Presents a literary history of Tiyo Soga, the first black South African to be ordained and the most famous pupil of the Lovedale missionaries. Tiyo Soga also worked to translate the Bible.

Biography of the first black South African to be ordained and who also worked to translate the Bible.

The presence of indigenous people among the ranks of British missionaries in the nineteenth century complicates narratives of all-powerful missionaries and hapless indigenous victims. What compelled these men to embrace Christianity? How did they reconcile being both Christian and indigenous in an age of empire? Tolly Bradford finds answers to these questions in the lives of Henry Budd, a Cree missionary from western Canada, and Tiyo Soga, a Xhosa missionary from southern Africa. He portrays these men not as victims of colonialism but rather as individuals who drew on faith, family, and their ties to Britain to construct a new sense of indigeneity in a globalizing world.

The popularity of this biography is ascribed to the fact that it publicised a major success for Christian missionary endeavour in South Africa. Tiyo Soga was educated overseas, in Scotland, where he was lionised before he left for Caffraria in 1857. Although he was much respected in certain South African circles while working in Caffraria, he never published a book for the general missionary-reading public. Thus, when his biography by Chalmers appeared, it was eagerly read; South Africa, too, had produced evidence of true missionary progress, as amply proved by this life of an African Christian. The value of Tiyo Soga's biography in the latter part of the nineteenth century is matched by its importance as a historical document today.

Biography of the first black South African to be ordained and who also worked to translate the Bible.

Focusing on the problems and conflicts of doing African diaspora research from various disciplinary perspectives, these essays situate, describe, and reflect on the current practice of diaspora scholarship. Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study. With the aim of initiating interdisciplinary dialogue on the practice of African diaspora studies, they emphasize learning from new perspectives that take advantage of intersections between disciplines. Ultimately, they advocate a fuller sense of what it means to study the African diaspora in a truly global way.

The spread of Christianity is often presented as a story of conquest, of powerful European missionaries waging a cultural assault on hapless indigenous victims. Yet the presence of indigenous men among missionary ranks in the nineteenth century complicates these narratives. What compelled these individuals to embrace Christianity? How did they reconcile being both Christian and indigenous in an age of empire? Tolly Bradford finds answers to these questions in the lives and legacies of Henry Budd, a Cree missionary from western Canada, and Tiyo Soga, a Xhosa missionary from southern Africa. Inspired by both faith and family, these men found in Christianity a way to construct a modern conception of indigeneity, one informed by their ties to Britain and rooted in land and language, rather than religion and lifestyle. Although they shared a new sense of "nativeness," the men followed different paths. Whereas Budd sought to create a modern Cree village to cope with the upheavals of the 1860s and 1870s, Soga tried to foster among his people a politicized, and Christianized, sense of African nationalism. In telling this story, Bradford portrays indigenous missionaries not as victims of colonialism but as people who made conscious, difficult choices about their spirituality, identity, and relationship with the British colonial world.

In 1856 and 1857, in response to a prophet’s command, the Xhosa people of southern Africa killed their cattle and ceased planting crops; the resulting famine cost tens of thousands of lives. Much like other millenarian, anticolonial movements—such as the Ghost Dance in North America and the Birsa Munda uprising in India—these actions were meant to transform the world and liberate the Xhosa from oppression. Despite the movement’s momentous failure to achieve that goal, the event has continued to exert a powerful pull on the South African imagination ever since. It is these afterlives of the prophecy that Jennifer Wenzel explores in Bulletproof. Wenzel examines literary and historical texts to show how writers have manipulated images and ideas associated with the cattle killing—harvest, sacrifice, rebirth, devastation—to speak to their contemporary predicaments. Widening her lens, Wenzel also looks at how past failure can both inspire and constrain movements for justice in the present, and her brilliant insights into the cultural implications of prophecy will fascinate readers across a wide variety of disciplines.