Tilly in Technicolor is Mazey Eddings's sparkling YA debut about two neurodivergent teens who form a connection over the course of a summer. Tilly Twomley is desperate for change. White-knuckling her way through high school with flawed executive functioning has left her burnt out and ready to start fresh. Working as an intern for her perfect older sister’s start up isn’t exactly how Tilly wants to spend her summer, but the required travel around Europe promises a much-needed change of scenery as she plans for her future. The problem is, Tilly has no idea what she wants. Oliver Clark knows exactly what he wants. His autism has often made it hard for him to form relationships with others, but his love of color theory and design allows him to feel deeply connected to the world around him. Plus, he has everything he needs: a best friend that gets him, placement into a prestigious design program, and a summer internship to build his resume. Everything is going as planned. That is, of course, until he suffers through the most disastrous international flight of his life, all turmoil stemming from lively and exasperating Tilly. Oliver is forced to spend the summer with a girl that couldn’t be more his opposite—feeling things for her he can’t quite name—and starts to wonder if maybe he doesn’t have everything figured out after all. As the duo’s neurodiverse connection grows, they learn that some of the best parts of life can’t be planned, and are forced to figure out what that means as their disastrously wonderful summer comes to an end.

The sparkling opposites-attract rom-com from the author of the TikTok-hit A Brush with Love and Lizzie Blake's Best Mistake. Readers are giving it FIVE shining stars: 'Unbelievably entertaining, heartfelt and full of with color, emotions and overcoming hardships. . . Being neurodivergent has never been written this beautifully and in an empowering way!' ⭐ ⭐ ⭐ ⭐ ⭐ Netgalley review 'I had a massive grin on my face the entire time! . . . I had the best time reading this book and I will be reading all of Mazey's books now because her writing is incredible!' ⭐ ⭐ ⭐ ⭐ ⭐ Netgalley review 'It's hard to put into words how much I enjoyed this book. Mazey does such a good, authentic job at not only accurately addressing the challenges of discovering who on earth you are at 18, but portrays both ADHD and autism in a way that is sensitive and honest.' ⭐ ⭐ ⭐ ⭐ ⭐ Netgalley review 'I ADORED THIS BOOK SO MUCH. I've read Mazey's other books and loved them. But Tilly in Technicolour was just something else' ⭐ ⭐ ⭐ ⭐ ⭐ Netgalley review This is my book of the summer, possibly the year, it is absolutely beautiful. . . Please please read this book and fall in love with it' ⭐ ⭐ ⭐ ⭐ ⭐ Netgalley review 'What an absolute delight! This book was cute and heartwarming from start to finish' ⭐ ⭐ ⭐ ⭐ ⭐ Netgalley review ............................................ He keeps everything ordered. She's all over the place. Together they're in perfect focus. Tilly Twomley is desperate for change after her flawed executive functioning has left her burnt out. Interning for her perfect older sister's start up isn't exactly top of her list, but at least it means she gets to travel around Europe as she works out what she wants for her future. Oliver Clark knows exactly what he wants. His autism has made forming relationships hard, but his love of colour theory and design allow him to connect with the world. Plus, he's secured the perfect internship. But then Oliver finds himself forced to spend the summer with lively, exasperating Tilly, and they couldn't be more different. And when he starts to feel things for her he can't quite name, he wonders if maybe he doesn't have everything figured out after all. As their connection grows, Tilly and Oliver start to learn that the best parts of life simply can't be planned. More amazing praise for Mazey Eddings: 'So freaking cute. . .Tilly in Technicolor will have you aching with love for these characters while swooning at their awkward adorableness together. I want to hug this book to my chest' CHLOE GONG 'Mazey Eddings's writing is authentic, emotional, and intensely romantic! To me, it's like a Taylor Swift song in book form' ALI HAZELWOOD 'Blends sweetness, breathless romance, and moments of striking vulnerability' HELEN HOANG 'Prepare to smile, laugh, and cry your way through this witty, fast-paced rom-com' EVIE DUNMORE 'Laugh-out-loud funny, almost unbearably cute' ROSIE DANAN 'A contemporary romance masterpiece . . . The most intoxicating slow burn I've read in ages' RACHEL LYNN SOLOMON 'Funny and cute while also exploring serious topics, powerfully underscoring the truth that relationships require work, and that happy endings are for everyone' SARAH HOGLE 'Brims with emotional depth, whip-smart banter, and sizzling chemistry' CHLOE LIESE

What is a mixed movie? A film to which artists of various nationalities contribute. Popular examples are "Land of the Pharaohs," "The Bridge on the River Kwai," "Casino Royale" and "The Sundowners." British players like Errol Flynn, Stewart Granger, Rex Harrison and James Mason have always been welcome in Hollywood. Not so well known are the numerous examples of American actors who lent their talents to British films, such as Robert Ayres, Phyllis Kirk, Mona Freeman, Frank Sinatra, Carol Lynley, William Bendix, Russ Tamblyn, William Holden, Raquel Welch, Joan Crawford, Gene Tierney, Van Johnson, Vincent Price, Tab Hunter, Alex Nicol, Zachary Scott, and Wayne Morris, to mention but a few such appearances that are detailed in this book.

