One of the best tie-down calf ropers ever to come out of South Texas, Juan Salinas grew up on a 15,000-acre ranch near Laredo, with the finest of horses to ride and hundreds of head of cattle to practice on. He roped in Texas rodeos large and small from the mid-1920s to 1935. From 1936 to 1946, he followed the national rodeo circuit, competing from Texas to New York’s Madison Square Garden. At the time, few if any other Mexican Americans competed in rodeo, and Salinas drew a lot of attention. Salinas also operated his family’s Texas ranch, where he ran cattle and raised prize roping quarter horses. In this account of his life and career, Salinas’s nephew, Ricardo Palacios, recounts the many tales his uncle told him—tales of friendship with Gene Autry, going to Sally Rand’s wedding reception, riding on the Rodeo Train, and sponsoring seven-time world champion tie-down calf roper Toots Mansfield. He also narrates life on the range, with his uncle riding across a pasture at full speed, gingerly holding the reins and a thirty-five foot coil of rope in his left hand while swinging the roping loop overhead with his right hand as he chased a three-hundred-pound calf for the throw. The story of Juan Salinas is also the story of the people of Mexican origin who live on the ranches of the South Texas brush country. Strong, rugged, independent, and hard-working, they knew social and economic success that has all too seldom been chronicled. Tío Juan was the family cowboy, the hero, the rodeo star, and Palacios tells his uncle’s story with warmth and admiration. In 1991 Salinas was inducted into the Rodeo Hall of Fame of the National Cowboy and Western Heritage Museum. He was also named Rancher of the Year by Laredo’s Borderfest and won the Ranching Heritage Award given by the King Ranch and Texas A&M–Kingsville. In 1993, he was inducted into the LULAC International Sports Hall of Fame. These were, Palacios writes, “fitting tributes to a champion and fine additions to his collection of trophy roping saddles, silver trophies, and champion’s buckles.”

Turning the Pages of Texas is a collection of sixty essays about Texas books, authors, book collectors, libraries, and bookstores. It is a book for booklovers and bookish readers. Lonn Taylor writes from the point of view of a historian who has been reading books about Texas for seventy years, since he was seven years old, and who has known many of the authors he writes about. He presents his reflections about well-known figures such as John Graves, J. Frank Dobie, and Larry McMurtry. He also introduces readers to people like folklorist C. L. Sonnichsen, who wrote about Texas feuds; Julia Lee Sinks, who interviewed early settlers of Fayette County in the 1870s; Karen Olsson, who wrote a fine novel about the mystique of Austin; and David Dorado Romo, who describes himself as the “psychogeographer of El Paso” and is the grandnephew of a saint. Some of the authors Taylor writes about are truly obscure, like Gertrude Beasley, who published her autobiography in Paris in 1924 and died in a New York insane asylum, or Tony Cano, whose self-published autobiographical novel describes what it was like to be poor and Mexican in West Texas in the 1950s. Taylor also teases out the Texas connections of writers as diverse as William Sydney Porter, Hervey Allen, and H. Allen Smith, and he writes about tracking down Texas books in London and Washington, DC, as well as at Barber’s in Fort Worth, the Brick Row Book Shop in Austin, and Rosengren’s and Brock’s in San Antonio. This is a booklover’s book.

We Who Work the West examines literary representations of class, labor, and space in the American West from 1885 to 2012. Moving from María Amparo Ruiz de Burton’s representations of dispossessed Californio ranchers in the mid-nineteenth century to the urban grid of early twentieth-century San Francisco in Frank Norris’s McTeague to working and unemployed cowboys in the contemporary novels of Cormac McCarthy and Larry McMurtry, Kiara Kharpertian provides a panoramic look at literary renderings of both individual labor—physical, tangible, and often threatened handwork—and the epochal transformations of central institutions of a modernizing West: the farm, the ranchero, the mine, the rodeo, and the Native American reservation. The West that emerges here is both dynamic and diverse, its on-the-ground organization of work, social class, individual mobility, and collective belonging constantly mutating in direct response to historical change and the demands of the natural environment. The literary West thus becomes more than a locus of mythic nostalgia or consumer fantasy about the American past. It becomes a place where the real work of making that West, as well as the suffering and loss it often entailed, is reimagined.

