A young Englishman, Tom Swan, is taken prisoner by the Turks in Constantinople and threatened with a life of slavery. But it's not really 'the Turks' but a single beautiful woman who seems to hold the strings, and Swan must plot his way to freedom. And riches. Or perhaps he'll just settle for getting out alive. He's not a professional soldier. He's really a thief and a little bit of a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution in part one, he begins a series of adventures that take him to the high seas, bedrooms in Constantinople and street duels in Italy, meetings with remarkable men - Cyriaco of Ancona and Sultan Mehmet II and the whole Sforza family - and from the intrigues of Rome to the Jewish Ghetto in Venice.

Castillon: Part One of a fast-paced serialised novel set in the turbulent Europe of the fifteenth century. 1450s France. A young Englishman, Tom Swan, is kneeling in the dirt, waiting to be killed by the French who have taken him captive. He's not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.

THE BRAND NEW ADVENTURE FROM 'THE MASTER OF HISTORICAL FICTION' (SUNDAY TIMES) TOM SWAN - SOLDIER, SCHOLAR, BASTARD, SPY. Tom Swan and his friends are trying to save Europe from the Turks, but most of his adversaries seem to be other Europeans. This time, an unnamed cabal is trying to kill him and, incidentally, ruin the banks and trade of England, France, and Italy. . . Join Tom Swan on his latest adventure as the likes of Cosimo di Medici, Warwick the Kingmaker, Bessarion the cardinal and Aneas Picclomini the Pope show Tom the Renaissance in all its deadly glory! * * * * * PRAISE FOR CHRISTIAN CAMERON 'The master of historical fiction' SUNDAY TIMES 'A storyteller at the height of his powers' HISTORICAL NOVEL SOCIETY 'Superb' THE TIMES 'A sword-slash above the rest' IRISH EXAMINER

The extraordinary array of images included in this volume reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.

1450s France. A young Englishman, Tom Swan, is kneeling in the dirt, waiting to be killed by the French who have taken him captive. He's not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.

Following on from Tom Swan and the Head of St George, Tom Swan and the Siege of Belgrade is the next instalment of the fast-paced serialised novel set in the turbulent Europe of the fifteenth century. Fifteenth Century Europe. Tom Swan is not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.

A "marvelous" (Economist) account of how the Christian Revolution forged the Western imagination. Crucifixion, the Romans believed, was the worst fate imaginable, a punishment reserved for slaves. How astonishing it was, then, that people should have come to believe that one particular victim of crucifixion-an obscure provincial by the name of Jesus-was to be worshipped as a god. Dominion explores the implications of this shocking conviction as they have reverberated throughout history. Today, the West remains utterly saturated by Christian assumptions. As Tom Holland demonstrates, our morals and ethics are not universal but are instead the fruits of a very distinctive civilization. Concepts such as secularism, liberalism, science, and homosexuality are deeply rooted in a Christian seedbed. From Babylon to the Beatles, Saint Michael to #MeToo, Dominion tells the story of how Christianity transformed the modern world.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

Venice: part two of a fast-paced serialised novel set in the turbulent Europe of the fifteenth century. A young Englishman, Tom Swan, travels to Italy in the bodyguard of a Cardinal. He finds it a different world. Food is delicious, women are beautiful, men are quick to make friends and quick to draw knives. Swan likes it, and dives into the politics and the plotting, the art and the fashion - and the bordellos - of Renaissance Italy. He's not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution in part one, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from the pope and Hunyadi János to Sultan Mehmet II - and from the intrigues of Rome to the Siege of Belgrade.