London, 1802 When heiress Arabella Wilbanks flees a forced betrothal in the middle of the night, the last person she expects to find at the reins of her getaway hackney is Matthew Worcester. It's been seven long years since they gave in to their mutual desires and shared the most incredible night of their lives, but Matthew is still racked with guilt for leaving her without a word. He should escort her to safety, but the chance to re-claim and ravish her once more is proving impossible to resist!

Lady Mara St. Bride has never backed down from a good adventure, which was how she wound up roaming the streets of London in the middle of the night, wearing nothing but a shift and corset beneath an old blanket. Luckily, her brother’s oldest friend, the devilishly sexy Lord Darius Debenham, answered her plea for help. Now she intends to repay the favor... Before he was wounded at Waterloo, Dare had embraced everything life had to offer. Forever changed by the war, he now believes nothing—not even the interference of a lovely young minx like Mara—can rescue him from his demons. But Mara is determined to reignite his warm smile, and enlists the help of all the Rogues to offer Dare a temptation he cannot resist...

A Collection Of Funny, Sad, Fantasies And Recollections. Quite Enough To Keep Young Minds Glued To Their Seats.

From the author of Lord St. Claire's Angel comes a Classic Regency Romance novella celebrating the world first introduced by Jane Austen. Despite her vast wealth, Miss Ariadne Lambert, at the ripe old age of thirty-three, is a plain and aging spinster with little but a fading hope that a knight in shining armor will come to sweep her off her feet. Which makes her the perfect prey for the unscrupulous “Dapper” Dorsey, who would stop at nothing to seduce a needy and wealthy woman and then coldly fritter away her funds in the gaming halls of London. As Ariadne succumbs first to his wily charms and then to his kisses, will her need for affection rob her of her dignity—and her fortune? Viscount Ingram, whose soiled reputation from one especially salacious incident has left him exiled to the sidelines of society, marks his time as a dark and brooding man, tolerated more for his title than his merit. But even he has his standards, and when he learns of a rival’s plot to seduce and then steal from a helpless spinster, he vows to stop him. Ingram’s noble sentiments and uncharacteristic sincerity are in for a shock, however, as he discovers that the hopelessly gullible Ariadne is in fact a clever and shrewd woman who’s got more than a silly giggle up her sleeve. As the two team up in a devilish scheme to bring about the final undoing of Dorsey, cooperation turns to admiration and then attraction, and they discover that their last chance to repair their reputations may also be their first chance at finding true love.

Words awaiting another voice tells the story of Sneha, the aspiring writer’s ‘enigma of self’ when her beautiful world of dreams comes crashing down with all sorts of rejection-slips as she encounters some of the harsh realities of our consumerist, self-centered culture and society. The narrative is marked by a writerly stream of consciousness-technique, metafictional and intertextual tropes which rip apart the hypocritical and attractive façade of our society. Ironically enough, Sneha is advised to strategise her way to success. In other words, the novel aesthetically offers a criticism of our present times where, in place of ‘self-realisation’ and ‘self-recognition’ the relentless and shameless ‘self-promotion’ is offered as the goal of life in this media-mediated, lit-fest-infested world. The novel also foregrounds Sneha’s firm belief in the ‘shabda-shakti’ or the power of the word. Expressing oneself through written word can give one a tremendous and unimaginable sense of power. Throughout the narrative, the intertextual and contextual appearances of the episodes from Sneha’s first (unpublished) novel Chameleon add interesting dimensions as it finally allows Sneha’s voice to find space and freedom to reach a wider audience…

Beginning with the outbreak of the Irish Rebellion of 1641 and concluding with reactions to the accession of William and Mary, The Politics of Rape is the first full-length study to examine theatrical representations of sexual violence in the latter-half of the seventeenth century.