and musicals. The Republic Pictures Checklist provides a full listing of Republic releases, with plot synopses, release dates, alternate titles, chapter titles and awards. All of Republic's output, including documentaries and training films, is included.

 They are invincible warriors of steel, silky-skinned enticers, stealers of jobs and lovable goofball sidekicks. Legions of robots and androids star in the dream factories of Hollywood and leer on pulp magazine covers, instantly recognizable icons of American popular culture. For two centuries, we have been told tales of encounters with creatures stronger, faster and smarter than ourselves, making us wonder who would win in a battle between machine and human. This book examines society's introduction to robots and androids such as Robby and Rosie, Elektro and Sparko, Data, WALL-E, C-3PO and the Terminator, particularly before and after World War II when the power of technology exploded. Learn how robots evolved with the times and then eventually caught up with and surpassed them.

An alphabetically-arranged encyclopedia of comics.

In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.

Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.

This book, written for college and seminary age students, is the distillation of reflection on the life and career of Jesus of Nazareth for over three decades. Such reflection needs no legitimizing since preoccupation with Jesus of Nazareth continues in one form or another till the present day. The arrangement of the pieces and fragments which make up the “mosaic” in part pursue the usual chronological order as appears in most editions of the Bible. But the interpretation of events within each sequence are this author’s own. In discussion with early or contemporary scholars, the text may reflect agreement or disagreement, but assumes the right to and responsibility for a specific point of view. As indicated, the book is a “mosaic,” comprised of pieces and fragments. It in no way intends to match the often massive attempts at describing Jesus of Nazareth that have been published over the centuries. Like a mosaic, it will show wear and tear, but it will be sufficient to indicate to the reader precisely whose face appears amid all those fragments and pieces, and enough to awaken reflection on his life and career.