Knowing that Cavalry Captain Austin Shaw's proper Boston family will never accept her or their unborn child, Sioux beauty Wilwila flees. Years later, at Little Big Horn, an injured brave named Colt, wearing a Shaw family ring, is captured. Shipped to Boston, Colt comes under the tutelage of Samantha MacGregor. Convinced her prim exterior hides a passionate heart, Colt vows to reward her efforts with lessons of his own. (August)

Gentry presents two intertwined tales of Native American warriors on opposite sides of the Civil War who find their loyalties tested and their lives forever altered by rapturous love for two courageous women. Original.

Lucretia 'Crecy' Holbrook has a secret, a secret she has kept for many years. Even her dearest confidant and sister, Belle, would not understand what Crecy is prepared to do, the risks she is prepared to take, to get her heart's desire.For Crecy is not like the other smiling débutantes; she despises poetry, thinks dancing a chore and is quite prepared to throw something at the next fool to compare her to Aphrodite. Far more likely to return from a country walk with a badger's skull and some bloody, injured creature than a posy of wildflowers, Crecy is drawn to the dark, the damaged, and the unlovable.Her heart longs for one man alone, one with a wounded soul, one so dreadfully damaged that even her tender care might not be enough to save him. Viscount Demorte is everything she dreams of.With a reputation that covers blackmail, murder and madness, cruelly handsome Lord Gabriel Greyston, Viscount Demorte, is far more dangerous than any wounded dog, and his bite ... just might leave Crecy ruined beyond repair.

Disparity and division in religion, technology and ideology have characterized relations between English-Canadian and Indian cultures through-out Canada's history. From the earliest declaration of white territorial ownership to the current debate on aboriginal rights, red man and white man have had opposing principles and perspectives. The most common 'solutions' imposed on these conflicts by white men have relegated the Indian to the fringes of white society and consciousness. This survey of English-Canadian literature is the first comprehensive examination of a tradition in which white writers turn to the Indian and his culture for standards and models by which they can measure their own values and goals; for patterns of cultural destruction, transformation, and survival; and for sources of native heroes and indigenous myths. Leslie Monkman examines images of the Indian as they appear in works raning from Robert Rogers' Ponteach, or The Savages of America (1766) to Robertson Davies' 'Pontiac and the Green Man' (1977), demonstrating how English-Canadian writers have illuminated their own world through reference to Indian culture. The Indian has been seen as an antagonist, as a superior alternative, as a member of a vanishing and lamented race, and as a hero and the source of the new myths. Although white/Indian tension often lies in apparently irreconcilable opposites, Monkman finds in the literature surveyed complementary images reflecting a common humanity. This is an important contribution to a hitherto unexplored area of Canadian literature in English which should give rise to further elaboration of this major theme.

May He, beloved, fulfil your expectation who hath awakened it: for though I feel confident that what I have to say is not my own, but God’s, yet with far more reason do I say, what the Apostle in his humility saith, “We have this treasure in earthen vessels, that the excellency of the power may be of God, and not of us.” I do not doubt accordingly that you remember my promise; in Him I made it through whom I now fulfil it, for both when I made the promise, did I ask of the Lord, and now when I fulfil it, do I receive of Him. Aeterna Press