Few people would argue with the films selected for detailed notices and reviews in this book. Many of the movies are award-winners, and most chalked up impressive figures at the box-office. Who would dispute the inclusion of Citizen Kane or Rebecca or The Best Years of Our Lives? However, along with The Yearling and Reap the Wild Wind and Hello, Frisco, Hello, I've also included a few surprises. A magnificent publication. -- Rodney Bourke in International Movie Making (April 2006).

From the wildly popular bestselling author of The Keeper of Lost Things comes a surprising and uplifting story about the complicated relationships between mothers and daughters, and the magic of chosen family. Tilly was a bright, outgoing little girl who loved fizzy drinks, naughty words, and liked playing with ghosts and matches. When her beloved father suddenly disappeared, she and her fragile, difficult mother moved into Queenie Malone’s magnificent Paradise Hotel in Brighton, with its endearing and loving family of misfits—including the exuberant and compassionate Queenie herself. But then Tilly was dealt another shattering blow when her mother sent her off to boarding school with little explanation and no warning, and she lost her beloved chosen family. Now an adult, Tilda has grown into an independent woman still damaged by her mother’s unaccountable cruelty. Wary of people, her only true friend is her dog, Eli. When her estranged mother dies, Tilda returns to Brighton and the home she loved best. With the help of the still-dazzling Queenie, she sets about unraveling the mystery of her exile from The Paradise Hotel, only to discover that her mother was not the woman she thought she knew at all…and that it’s never too late to write your own happy ending. With Ruth Hogan’s trademark quirky, clever, and life-affirming characters, Queenie Malone’s Paradise Hotel will dazzle readers and mesmerize them until they reach the surprising twist at the end.

This grab-bag of movie westerns ranges from the best to the worst; from lavish, no-expense-spared Cecil B. DeMille epics to Poverty Row double bills; from big-budget John Wayne vehicles like "In Old Oklahoma," "The War Wagon" and "The Fighting Kentuckian" to the sort of bottom-drawer product delivered by Sherman Scott and Monogram; from prestige, star-studded westerns like "My Darling Clementine" and "How the West Was Won" to the depths of "The Toughest Man in Arizona"; from the expertly crafted, super-popular "B" stables of Gene Autry, William Boyd, Roy Rogers, Charles Starrett and company to the fly-by-night efforts of long-forgotten brands like "The Range Busters." All reviews carry detailed credits. The book is rounded out with a Hopalong Cassidy filmography and many reproductions of original film posters.

Los Angeles is an ideal city for film noir for both economic and aesthetic reasons. The largest metropolitan area in the country, home to an ever-changing population of the disillusioned and in close proximity to city, mountains, ocean, and desert, the City of Angels became a center of American film noir. This detailed discussion of nine films explores such topics as why certain settings are appropriate for film noir, why L.A. has been a favorite of authors such as Raymond Chandler, and relevant political developments in the area. The films are also examined in terms of story content as well as how they developed in the project stage. Utilizing a number of quotes from interviews, the work examines actors, directors, and others involved with the films, touching on their careers and details of their time in L.A. The major films covered are The Big Sleep, Criss Cross, D.O.A., In A Lonely Place, The Blue Gardenia, Kiss Me Deadly, The Killing, Chinatown, and L.A. Confidential.

This work examines a film distribution system paralleling the rise of early features and persisting until 1972, when Man of La Mancha was the final roadshow to require reserved seating. Synonymous with Hollywood's star-studded premieres, roadshows were longer and cost more than regular features, making the experience similar to attending the legitimate theater. Roadshows, often epic in subject matter, played selected (usually only one) theaters in major urban centers until demand decreased. De rigueur by the 1960s were musical overtures, intermissions, entre'acte and exit music and souvenir programs for sale in the lobby. Throughout the text are recollections by people who attended roadshows, including actor John Kerr and actresses Barbara Eden and Ingrid Pitt. The focus is on roadshows released in the United States but an appendix identifies international roadshows and films forecast but not released as roadshows. Included are plots, contemporary critical reaction, premiere dates, production background, and methods of promotion--i.e., the ballyhoo.

Tilly and her animal friends have lots of fun living and playing together in a little yellow house.