In Laura Letinsky: Time's Assignation the Polaroid--now an anachronistic format, a leftover of photographic history--is conjoined with the photographer's trademark subject matter: the remains of meals and appetites never entirely sated. Chicago-based photographer Laura Letinsky (born 1962) used Polaroid Type 55 film as part of her working process until the film was discontinued in 2008, exploring focus, composition, exposure and light in black-and-white instant photographs as she worked up to the larger-scale color works for which she is best known. Like sketches, the photographs in this volume--small, slow and raw--reveal a process of asking. This way or that? More or less? Now or then? A Polaroid is a fugitive thing, beautiful in its decomposition, subject to change as much as the still life compositions of ripe fruits and nibbled foods that Letinsky arranges. Time's Assignation collects Polaroids taken by the photographer in her studio between 1997 and 2008, now stabilized, their high-key tones slipping into white veils and darker tones metallized in hues of taupe, gold and gunmetal gray. These photographs offer a record of Letinsky's working process, but are a compelling body of photographic work in their own right, exploring time's unrelenting progression in their subject matter and materiality.

Time travel is metaphysically possible. Nikk Effingham contends that arguments for the impossibility of time travel are not sound. Focusing mainly on the Grandfather Paradox, Effingham explores the ramifications of taking this view, discusses issues in probability and decision theory, and considers the potential dangers of travelling in time.

The Greatest Historical Novels of All Time is a meticulously curated anthology that traverses the rich and diverse landscape of historical fiction. Within its pages, readers will encounter a broad spectrum of literary styles, from the intricate social tapestries of Jane Austen and the Brontë sisters to the adventurous spirit of Alexandre Dumas and the poignant realism of Thomas Hardy. This collection not only showcases the multitudinous forms the genre can takeranging from romantic epics to biting social commentaries but also highlights its enduring significance in shaping our understanding of past cultures, societies, and individuals. The anthology succeeds in illustrating the evolution of historical narrative through time, emphasizing works that have become cornerstones of literary heritage. The authors represented in this anthology are not just storytellers; they are architects of historical consciousness, each contributing uniquely to the genres development. Figures like Mary Wollstonecraft and Edith Wharton offer perspectives that challenge established narratives, while others, such as Leo Tolstoy and F. Scott Fitzgerald, provide immersive experiences into the intricacies of different eras. Collectively, these authors belong to or have been influenced by pivotal historical, cultural, or literary movements, from the Enlightenment to Romanticism to Realism, thereby enriching the anthology with a depth of context and a plethora of voices. Their collective work within this volume provides a vibrant tableau of the human experience, interpreted through the lens of past events. The Greatest Historical Novels of All Time is an indispensable volume for readers keen on exploring the myriad ways in which history and narrative intersect. It offers a unique educational journey through the expertise of its illustrious authors, whose works continue to inspire, challenge, and captivate. By bringing together such a wide array of perspectives and styles, this collection fosters a dialogue among epochs, ideologies, and cultures. It is an essential read for anyone who cherishes the power of historical fiction to illuminate the past and its lingering influence on the present and future.

What is musical time? Where is it manifested? How does it enter into our experience, and how do we capture it in our analyses? A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities. Author Mariusz Kozak describes musical time as something that emerges when the listener enacts her implicit knowledge about "how music goes," from deliberate inactivity, to such simple actions as tapping her foot in time with the beat, to dancing in a way that engages her entire body. Kozak explores this idea in the context of modernist and postmodernist musical styles, where composers create unfamiliar and idiosyncratic temporal experiences, blur the line between spectatorship and participation, and challenge conventional notions of form. Basing his discussion on the phenomenology of Merleau-Ponty and on the ecological psychology of J. J. Gibson, Kozak examines different aspects of musical structure through the lens of embodied cognition and what phenomenologists call "lived time." A bold new theory derived from an unprecedented fusion of research perspectives, Enacting Musical Time will engage scholars across a range of disciplines, from music theory, music cognition, cognitive science, continental philosophy, and social anthropology.