Robert Boak Slocum is rector of the Church of the Holy Communion in Lake Geneva, WI, and a lecturer in theology at Marquette University in Milwaukee. Travis T. DuPriest is vice president of the DeKoven Foundation for Church Work and executive director of the DeKoven Center. He also serves as chaplain to the Community of Saint Mary (Western Province) and confessor and spiritual director for the order of Julian of Norwich.

The Esterházys, one of Europe's most prominent aristocratic families, are closely linked to the rise and fall of the Hapsburg Empire. Princes, counts, commanders, diplomats, bishops, and patrons of the arts, revered, respected, and occasionally feared by their contemporaries, their story is as complex as the history of Hungary itself. Celestial Harmonies is the intricate chronicle of this remarkable family, a saga spanning seven centuries of epic conquest, tragedy, triumph, and near annihilation. Told by Péter Esterházy, a scion of this populous clan, Celestial Harmonies is dazzling in scope and profound in implication. It is fiction at its most awe-inspiring. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Unifying the Universe: The Physics of Heaven and Earth provides a solid background in basic physics. With a humanistic perspective, it shows how science is significant for more than its technological consequences. The book includes clear and well-planned links to the arts and philosophies of relevant historical periods to bring science and the huma

Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music’s illegibility rather than come to terms with its actual effects. In Broken Harmony Joseph M. Ortiz revises our understanding of music’s relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged. Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare’s plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter’s Tale) and Milton’s A Maske, Ortiz challenges the consensus that music’s affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music’s function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function.

The variety and depth of Anglican theology is best engaged through personal encounter with its many sources - the theologians and theological witnesses themselves. Anglican theology is often worked out in personal terms that provide a synthesis between reflection on the truths of faith and the particular contexts of culture and life. This book presents modern Anglican theology through a unique ’gallery’. This theological gallery includes a portrait or sketch of ten Anglican writers - DuBose, Farrer, Stringfellow, Brooks, Kemper, DeKoven, McCord Adams, Polkinghorne, Gore and Macquarrie. Theological description, interpretation and application are included for each, with the presentations differing as widely as the theologians and theological witnesses themselves. Drawing together understandings and experiences of faith, this will be an invaluable resource for students of Anglican theology and anyone who seeks to understand the distinctive perspectives and contributions of Anglicanism relative to living faith and daily life.

The very first work of its kind, Celebrating the Universe! is a tour of the wonders of the heavens, with a focus on the "soul" of the night sky. Astronomer and author James Mullaney has written this travel guide to the stars from a metaphysical and spiritual perspective in addition to a scientific one. The unique unifying theme throughout is the personal benefits of communing with these marvels firsthand—the joy and heady excitement of participating in the great cosmic drama unfolding nightly overhead. Everything the budding stargazer and celestial pilgrim needs for this journey is contained within this volume, from how to observe the sky (with the unaided eye and binoculars) . . . to what to see—and why! This book covers: • The Sun, the Moon, and all of the planets • Comets, asteroids, meteors, and artificial satellites • Variable and exploding stars, colorful double and multiple stars, and glittering star clusters • Eerie glowing nebulae, our majestic Milky Way, and remote galaxies Through exercises and reflections, you’ll also learn about little-known aspects of stargazing such as therapeutic relaxation, celestial meditation, expansion of consciousness, spiritual contact, and astral travel; and you’ll explore profound concepts such as our heritage as children of the stars (we are made of stardust!) and our cosmic destiny as citizens of the universe.

"Monteverdi in Venice also contains a discussion of performance practice, shedding light on the odd distortions of the composer's musical habits produced by today's fads and fashions. His vocal works, meant to be performed one or two voices to a part, are consistently given by massed choirs. His music is willfully transposed, although there is not a shred of evidence to prove that they were ever interfered with. Most of the instruments used in modern renderings are hopelessly wrong from a tonal point of view."--BOOK JACKET.