This study is concerned with how readers are positioned to interpret the past in historical fiction for children and young adults. Looking at literature published within the last thirty to forty years, Wilson identifies and explores a prevalent trend for re-visioning and rewriting the past according to modern social and political ideological assumptions. Fiction within this genre, while concerned with the past at the level of content, is additionally concerned with present views of that historical past because of the future to which it is moving. Specific areas of discussion include the identification of a new sub-genre: Living history fiction, stories of Joan of Arc, historical fiction featuring agentic females, the very popular Scholastic Press historical journal series, fictions of war, and historical fiction featuring multicultural discourses. Wilson observes specific traits in historical fiction written for children — most notably how the notion of positive progress into the future is nuanced differently in this literature in which the concept of progress from the past is inextricably linked to the protagonist’s potential for agency and the realization of subjectivity. The genre consistently manifests a concern with identity construction that in turn informs and influences how a metanarrative of positive progress is played out. This book engages in a discussion of the functionality of the past within the genre and offers an interpretative frame for the sifting out of the present from the past in historical fiction for young readers.

The lives of a modern day young actress and the character she is to portray in a 19th century television drama, are about to collide.

An exciting new novel from the author of Alex. In September 1840, two ships arrive on the shores of the Waitematā Harbour to establish Auckland, the new capital of New Zealand. Among the settlers on board the Platina is young Harry, travelling alone and determined to return to family in England. But the more immediate challenge is finding food and shelter — and hiding the truth about Harry’s real identity and what was left behind in Van Diemen’s Land.

Tiggie, the daughter of a high-profile television and print journalist and a top corporate accountant, believes herself talentless and too fat. She dreams of being a famous photographer - photographers make images, their own doesn't matter. When Tiggie scores the role of a lifetime, she realises that this will set her roly-poly image in concrete. Her life has suddenly become very busy and extremely complicated. The powerful and glamorous world of television, a liberal school, an ambitious school production, pre-occupied parents, unlikely friendships and personal struggles culminate in a momentous, bitter-sweet year for Tiggie.

Tiggie has won the television dramatic role of a young English woman who escapes abuse by travelling to New Zealand in the mid-nineteenth century. Tiggie finds the character and her own life start to collide as her family drama evolves.

One number each year includes Annual bibliography of Commonwealth literature.

Directory containing updated bibliographic information on all in-print New Zealand books. 33nd edition of an annual publication. The 12,500 book entries are listed by title, and there is an index to authors. Also provided are details of 975 publishers and distributors, and local agents of overseas publishers. The book trade directory includes: contacts for trade organisations, booksellers, public libraries and specialised suppliers; NZ literary awards and past winners; and sources of financial assistance for writers and publishers.

Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.

Tiggie believes she is plain, talentless and fat. To make it worse her mother is a glamorous TV journalist. Despite her wish for a quiet life, Tiggie is about to be discovered.