Published over forty years ago, the original edition of Titled Elizabethans provided a ready reference source to Elizabethan court, state, and household. This long-awaited revised edition expands considerably upon the original, adding new categories and a host of previously overlooked figures.

In this Elizabethan exploration, Wilson follows the stories of privateer Francis Drake, political intriguers like William Cecil and Francis Walsingham; and Renaissance literary geniuses from Sir Philip Sidney to Christopher Marlowe and William Shakespeare.

The Elizabethan era was a time of Shakespeare, the English Renaissance, pirates in the Caribbean, and the majestic glory of Queen Elizabeth. It was also a time of plague, poverty, and religious revolution. Elizabethan England explores the good and bad of a nation transformed, from the pomp of the royal court to daily life in London and exciting naval battles on the high seas.

Overview of domestic and family life in Elizabehan England.

Engaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten.

The Elizabethan Court poet Edward de Vere has, since 1920, lived a notorious second, wholly illegitimate life as the putative author of the poems and plays of William Shakespeare. The work reconstructs Oxford’s life, assesses his poetic works, and demonstrates the absurdity of attributing Shakespeare’s works to him. The first documentary biography of Oxford in over seventy years, Monstrous Adversary seeks to measure the real Oxford against the myth. Impeccably researched and presenting many documents written by Oxford himself, Nelson’s book provides a unique insight into Elizabethan society and manners through the eyes of a man whose life was privately scandalous and richly documented.

"In this researched book, Billie Melman takes us on a voyage of the 'culture of history' which developed in England after the French Revolution. Exploring the production of English pasts, the multiplicity of their representations, and the myriad ways in which the English looked at history, she reveals how during the nineteenth century the most popular, longest-enduring, and most highly commercialized images of the past represented it as dangerous, disorderly, and violent."--BOOK JACKET.

This volume details Sir Jerome Horsey’s account of his experiences in Russia and other countries. Horsey, who spent the better part of seventeen years in the country until leaving in 1591, was an employee of the Muscovy Company, but also operated as an unofficial ambassador for both the English and Russian governments. He was personally acquainted with such people as Ivan the Terrible, Tsar Fyodor I and Boris Godunov, and gives lively and interesting accounts of his interactions with them, as well as with many other prominent people, both Russian and English. Horsey has been accused of exaggeration, chicanery and self-advertisement, but his account is by far the most readable and enjoyable of the many books written by English people sojourning in Russia. It has been published only twice, both times in conjunction with Giles Fletcher’s contemporary and more “professional” account of the Russian state; this edition, with a full introduction and extensive notes, is the first to present Horsey’s book on its own. It is a travel-book, an adventure story and an autobiography of a controversial and significant figure.