Tilings and Patterns: An Introduction presents in convenient paperback form the first half of Tilings and Patterns. Omitting the more specialized material of the earlier volume, this abbreviated edition make's the authors' contributions to tiling theory and its practical applications accessible to a wide audience.

This book encompasses a wide range of mathematical concepts relating to regularly repeating surface decoration from basic principles of symmetry to more complex issues of graph theory, group theory and topology. It presents a comprehensive means of classifying and constructing patterns and tilings. The classification of designs is investigated and discussed forming a broad basis upon which designers may build their own ideas. A wide range of original illustrative material is included.In a complex area previously best understood by mathematicians and crystallographers, the author develops and applies mathematical thinking to the context of regularly repeating surface-pattern design in a manner accessible to artists and designers. Design construction is covered from first principles through to methods appropriate for adaptation to large-scale screen-printing production. The book extends mathematical thinking beyond symmetry group classification. New ideas are developed involving motif orientation and positioning, including reference to a crystal structure, leading on to the classification and construction of discrete patterns and isohedral tilings.Designed to broaden the scope of surface-pattern designers by increasing their knowledge in otherwise impenetrable theory of geometry this 'designer friendly' book serves as a manual for all types of surface design including textiles, wallpapers and wrapping paper. It is also of value to crystallographers, mathematicians and architects.

Tessellations: Mathematics, Art and Recreation aims to present a comprehensive introduction to tessellations (tiling) at a level accessible to non-specialists. Additionally, it covers techniques, tips, and templates to facilitate the creation of mathematical art based on tessellations. Inclusion of special topics like spiral tilings and tessellation metamorphoses allows the reader to explore beautiful and entertaining math and art. The book has a particular focus on ‘Escheresque’ designs, in which the individual tiles are recognizable real-world motifs. These are extremely popular with students and math hobbyists but are typically very challenging to execute. Techniques demonstrated in the book are aimed at making these designs more achievable. Going beyond planar designs, the book contains numerous nets of polyhedra and templates for applying Escheresque designs to them. Activities and worksheets are spread throughout the book, and examples of real-world tessellations are also provided. Key features Introduces the mathematics of tessellations, including symmetry Covers polygonal, aperiodic, and non-Euclidean tilings Contains tutorial content on designing and drawing Escheresque tessellations Highlights numerous examples of tessellations in the real world Activities for individuals or classes Filled with templates to aid in creating Escheresque tessellations Treats special topics like tiling rosettes, fractal tessellations, and decoration of tiles

"This book is an introduction to the topology of tiling spaces, with a target audience of graduate students who wish to learn about the interface of topology with aperiodic order. It isn't a comprehensive and cross-referenced tome about everything having to do with tilings, which would be too big, too hard to read, and far too hard to write! Rather, it is a review of the explosion of recent work on tiling spaces as inverse limits, on the cohomology of tiling spaces, on substitution tilings and the role of rotations, and on tilings that do not have finite local complexity. Powerful computational techniques have been developed, as have new ways of thinking about tiling spaces." "The text contains a generous supply of examples and exercises."--BOOK JACKET.

Designed for precollege teachers by a collaborative of teachers, educators, and mathematicians, Fractions, Tilings, and Geometry is based on a course offered in the Summer School Teacher Program at the Park City Mathematics Institute. The overall goal of the course is an introduction to non-periodic tilings in two dimensions and space-filling polyhedra. While the course does not address quasicrystals, it provides the underlying mathematics that is used in their study. Because of this goal, the course explores Penrose tilings, the irrationality of the golden ratio, the connections between tessellations and packing problems, and Voronoi diagrams in 2 and 3 dimensions. These topics all connect to precollege mathematics, either as core ideas (irrational numbers) or enrichment for standard topics in geometry (polygons, angles, and constructions). But this book isn't a “course” in the traditional sense. It consists of a carefully sequenced collection of problem sets designed to develop several interconnected mathematical themes. These materials provide participants with the opportunity for authentic mathematical discovery—participants build mathematical structures by investigating patterns, use reasoning to test and formalize their ideas, offer and negotiate mathematical definitions, and apply their theories and mathematical machinery to solve problems. Fractions, Tilings, and Geometry is a volume of the book series “IAS/PCMI—The Teacher Program Series” published by the American Mathematical Society. Each volume in this series covers the content of one Summer School Teacher Program year and is independent of the rest.

Twists, Tilings, and Tessellation describes the underlying principles and mathematics of the broad and exciting field of abstract and mathematical origami, most notably the field of origami tessellations. It contains folding instructions, underlying principles, mathematical concepts, and many beautiful photos of the latest work in this fast-expanding field.

Polyominoes will delight not only students and teachers of mathematics at all levels, but will be appreciated by anyone who likes a good geometric challenge. There are no prerequisites. If you like jigsaw puzzles, or if you hate jigsaw puzzles but have ever wondered about the pattern of some floor tiling, there is much here to interest you. A polyomino is a shape cut along the lines from square graph paper; the pronunciation of polyomino begins as does polygon and ends as does domino. Tilings, also called tessellations of mosaic patterns, are older than civilization itself. Tiling with polyominoes provides challenges that range from the popular jigsaw-like puzzles to easily understood mathematical research problems. You will find unsolved puzzles and problems of both kinds here. Answers are provided for most of the problems that have known solutions. It is only fair to repeat here the warning stated in the preface to this book, "Playing with polyominoes can be habit forming."

Tiling theory is an elegant branch of mathematics that has applications in several areas of computer science. The most immediate application area is graphics, where tiling theory has been used in the contexts of texture generation, sampling theory, remeshing, and of course the generation of decorative patterns. The combination of a solid theoretical base (complete with tantalizing open problems), practical algorithmic techniques, and exciting applications make tiling theory a worthwhile area of study for practitioners and students in computer science. This synthesis lecture introduces the mathematical and algorithmic foundations of tiling theory to a computer graphics audience. The goal is primarily to introduce concepts and terminology, clear up common misconceptions, and state and apply important results. The book also describes some of the algorithms and data structures that allow several aspects of tiling theory to be used in practice. Table of Contents: Introduction / Tiling Basics / Symmetry / Tilings by Polygons / Isohedral Tilings / Nonperiodic and Aperiodic Tilings / Survey

Includes explorations of tesselations in Islamic art and in the compositions of M.C. Escher.