This compelling book of the artist's most beautiful and explicit drawings invites readers into the clandestine world of the 1950s and 60s. The first in the series, it contains some of the most graphic and unusual depictions of sex ever published by the EPS. With over 160 b/w drawings and sketches, this is Poulton at his orgiastic best. Two period novellas complement the images perfectly.

A young schoolmaster is the hero of this wickedly illustrated underground 1950s novella. He teaches at a girl's school awash with rampant teenage lust - and quite frankly, he doesn't stand a chance! Vintage Poulton in the shape of a further 63 b/w illustrations make this book a must-have for any lover of this superb erotic artist's work.

Gilbert's libretti of the comic operas composed by Arthur Sullivan are hugely well known, and lines such as "e;let the punishment fit the crime"e; have entered the English lexicon - but his short stories also deserve to be rediscovered by the modern reader. This collection, carefully curated by the secretary of the W.S. Gilbert Society, brings together the best of these sharp, clever, comical tales - many of which are published here for the first time since their first appearance in ephemeral magazines - enriched with the author's own illustrations. The stories feature many of the powerful motifs so associated with his work - fairies, elixirs, magic - and a wide variety of characters - from burglars to barristers and shopkeepers to gentlemen. This volume is shot through with the observational wit which drove Gilbert and Sullivan's works to fame, and constitutes a hugely enjoyable companion for fans of the pair's theatrical oeuvre.

A distinct painting development with regard to the American West's Wasatch Range emerged in the nineteenth century and persists even today. These "painters of the Wasatch" have set many precedents through their artistic interpretations of this mountain subject matter. Painters of the Wasatch Mountains presents for the first time a survey of the gamut of painters who formed and have carried forward an expression of nature's mighty gift to both visitors and residents of Utah. As natural successor to the Hudson River School in the East, the "Wasatch school" persists because of the values we associate with that first of America's art movements-a dedication to place, a careful study, and interpretation of the environment in a spiritual and cultural context. The Painters of the Wasatch are not defined by a particular style or medium but by a physical presence that has unlimited appeal and inspiration. Over 300 artworks are included, from the earliest examples of painting in the nineteenth century to works by Utah's contemporary artists. Also included are brief biographies of each artist, with occasional stylistic analysis. Artists featured in this book include: William Warner Major Frank Ward Kent Dan Weggeland James T. Harwood John W. Clawson Edwin Evans Lee Greene Richards John Tullidge Lawrence Squires Valoy Eaton LeConte Stewart Mahonri Young John H. Stansfield Hal Burrows Waldo Midgley Maynard Dixon Joseph A. F. Everett Francis L. Horspool Alice Merrill Horne Dean Fausett Dennis Phillips Tom Leek Gary E. Smith

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