"Likened to a second Tsar in Russia and attaining prophet-like status around the globe, Tolstoy made an impact on literature and the arts, religion, philosophy, and politics. His novels and stories both responded to and helped to reshape the European and Russian literary traditions. His nonfiction incensed readers and drew a massive following, making Tolstoy an important religious force as well as a stubborn polemicist in many fields. Through his involvement with Gandhi and the Indian independence movement, his aid in relocating the Doukhobors to Canada, his correspondence with American abolitionists and his polemics with scientists in the periodical press, Tolstoy engaged a vast array of national and international contexts of his time in his life and thought. This volume introduces those contexts and situates Tolstoy-the man and the writer-in the rich and tumultuous period in which his intellectual and creative output came to fruition. Anna A. Berman was an Associate Professor in the Department of Languages, Literatures, and Cultures, Russian Section at McGill University before joining Slavonic Studies at Cambridge University. She is the author of Siblings in Tolstoy and Dostoevsky: The Path to Universal Brotherhood (2015). She has published numerous articles on Tolstoy, Dostoevsky, the family novel, the relationship of science and literature in nineteenth-century Russia, and operatic adaptations of Russian literary classics"--

Likened to a second Tsar in Russia and attaining prophet-like status around the globe, Tolstoy made an impact on literature and the arts, religion, philosophy, and politics. His novels and stories both responded to and helped to reshape the European and Russian literary traditions. His non-fiction incensed readers and drew a massive following, making Tolstoy an important religious force as well as a stubborn polemicist in many fields. Through his involvement with Gandhi and the Indian independence movement, his aid in relocating the Doukhobors to Canada, his correspondence with American abolitionists and his polemics with scientists in the periodical press, Tolstoy engaged a vast array of national and international contexts of his time in his life and thought. This volume introduces those contexts and situates Tolstoy—the man and the writer—in the rich and tumultuous period in which his intellectual and creative output came to fruition.

This biography of the brilliant author of War and Peace and Anna Karenina “should become the first resort for everyone drawn to its titanic subject” (Booklist, starred review). In November 1910, Count Lev Tolstoy died at a remote Russian railway station. At the time of his death, he was the most famous man in Russia, more revered than the tsar, with a growing international following. Born into an aristocratic family, Tolstoy spent his existence rebelling against not only conventional ideas about literature and art but also traditional education, family life, organized religion, and the state. In “an epic biography that does justice to an epic figure,” Rosamund Bartlett draws extensively on key Russian sources, including fascinating material that has only become available since the collapse of the Soviet Union (Library Journal, starred review). She sheds light on Tolstoy’s remarkable journey from callow youth to writer to prophet; discusses his troubled relationship with his wife, Sonya; and vividly evokes the Russian landscapes Tolstoy so loved and the turbulent times in which he lived.

Best known for his great novels, War and Peace and Anna Karenina, Tolstoy remains one the most important nineteenth-century writers; throughout his career which spanned nearly three quarters of a century, he wrote fiction, journalistic essays and educational textbooks. The specially commissioned essays in The Cambridge Companion to Tolstoy do justice to the sheer volume of Tolstoy s writing. Key dimensions of his writing and life are explored in essays focusing on his relationship to popular writing, the issue of gender and sexuality in his fiction and his aesthetics. The introduction provides a brief, unified account of the man, for whom his art was only one activity among many. The volume is well supported by supplementary material including a detailed guide to further reading and a chronology of Tolstoy s life, the most comprehensive compiled in English to date. Altogether the volume provides an invaluable resource for students and scholars alike.

Leo Tolstoy (1828–1910), besides writing famous novels such as War and Peace, also wrote on political issues, especially later in his life, putting forward a political philosophy which might be termed 'Christian anarchism'. This book provides a comprehensive overview of Tolstoy’s political thought. It outlines in a systematic way Tolstoy’s thought, which was originally articulated unsystematically in diverse, often informal writing, such as pamphlets, letters, and speeches, as well as books, and in his novels, where Tolstoy’s thinking is put forward implicitly through the novels’ characters. The book sets out the basic themes of Tolstoy’s political thought: his acceptance of the teachings of Jesus, his criticism of the way in which Jesus’ teachings have been relayed by the church through traditional creeds and dogma, his passionate rejection of political violence by both the state and those working for reform, his plea for a nonviolent response to violence and injustice, and his call for society to forego its institutional shackles and enact a community of peace, love, and justice. The book also includes background information on the Russia of Tolstoy’s time, including the religious context, and a discussion of how Tolstoy’s political thought has been received by his admirers, who included Gandhi, and his critics.

