Fresh arguments for traditional architecture and urbanism; Bess dissects the questionable intellectual assumptions of contemporary architecture. How modern societies find physical expression in contemporary suburban sprawl by considering the role of both the natural law tradition and communal religion in providing intellectual and spiritual depth to contemporary attempts to build new-and revive existing-traditional towns and cities.

A biographical excavation of one of the world’s great, troubled cities A remarkable view of one of the world’s most beloved and troubled cities, Adina Hoffman’s Till We Have Built Jerusalem is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem. The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler’s Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine’s chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this “most private of public servants” finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today’s Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best. A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city’s buried history as it asks what it means, everywhere, to be foreign and to belong.

First paperback edition of one of E. P. Thompson's best and most deeply felt works.

NATIONAL JEWISH BOOK AWARD FINALIST WINNER OF THE 2012 AMERICAN LIBRARY ASSOCIATION’S SOPHIE BRODY AWARD FOR OUTSTANDING ACHIEVEMENT IN JEWISH LITERATURE Sacred Trash tells the remarkable story of the Cairo Geniza—a synagogue repository for worn-out texts that turned out to contain the most vital cache of Jewish manuscripts ever discovered. This tale of buried communal treasure weaves together unforgettable portraits of Solomon Schechter and the other modern heroes responsible for the collection’s rescue with explorations of the medieval documents themselves—letters and poems, wills and marriage contracts, Bibles, money orders, fiery dissenting religious tracts, fashion-conscious trousseaux lists, prescriptions, petitions, and mysterious magical charms. Presenting a pan­oramic view of almost a thousand years of vibrant Mediterranean Judaism, Adina Hoffman and Peter Cole bring contemporary readers into the heart of this little-known trove, whose contents have rightly been dubbed “the Living Sea Scrolls.” Part biography, part meditation on the supreme value the Jewish people has long placed in the written word, Sacred Trash is above all a gripping tale of adventure and redemption. (With black-and-white illustrations throughout.)

Presents a portrait of a Jerusalem neighborhood providing details of a divided society of Arabs and Jews.

Susanne Sklar engages with the interpretive challenges of William Blake's illuminated epic poem Jerusalem by considering it as a piece of visionary theatre - an imaginative performance in which characters, settings, and imagery are not confined by mundane space and time - allowing readers to find coherence within its complexities.

The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.

From one of the world's most revered historians, the first major history of contemporary Jerusalem ""Gilbert is a first-rate storyteller."" --The Wall Street Journal ""Fascinating and admirably readable . . . unmatched for sheer breadth of acutely observed historical detail."" --Christopher Walker, The Times (London) ""Most noteworthy for its richness of letters, journals and anecdotes . . . the major events of this century come alive in eyewitness accounts."" --The New York Times Book Review ""Extraordinarily vivid glimpses of Jerusalem life."" --Atlanta Journal Constitution

Features interviews with Bill Bruford, Peter Giles, Gordon Haskell, Judy Dyble and more . . . In 1969 five young Englishmen calling themselves King Crimson altered the course of rock music, and despite a revolving-door lineup, the band has continued to innovate and inspire for more than fifty years. Fifty Shades of Crimson tells the story of this legendary band and of the unique English guitarist Robert Fripp it revolves around. With a deep passion for the music, author Pete Tomsett celebrates the achievements of Fripp and the array of incredible talent that has passed through Crimson, while not shying away from the many behind-the-scenes difficulties. Getting signed after supporting The Rolling Stones at Hyde Park, Crimson shot to fame with their debut album, In the Court of the Crimson King, becoming one of the most influential bands of that era and triggering the rise of prog rock. While going through countless personnel, including Greg Lake, Bill Bruford and John Wetton, rejecting Elton John and Bryan Ferry along the way, they have put out many highly acclaimed albums and to this day maintain a big international following. In their early years Fripp's band reached the same commercial heights as the likes of David Bowie and Pink Floyd. However, as an intellectual who despised the practices of the music business, Fripp preferred innovation over chasing big sales. In 1974 he withdrew from mainstream music, becoming involved with the Fourth Way philosophy, but was eventually tempted back and reformed Crimson to much acclaim in the eighties. As well as also having collaborations with Brian Eno, Andy Summers and others, Fripp has created new forms of instrumental music, run his own idiosyncratic guitar courses and set up an ethical record company. Both genius and 'a special sort of awkward', Fripp has never been afraid to take his music where no one has gone before, and Crimson have been a powerful influence on everyone from Genesis and Yes to Roxy Music and Radiohead, creating a legacy that will live on for decades more!