When Kai-lan and her friends form a band, Tolee learns he has to work hard to learn how to rhyme and sing.

The Invasion of 1910 is a 1906 novel written mainly by William Le Queux (with H. W. Wilson providing the naval chapters). It is one of the more famous examples of Invasion literature. It is viewed by some as an example of pre-World War I Germanophobia. It can also be viewed as prescient, as it preached the need to prepare for war with Germany. The novel was originally commissioned by Alfred Harmsworth as a serial which appeared in the Daily Mail from 19 March 1906. The story rewritten to feature towns and villages with high Daily Mail readership, greatly increased the newspaper's circulation and made a small fortune for Le Queux; it was translated into twenty-seven languages, and over one million copies of the book edition were sold. The idea for the novel is alleged to have originated from Field Marshal Earl Roberts, who regularly lectured English schoolboys on the need to prepare for war. The book takes the form of a military history. William Tufnell Le Queux (1864-1927) was an Anglo-French journalist and writer. He was also a diplomat, a traveller, a flying buff who officiated at the first British air meeting at Doncaster in 1909, and a wireless pioneer who broadcast music from his own station long before radio was generally available.

Terry's survey of Catholic Church music, exploring its history, development, and key composers. A comprehensive guide to the music of the Church. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One of Canada’s most accomplished authors combines the best qualities of both the short story and the novel to create a lyrical evocation of the beauty, pain, and wonder of growing up. In eight interconnected, finely wrought stories, Margaret Laurence recreates the world of Vanessa MacLeod – a world of scrub-oak, willow, and chokecherry bushes; of family love and conflict; and of a girl’s growing awareness of and passage into womanhood. The stories blend into one masterly and moving whole: poignant, compassionate, and profound in emotional impact. In this fourth book of the five-volume Manawaka series, Vanessa MacLeod takes her rightful place alongside the other unforgettable heroines of Manawaka: Hagar Shipley in The Stone Angel, Rachel Cameron in A Jest of God, Stacey MacAindra in The Fire-Dwellers, and Morag Gunn in The Diviners.

Non-Aboriginal material.

Stacey MacAindra burns – to burst through the shadows of her existence to a richer life, to recover some of the passion she can only dimly remember from her past. The Fire-Dwellers is an extraordinary novel about a woman who has four children, a hard-working but uncommunicative husband, a spinster sister, and an abiding conviction that life has more to offer her than the tedious routine of her days. Margaret Laurence has given us another unforgettable heroine – human, compelling, full of poetry, irony and humour. In the telling of her life, Stacey rediscovers for us all the richness of the commonplace, the pain and beauty in being alive, and the secret music that dances in everyone’s soul.

In this book Arnold Berleant develops a bold alternative to the eighteenth-century aesthetic of disinterestedness. Centering on the notion of participatory engagement in the appreciation of art, he explores its appearance in art and in aesthetic perception, especially during the past century. Aesthetic engagement becomes a key, both on historical and theoretical grounds, to making intelligible our experiences with both contemporary and classical arts. In place of the traditional aesthetic that enjoins the appreciator to adopt a contemplative attitude, distancing the art object in order to ensure its removal from practical uses, Art and Engagement examines the ways in which art entices us into intimate participation in its workings. Beginning with the historical and theoretical underpinnings of the idea of engagement, Berleant focuses on how engagement works as a force in different arts. Successive chapters pursue its influence in landscape painting, architecture and environmental design, literature, music, dance, and film. Art and Engagement argues forcefully for the originality and power of aesthetic perception. Demolishing the conceptual barriers erected by the Western world’s limiting tradition, the book discloses the condition of engagement that has always been present when our aesthetic encounters have been most effective and suggests a new direction for aesthetic inquiry.

The Invasion is about a fictional German invasion and subsequent battles on the English east coast. You will love reading about the formation of the English resistance movement and various other war tactics in this realistic and thrilling action tale based on actual military history.