Euthanasia emerged as a talking point for progressives and secularists in the West in the 1960s. Given that they simply appropriated (without anyone’s permission) control of national and private broadcasters, newspapers and university faculties, it became, eo ipso, a matter of public controversy. Other modish enthusiasms of that period – sexual licentiousness and psychotropic drugs for example – have long been abandoned, but the quest for legislative sanctioning of the killing of the old and infirm and distressed never abated; not a parliamentary year passed in one of the Australian States, it seemed, or even at Commonwealth level, but another bill was placed on the notice paper. Well, in the states of Victoria and Western Australia, that bill is now an act as it is in Canada, various states in the USA, The Netherlands, Belgium and other nation states. It has remained an Article of Faith for the left throughout all of the decades of post-modernity – just like that other form of authorised killing: abortion. Why is this? What is it about these issues that evoke in the minds and imaginations of liberals and leftists an almost millenarian enthusiasm? It required a scholar of Father Fleming’s insight and experience to provide us with the explanation, in this, the latest and, in my view, most important of his publications. His answer takes us to a close examination of the real legacy of the enlightenment, and it is not the benign and rational one that generations of us have been taught to believe in our schools. His careful unravelling of the three centuries of the secular project from Rousseau to Safe-Schools can leave us in no doubt as to what comes next if we don’t stand up for the Christian inheritance of our institutes. It was always about power. And power always ends up being about persecution. Father Fleming has been a priest, a broadcaster, a controversialist and a scholar in his long and distinguished journey through public life. His book will be essential reading for the many Christian folk of all denominations who now understand that our age will be one that will call upon them to be soldiers as well as servants for the church. – Stuart H Lindsay, barrister and former federal circuit court judge

Bella Mackie’s How to Kill Your Family is a darkly humorous debut novel that follows a cunning antihero as she gets her revenge. When I think about what I actually did, I feel somewhat sad that nobody will ever know about the complex operation that I undertook. Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of twenty-eight, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing. When Grace Bernard discovers her absentee millionaire father has rejected her dying mother’s pleas for help, she vows revenge and coldly sets out to get her retribution—by killing them all, one by one. Compulsively readable, Bella Mackie’s debut novel is driven by a captivating first-person narrator who talks of self-care and social media while calmly walking the reader through her increasingly baroque acts of murder. But then, Grace is imprisoned for a murder she didn’t commit. Outrageously funny, compulsive, and subversive, How to Kill Your Family is a wickedly dark romp about class, family, love . . . and murder. “Funny, sharp, dark, and twisted.” —Jojo Moyes

In this book, philosopher Seumas Miller analyzes the various moral justifications and moral responsibilities involved in the use of lethal force by police and military, relying on a distinctive normative teleological account of institutional roles. Miller covers a variety of urgent and morally complex topics, including police shootings of armed offenders, police shooting of suicide-bombers, targeted killing, autonomous weapons, humanitarian armed intervention, and civilian immunity. -- Provided by publisher.

Euthanasia emerged as a talking point for progressives and secularists in the West in the 1960s. Given that they simply appropriated (without anyone's permission) control of national and private broadcasters, newspapers and university faculties, it became, eo ipso, a matter of public controversy. Other modish enthusiasms of that period - sexual licentiousness and psychotropic drugs for example - have long been abandoned, but the quest for legislative sanctioning of the killing of the old and infirm and distressed never abated; not a parliamentary year passed in one of the Australian States, it seemed, or even at Commonwealth level, but another bill was placed on the notice paper. Well, in the states of Victoria and Western Australia, that bill is now an act as it is in Canada, various states in the USA, The Netherlands, Belgium and other nation states. It has remained an Article of Faith for the left throughout all of the decades of post-modernity - just like that other form of authorised killing: abortion. Why is this? What is it about these issues that evoke in the minds and imaginations of liberals and leftists an almost millenarian enthusiasm? It required a scholar of Father Fleming's insight and experience to provide us with the explanation, in this, the latest and, in my view, most important of his publications. His answer takes us to a close examination of the real legacy of the enlightenment, and it is not the benign and rational one that generations of us have been taught to believe in our schools. His careful unravelling of the three centuries of the secular project from Rousseau to Safe-Schools can leave us in no doubt as to what comes next if we don't stand up for the Christian inheritance of our institutes. It was always about power. And power always ends up being about persecution. Father Fleming has been a priest, a broadcaster, a controversialist and a scholar in his long and distinguished journey through public life. His book will be essential reading for the many Christian folk of all denominations who now understand that our age will be one that will call upon them to be soldiers as well as servants for the church. - Stuart H Lindsay, barrister and former federal circuit court judge

