Timon of Athens (The Life of Tymon of Athens) is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605-1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon (and probably influenced by the philosopher Timon of Phlius). The central character is a beloved citizen of Athens who through tremendous generosity spends his entire fortune on corrupt hangers-on only interested in getting the next payout.

Timon of Athens is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605-1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon.

Timon of Athens (The Life of Tymon of Athens) is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605-1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon (and probably influenced by the philosopher Timon of Phlius). The central character is a beloved citizen of Athens who through tremendous generosity spends his entire fortune on corrupt hangers-on only interested in getting the next payout.

"Timon of Athens" has struck many readers as rough and unpolished, perhaps even unfinished, though to others it has appeared as Shakespeare's most profound tragic allegory. The editors provide detailed annotation of the text and explore the wide range of critical and theatrical interpretations that the play has engendered. Tracing both its satirical and tragic strains, their introduction presents a perspective on the play's meanings that combines careful elucidation of historical context with analysis of its relevance to modern-day society. An extensive and well-illustrated account of the play's production history generates a rich sense of how the play can speak to different historical moments in specific and rewarding ways.

"Timon of Athens" has struck many readers as rough and unpolished, perhaps even unfinished, though to others it has appeared as Shakespeare's most profound tragic allegory. The editors provide detailed annotation of the text and explore the wide range of critical and theatrical interpretations that the play has engendered. Tracing both its satirical and tragic strains, their introduction presents a perspective on the play's meanings that combines careful elucidation of historical context with analysis of its relevance to modern-day society. An extensive and well-illustrated account of the play's production history generates a rich sense of how the play can speak to different historical moments in specific and rewarding ways.

The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - A new, modern-spelling text, collated and edited from all existing printings - On-page commentary and notes explain meaning, staging, language, and allusions - Detailed introduction provides a full account of the play's performance history and explores issues of gender, gift-theory, and ecology - Appendices include source materials and a chronology of major productions worldwide - Illustrated with production photographs and related art - Full index to introduction and commentary - Durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Shakespeare in Art' looks at the huge variety of painters who made Shakespeare's extremes of passion, his evocations of nature, his spirit world and his eternally familiar characters the subjects of their own work. This book is essential reading for anyone interested in the history of Western culture.

The Life of Timon of Athens is a play by William Shakespeare about the legendary Athenian misanthrope Timon (and probably influenced by the eponymous philosopher, as well), generally regarded as one of his most obscure and difficult works. Originally grouped with the tragedies, it is generally considered such, but some scholars group it with the problem comedies

Painter and draughtsman, novelist, satirist, pamphleteer and critic, Lewis's multifarious activities defy easy categorisation. He launched the only twentieth-century English avant garde movement, Vorticism, in 1914. His first novel, Tarr, was published in 1918. During the intervening World War, as an artillery officer at the third battle of Ypres, he gained his 'political education under fire'. Anti-war books of the 1930s argued against what he regarded as a war-mongering left-wing orthodoxy, and presented the case for the right. This placed him in the position somewhere between an advocate of appeasement and what looked uncomfortably like a Nazi sympathizer. Despite an admission, in 1939, that he had been wrong about Hitler, his reputation never recovered from the stigma of Fascism.After the Second World War, spent in penniless and bitter exile in Canada, he returned to London and, in the last decade of his life, received some measure of the success and recognition he had been denied for so long. It coincided, tragically, with the realisation that he was going blind. Visual expression denied him, he devoted all his remaining energies to writing. Seven books in as many years, written in laborious longhand when he was unable to see the