The intellectual and moral history of a clergyman's family.

Autobiographical reminiscences of an Indian civil servant.

In this quasi-French farce masquerading as a novel, we meet Courtney Farquhar Tremayne, one hundred years young in the year 2000 and writing his memoirs about his ten odd (and you can believe that they were exceedingly odd) years touring with a second-rate vaudeville troupe (from approximately 1926 to 1936). Meet all of the interesting characters he knew from that magical medium now long departed. There are Bud and Boz, a dog act (Bud is the trainer and Boz the dog, although it was said that some were loathe to tell the difference). Then, there is one of the strangest acts ever to be seen on the vaudeville stage, Nick Knack Paddywack and his Knockabout Kids, a family acrobatic and comedy act. Meet Malachi and Alewyn Malarkey, Irelands version of George Burns and Gracie Allen. Also on board is Charles Mammy Kaufman, a blackface minstrel singer (a type of act no longer seen on any stage) whose not-so-secret secret is that he is, contrary to the convention of the day for these mammy singers, actually black. Then, there is Kelfer Milius, the pompous star actor of the show. And lastly is the beautiful and alluring (to Courtney, anyway) Prudence Bernadette, the shows star actress. Follow them and all these other vaudeville misfits on their ten-year excursion throughout countless Midwestern cow towns and backwater hamlets, where they ply their trade and, more often than not, find themselves in sometimes precarious, yet always comic, circumstances beyond their control.

This is a story about one man's struggle to overcome class discrimination, poverty, and abandonment in order to achieve success, wholeness, and recognition. It does not always make light reading, but as with anything in life, there are humorous elements. A mixture of narrative storytelling and academic investigation provides the necessary balance for discussing a difficult subject. From earliest childhood memories, the reader is taken through the commotion of school life and ultimately beyond into the world of work. There is a gradual reversal of roles, as the ideas applied to the writer in his youth are turned outwards upon his entourage, and subsequently, the rest of society. One need not always agree; but hopefully the book will provide at the very least food for thought, and demonstrate the limitations of any idea when taken to the extreme.

Short stories and sketches of Bristol, Edinburgh and... er, San Francisco. Andy Gibb is not the Andy Gibb but his website would beg to differ and he did have the name first so he's sticking to it. Back in the Bristol area since 2009, writing since 2004 and a birder since 1995, Andy first came to the city as a student in 1974. Yup, he's ancient as Hell and has been around a bit - Italy, Arizona, California, Australia and New Zealand. And what's it taught him? Not a lot but he has seen 1,089 bird species.

Meet the Thief who has an extraordinary thirst for stealing things beyond your imagination, meet the book collector with a unique obsession, eavesdrop on two Friends as they discuss the end of the world and accompany a man in search of a miracle cure for writer’s block. Take a tour along with ordinary women and men placed in extraordinary situations in this collection of short stories. Dive deep and be intrigued by both the magical and mundane. Lose yourself in a world much like ours but slightly stranger than our normal lives.

A New York Times Book Review Notable Book • Finalist for the Pulitzer Prize for Fiction • Longlisted for the Women's Prize for Fiction “Easily the funniest book I’ve read this year.” —GQ “Masterly funny debut novel . . . Erudite but never pretentious, The Idiot will make you crave more books by Batuman.” —Sloane Crosley, Vanity Fair A portrait of the artist as a young woman. A novel about not just discovering but inventing oneself. The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings. At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer. With superlative emotional and intellectual sensitivity, mordant wit, and pitch-perfect style, Batuman dramatizes the uncertainty of life on the cusp of adulthood. Her prose is a rare and inimitable combination of tenderness and wisdom; its logic as natural and inscrutable as that of memory itself. The Idiot is a heroic yet self-effacing reckoning with the terror and joy of becoming a person in a world that is as intoxicating as it is disquieting. Batuman's fiction is unguarded against both life's affronts and its beauty--and has at its command the complete range of thinking and feeling which they entail. Named one the best books of the year by Refinery29 • Mashable One • Elle Magazine • The New York Times • Bookpage • Vogue • NPR • Buzzfeed •The Millions

Perfect for personal use, or for your whole office. Get yours today! Specifications: Cover Finish: Matte Dimensions: 6" x 9" (15.24 x 22.86 cm) Interior: Blank, White Paper, Unlined Pages: 110

John Hoover, an organizational leadership consultant, discusses how to deal with an "Idiot Boss" - or I-Boss - who does stupid things. Hoover distinguishes idiots from other tricky bosses, including those who think they are God, or who are paranoid, sadistic or Machiavellian. He leaves the reader with a couple of issues. First, you'll think no good, caring bosses still exist. Second, he doesn't tell you clearly where to set boundaries or when enough is finally enough. He often advocates appeasing bad bosses, although his other counsel on how to deal with them has some effective pointers. To his credit, Hoover is very candid about how he has learned from experience, including his mistakes. He offers personal examples from his experiences at Disney and elsewhere, and tries to write in a light-hearted or whimsical vein. getAbstract.com finds the book strongest when it is strategic and weakest when it tries to be funny, given that with bad bosses you only laugh to keep from crying.