A tortured man’s visions hold the key to mankind’s future in Robert Silverberg’s post-apocalyptic masterpiece Life in the blasted wasteland of 2103 California is nasty, brutish, and short. If the savage “scratchers” don’t kill you, the poisoned environment will. But one man wanders this desolate landscape and sees beauty: glorious visions of impossible places and majestic beings not of Earth. Scorned and mocked as a madman, Tom doubts his sanity until his visions mysteriously begin to spread to others and a returning star probe offers evidence that they are real. Now, as a new religion is born, with Tom as its reluctant messiah, violent forces are unleashed—forces that have the power to transform humanity . . . or destroy it.

A tortured man’s visions hold the key to mankind’s future in Robert Silverberg’s post-apocalyptic masterpiece Life in the blasted wasteland of 2103 California is nasty, brutish, and short. If the savage “scratchers” don’t kill you, the poisoned environment will. But one man wanders this desolate landscape and sees beauty: glorious visions of impossible places and majestic beings not of Earth. Scorned and mocked as a madman, Tom doubts his sanity until his visions mysteriously begin to spread to others and a returning star probe offers evidence that they are real. Now, as a new religion is born, with Tom as its reluctant messiah, violent forces are unleashed—forces that have the power to transform humanity . . . or destroy it.

In his new collection of poems - several of which have already become famous before their book publication - Clive James looks back over an extraordinarily rich life with a clear-eyed and unflinching honesty. There are regrets, but no trace of self-pity in these verses, which - for all their open dealings with death and illness - are primarily a celebration of what is treasurable and memorable in our time here. Again and again, James reminds us that he is not only a poet of effortless wit and lyric accomplishment: he is also an immensely wise one, who delights in using poetic form to bring a razor-sharp focus to his thought. Miraculously, these poems see James writing with his insight and energy not only undiminished but positively charged by his situation: Sentenced to Life represents a career high point from one of the greatest literary intelligences of the age.

Bloom, the best-known literary critic of our time, shares his extensive knowledge of and profound joy in the works of a constellation of major writers, including Shakespeare, Cervantes, Austen, Dickinson, Melville, Wilde, and O'Connor in this eloquent invitation to readers to read and read well.

An achingly beautiful collection of poems about one week in a secondary school where everything happens all at once. Zooming in across our cast of characters, we share moments that span everything from hoping to make it to the end of the week, facing it, fitting in, finding friends and falling out, to loving lessons, losing it, and worrying, wearing it well and worshipping from afar. In Everything All At Once, Steven Camden's poems speak to the kaleidoscope of teen experience and life at ‘big school’. 'All together. Same place. Same walls. Same space. Every emotion under the sun Faith lost. Victories won. It doesn't stop. Until the bell. Now it's heaven Now it's hell. Who knows? Not me I just wrote what I can see So what's it about? Here's my response It's about everything All at once.'

The Bounty was the first book of poems Derek Walcott published after winning the 1992 Nobel Prize in Literature. Opening with the title poem, a memorable elegy to the poet's mother, the book features a haunting series of poems that evoke Walcott's native ground, the island of St. Lucia. "For almost forty years his throbbing and relentless lines kept arriving in the English language like tidal waves," Walcott's great contemporary Joseph Brodsky once observed. "He gives us more than himself or 'a world'; he gives us a sense of infinity embodied in the language."

The second inspiring picture book from the creators of The Great Realisation.

The two plays included in this volume follow the lives of a princess and a whore. Although set in Italy, this passionate tale of paternal disapproval and sexual deceit savors more of the underworld of Jacobean London with its asylums and prisons, gambling and prostitution.