The lure of cowgirls and cowboys has hooked the American imagination with the lure of freedom and adventure since the turn of the twentieth century. The cowboy and cowgirl played in the imagination and made rodeo into a symbolic representation of the Western United States. As a sport that is emblematic of all things “Western,” rodeo is a phenomenon that has since transcended into popular culture. Rodeo’s attraction has even spanned oceans and lives in the imaginations of many around the world. From the modest start of this fantastic sport in open fields to celebrate the end of a long cattle drive or to settle a friendly “who’s the best” bet between neighboring ranches, rodeo truly has grown into an edge-of-the-seat, money-drawing, and crowd-cheering favorite pastime. However, rodeo has diverse history that largely remains unaccounted for, unexamined, and silenced. In Gender, Whiteness and Power in Rodeo Tracey Owens Patton and Sally M. Schedlock visually explore how race, gender, and other issues of identity complicate the mythic historical narrative of the West. The authors examine the experiences of ethnic minorities, specifically Latinos, American Indians, and African Americans, and women who have continued to be marginalized in rodeo. Throughout the book, Patton and Schedlock questioned the binary divisions in rodeo that exists between women and men, and between ethnic minorities and Whites—divisions that have become naturalized in rodeo and in the mind of the general public. Using iconic visual images, along with the voices of the marginalized, Patton and Schedlock enter into the sometimes acrimonious debate of cowgirls and ethnic minorities in rodeo.

Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.

Growing up on Green Street in Laredo, Texas, Ricardo Palacios made the wilderness his playground. The woods, the nearby creek, and the vastness of Chacon Creek Canyon transported him and his young friends away from the strife and poverty of the barrio and into the splendor of nature. Looking back on his life, Palacios reflects on seventy years of memories—from his birth through his days at the all-male St. Joseph’s Academy Catholic school, capturing the powerful camaraderie he shared with his classmates and his experiences playing high school football. He next takes a hard look at his college years, during which he flunked out twice before finally making the commitment to graduate with honors and obtain a law degree. Palacios places his life experiences under a microscope, sharing periods of heavy alcohol use, very stressful years as a rookie attorney, and tales from the trenches about the pitfalls, successes, and failures of his legal practice. He describes his twenty-eight-year marriage, pondering how and why it failed, and tells of wonderful years raising his children on a cattle ranch, with plenty of opportunities for hunting and camping. Green Street Kid is more than the story of one man’s life. It is a portrait of the life and culture of South Texas, where the majority of the population is Hispanic and conflicts sometimes develop between Hispanics and Anglos. It is a story of falling down and rising up again.

Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.

New York Times Bestseller Publishers Weekly Bestseller Fans of Jill Shalvis, Linda Lael Miller, and Maisey Yates won’t want to miss these delightful Christmas love stories filled with humor and heart. Plenty of cowboy kisses under the mistletoe are the perfect escape this holiday season! MISTLETOE COWBOY * Diana Palmer Horse whisperer Parker doesn't drink, smoke, or gamble, and he doesn't have much to do with women, either. Until he meets winsome widow Katy, and her sweet child. Could Christmas kisses under the mistletoe bring the handsome wrangler the gift of his very own family? “No one beats this author for sensual anticipation.” —Rave Reviews BLAME IT ON THE MISTLETOE * Marina Adair To claim his slice of the family ranch, Texas Ranger Noah is forced back to Tucker’s Crossing. All he expects to find is a tractor load of painful memories—until a holiday storm, a power outage—and perhaps the magic of Christmas—deliver him to rescue an intriguing woman named Faith. But just who’s rescuing whom? “Marina Adair is a breath of fresh air.” —New York Times bestselling author Darynda Jones MISTLETOE DETOUR * Kate Pearce When Morgan Valley rancher Ted Baker gets out his tow truck to pick up a snowbound driver, he doesn’t expect to find his old school friend Veronica on the lam with her pet pig—much less true love—just in time for Christmas . . . “Captures the spirit of the West.” —Booklist on The Maverick Cowboy

Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.

This book offers a different perspective than that found in mainstream US and Texas history because it acquaints readers with pre-1836 people, places, and events. The title Friendly Betrayal aims to capture the Spanish Mexican Texans disappointment when they (1) first welcomed US immigrants to Mexico (Texas) as fellow Mexicans and (2) how (after 1836) the growing Anglo Saxon majority treated our ancestors as foreigners in their own homeland. Part I contains a fictionalized storyline that delves into the initial blending of Native American and Spanish European cultures that produced todays mestizo people. Due to their genetic cultural (not political) ties to Mexico, this group (generally called Mexican Americans in the United States) continues to strongly maintain, defend, and preserve their unique identity, history, and heritage on this side of the border. Part II contains supporting background information.