Deep at the Earth's Centre lay the Death Generator. Buried there from time immemorial by a long-dead race of aliens, it had at last been triggered into action... For among the ruins of London, surrounded by the survivors of the recent holocaust, Hawkwind rock, their music catalysing the attacking Death Ray - a lethal concoction of high energy that insinuates its way into the mind, tormenting every sense with demonic psychic visions. With the breakdown of the barriers between nightmare and reality, Hawkwind find themselves re-enacting the stages of a war that took place thousands of years before, in which they take the role of the Hawklords - the only potential saviours of the human race otherwise doomed to extermination in an apocalyptic battle between the forces of good and evil... Time of the Hawklords by Michael Butterworth (born 24 April 1947 in Manchester) - based on an idea by Michael Moorcock - was first published in 1976: an echo of New Wave SF, an incomparable psychedelic rock fantasy - and a definitive cult novel! Time of the Hawklords is published in a new edition by Apex-Verlag, reviewed by the author (and supplemented by a preface).

Science fiction-roman.

A laugh-out-loud funny memoir about a Dungeons and Dragons addicted youth.

Hawkwind's fusion of agit-prop and improvised space rock-including Lemmy and lyrics by Michael Moorcock-made them intriguing outsiders in rock. For over 30 years, Hawkwind have successfully existed outside the traditional music business, and spawned a fanatical fanbase. This high quality, authoritative biography contains dozens of new interviews with band members and over 100 rare illustrations, many published for the first time. With a cover designed by Hawkwind's own sleeve artist Peter Pracownik and full co-operation of the all the key protagonists, this authoritative, high-quality biography is the definitive account of one of the UK's most innovative bands.

An account of the English rock band Hawkwind shows them to be one of the most innovative and culturally significant bands of the 1970s. Fifty years on from when it first formed, the English rock band Hawkwind continues to inspire devotion from fans around the world. Its influence reaches across the spectrum of alternative music, from psychedelia, prog, and punk, through industrial, electronica, and stoner rock. Hawkwind has been variously, if erroneously, positioned as the heir to both Pink Floyd and the Velvet Underground, and as Britain's answer to the Grateful Dead and Krautrock. It has defined a genre—space rock—while operating on a frequency that's uniquely its own. Hawkwind offered a form of radical escapism and an alternative account of a strange new world for a generation of young people growing up on a planet that seemed to be teetering on the brink of destruction, under threat from economic meltdown, industrial unrest, and political polarization. While other commentators confidently asserted that the countercultural experiment of the 1960s was over, Hawkwind took the underground to the provinces and beyond. In Days of the Underground, Joe Banks repositions Hawkwind as one of the most innovative and culturally significant bands of the 1970s. It's not an easy task. As with many bands of this era, a lazy narrative has built up around Hawkwind that doesn't do justice to the breadth of its ambition and achievements. Banks gives the lie to the popular perception of Hawkwind as one long lysergic soap opera; with Days of the Underground, he shows us just how revolutionary Hawkwind was.

Earth had already been devastated by the Death Generator... Then the Red Queen meddled with the very laws of Time to advance her evil ambitions. She transmogrified the planet into a world stalked by decaying ghouls and policed by satanic Bulls, their amplifiers meting out the punishing music of Elton John. Only the Hawklords could save the remnants of Humanity... only the Hawklords could restore the forces of Good. Their sole ally Elric the Indecisive; their sole weapon their music; they fought to the death with their awesome enemies, the macabre Queens of Deliria... Queens Of Deliria by Michael Butterworth (born 24 April 1947 in Manchester) - based on an idea by Michael Moorcock - was first published in 1977: an echo of New Wave SF, an incomparable psychedelic rock fantasy - and a definitive cult novel! Queens Of Deliria is published in a new edition by Apex-Verlag, edited by the author (and supplemented by a new introduction written by Rick Evans).

Hawkwind emerged in 1969 from Ladbroke Grove, the heartland of London’s counterculture, to become a ‘people’s band’ supported by bikers and hippies alike as they staged free gigs, benefits and protests and welcomed the involvement of any number of creative people – writers, poets, dancers – from within their community. They insisted upon all these things even with the Top Three success of 1972’s enduring anthem Silver Machine and the pioneering Space Ritual projects. They have had more line-up changes than their only remaining founder member Dave Brock, can remember. Motorhead’s Lemmy and legendary Cream drummer Ginger Baker were just two of the musicians sacrificed along the way as the band went head to head with the police, customs, the taxman – and each other. With the memories of many of those who were there, this is the story of an extraordinary 35-year career, the music and the band, whose fans still loyally turn out for conventions and are rewarded with ‘private festivals’, set against a background of sex, drugs, madness, writs, rage and revenge.

Together with three loyal friends, Khaavren of the House of Tiassa joins the Emperor's guards in search of adventure and fortune, only to find himself involved in treacherous Imperial politics, as he and his faithful band become the sole hope of the Empire.

The epic saga continues in the third installment of this thrilling series! Drew Ferran, Lyssia's last remaining Wolf and the rightful heir to the kingdom's throne, is held prisoner by an evil Lizardlord. But rebellion's always a possibility when Drew's around, and with the help of his cohorts, he overthrows the slavers and embarks on a quest to find the long-lost tribe of Hawklords so they can join his war against the evil Catlords. This third book in the Wereworld series features even more heart-pounding action, wild characters, and epic struggle between good and evil. "Game of Thrones for the tween set." —School Library Journal