When he arrived in Moscow in 1851, a young Leo Tolstoy set himself three immediate aims: to gamble, to marry, and to obtain a post. At that time he managed only the first. The writer’s momentous life would be full of forced breaks and abrupt departures, from the death of his beloved parents and tortuous courtship to a deep spiritual crisis and an abandonment of the social class into which he had been born. He also made several attempts to break up with literature, but each time he returned to writing. In this original and comprehensive biography, Andrei Zorin skillfully pieces together the life of one of the greatest novelists of all time. He offers both an innovative account of Tolstoy’s deepest feelings, emotions, and motives, as reflected in his personal diaries and letters, and a brilliant interpretation of his major works, including his celebrated novels on contemporary Russian society, War and Peace and Anna Karenina, and his significant philosophical writings.

As Leo Tolstoy’s wife, Sophia Tolstoy experienced both glory and condemnation during their forty-eight-year marriage. She was admired as the muse and literary assistant to one of the world’s most celebrated novelists. But when in later years Tolstoy became a towering public figure and founded a new brand of religion, she was scorned for her disagreements with him. And it is this version of Sophia—malicious, shrill, perennially at war with Tolstoy—that has gone down in the historical record. Drawing on newly available archival material, including Sophia’s unpublished memoir, Alexandra Popoff presents a dramatically different and accurate portrait of the woman and the marriage. This lively, well-researched biography demonstrates that, contrary to popular belief, Sophia was remarkably supportive of Tolstoy and was, in fact, key to his fame. Gifted and versatile, Sophia assisted Tolstoy during the writing of War and Peace and Anna Karenina. Having modeled his most memorable female characters on her, Tolstoy admired his wife’s boundless energy, which he called “the force of life.” Sophia’s letters, never before translated, illuminate the couple’s true relationship and provide insights into Tolstoy’s creative laboratory. Although long portrayed as an elitist and hysterical countess, Sophia was in reality a practical, independent-minded, generous, and talented woman who shared Tolstoy’s important values and his capacity for work. Mother of thirteen, she participated in Tolstoy’s causes and managed all business a airs. Popoff describes in haunting detail the intrusion into their marriage by Tolstoy’s religious disciple Vladimir Chertkov, who controlled Tolstoy at the end of his life and led a smear campaign against Sophia, branding her evil and mad. She is still judged by Chertkov’s false accounts, which dismissed her valuable achievements and contributions. During his later religious phase, Tolstoy renounced his property and copyright, and Sophia had to become the breadwinner. She published Tolstoy’s collected works and supported their large family. Despite the pressures of her demanding life, she realized her own talents as a writer, photographer, translator, and aspiring artist. This vigorous, engrossing biography presents in fascinating depth and detail the many ways in which Sophia Tolstoy enriched the life and work of one of the world’s most revered authors.

Choice Outstanding Academic Title 2014 Transnational Tolstoy renews and enhances our understanding of Tolstoy's fiction in the context of "World Literature," a term that he himself used in What is Art? (1897). It offers a fresh perspective on Tolstoy's fiction as it connects with writers and works from outside his Russian context, including Stendhal, Flaubert, Goethe, Proust, Lampedusa and Mahfouz. Foster provides an interlocking series of cross-cultural readings ranging from nineteenth-century Germany, France, and Italy through the rise of modernist fiction and the crisis of World War II, to the growth of a worldwide literary outlook from 1960 onward. He emphasizes Tolstoy's writings with the most consistent international resonance: War and Peace and Anna Karenina, two of the world's most compelling novels. Transnational Tolstoy also discusses a shorter work, Hadji Murad. It shares the earlier novels' historical sweep, social breadth, and subtle interplay among a large cast of characters. Along with bringing Tolstoy's gifts to bear on a Muslim protagonist, it also represents his most sustained attempt at world literature.

Choice Outstanding Academic Title 2014 Transnational Tolstoy renews and enhances our understanding of Tolstoy's fiction in the context of "World Literature," a term that he himself used in What is Art? (1897). It offers a fresh perspective on Tolstoy's fiction as it connects with writers and works from outside his Russian context, including Stendhal, Flaubert, Goethe, Proust, Lampedusa and Mahfouz. Foster provides an interlocking series of cross-cultural readings ranging from nineteenth-century Germany, France, and Italy through the rise of modernist fiction and the crisis of World War II, to the growth of a worldwide literary outlook from 1960 onward. He emphasizes Tolstoy's writings with the most consistent international resonance: War and Peace and Anna Karenina, two of the world's most compelling novels. Transnational Tolstoy also discusses a shorter work, Hadji Murad. It shares the earlier novels' historical sweep, social breadth, and subtle interplay among a large cast of characters. Along with bringing Tolstoy's gifts to bear on a Muslim protagonist, it also represents his most sustained attempt at world literature.

Presents materials that reveal the essence of Tolstoy's beliefs on immortality, death, God, and the meaning of life. Contains two booklets ("About Immortality" No. 751 and "About Death" No. 752) compiled by Tolstoy comprising quotations from various philosophers explaining the meaning that death gives to life; essays explaining the actions that Tolstoy thought must be taken to grow spiritually; and finally, diary entries (translated here for the first time in English) pertaining to spiritual themes made during the last year of Tolstoy's life.