A Colorado B&B spells murder for a famous writer in this cozy mystery series debut by the New York Times bestselling author of Who Moved My Goat Cheese? English professor Cat Latimer thought she’d left Colorado behind for good—along with her carousing ex-husband. But now, much to her surprise, she’s inherited their former home in Aspen Hills. Turning the old Victorian into an ideal writers’ getaway is a dream come true for Cat. And with bestselling author Tom Cook joining her first writers’ retreat, her cozy bed & breakfast is off to a great start. But that all changes when Tom meets an untimely end. Now Cat’s other guests—a colorful group of aspiring writers—are suspects in a shocking murder. Plenty of plots are uncovered when Cat’s uncle, the local police chief, starts asking questions. But when Cat’s own backstory gets tangled up in the investigation, she’ll have to act fast to clear her name…and keep a killer from getting the last word.

"Sober, lucid and often wise." —Nature The Internet is powerful, but it is not safe. As "smart" devices proliferate the risks will get worse, unless we act now. From driverless cars to smart thermostats, from autonomous stock-trading systems to drones equipped with their own behavioral algorithms, the Internet now has direct effects on the physical world. Forget data theft: cutting-edge digital attackers can now literally crash your car, pacemaker, and home security system, as well as everyone else’s. In Click Here to Kill Everybody, best-selling author Bruce Schneier explores the risks and security implications of our new, hyper-connected era, and lays out common-sense policies that will allow us to enjoy the benefits of this omnipotent age without falling prey to the consequences of its insecurity.

The New York Times bestselling author of the brilliantly inventive The Word Is Murder and The Sentence Is Death returns with his third literary whodunit featuring intrepid detectives Hawthorne and Horowitz. "Horowitz is a master of misdirection, and his brilliant self-portrayal, wittily self-deprecating, carries the reader through a jolly satire on the publishing world." —Booklist When Ex-Detective Inspector Daniel Hawthorne and his sidekick, author Anthony Horowitz, are invited to an exclusive literary festival on Alderney, an idyllic island off the south coast of England, they don’t expect to find themselves in the middle of murder investigation—or to be trapped with a cold-blooded killer in a remote place with a murky, haunted past. Arriving on Alderney, Hawthorne and Horowitz soon meet the festival’s other guests—an eccentric gathering that includes a bestselling children’s author, a French poet, a TV chef turned cookbook author, a blind psychic, and a war historian—along with a group of ornery locals embroiled in an escalating feud over a disruptive power line. When a local grandee is found dead under mysterious circumstances, Hawthorne and Horowitz become embroiled in the case. The island is locked down, no one is allowed on or off, and it soon becomes horribly clear that a murderer lurks in their midst. But who? Both a brilliant satire on the world of books and writers and an immensely enjoyable locked-room mystery, A Line to Kill is a triumph—a riddle of a story full of brilliant misdirection, beautifully set-out clues, and diabolically clever denouements.

An ageing and wheelchair-bound Bhaskar Fernandez has finally reclaimed his family property after a bitter legal battle, and now wants to reunite his aggrieved relatives. So, he invites them to his remote Greybrooke Manor in the misty Nilgiris - a mansion that has played host to several sudden deaths; a colonial edifice that stands alone in a valley that is said to be haunted by the ghost of an Englishman.But Bhaskar has other, more practical problems to deal with. He knows that his guests expect to gain by his death, and to safeguard himself against violence, he writes two conflicting wills. Which one of them comes into force will depend on how he dies.Into this tinderbox, he brings Harith Athreya, a seasoned investigator. When a landslide occurs, temporarily isolating them and resulting in a murder, Athreya finds that murder is not the only thing the mist conceals.

Featuring contributions from Tanya Huff, Jim C. Hines, Jean Rabe, and Ed Gorman, this thrilling collection enters the mysterious and deadly realm of the assassin, exploring how one chooses this line of work and how one becomes a cold-blood killer. Original.

The fight against the Dark Reign begins as the duty of chronicling Frank Castle's war journal is passed to the new regular team of writer Rick Remender (End League, Fear Agent) and Jerome Opena (Wolverine, Fear Agent). One man with one bullet, in the right place, at the right time, can change the world. That's why the Punisher is perched atop a building on the Jersey shore with a high-powered Skrull rifle, his crosshairs trained on a target in Midtown Manhattan. But who is his target - and why? One thing's for sure: they're anything but helpless! Someone is watching their back. Someone big.