Do you ever wish that you could speak more idiomatic Japanese? You are about to enter a world inhabited by a host of diverse characters, including: samurai, frogs, snakes, merchants, sparrows, thieves, tigers, devils, and fools. A guide to the most useful and common Japanese proverbs. The proverbs are given in kanji, hiragana, and romaji. English definitions and cultural explanations are included. Recommended for all students of the Japanese language, and anyone with an interest in Japanese culture.

A guide to the most useful and common Japanese proverbs. Proverbs are given in kanji, hiragana, and romaji. English definitions and cultural explanations are included. Recommended for all students of the Japanese language, and anyone with an interest in Japanese culture.

This is the first longer-format, middle-grade collection from #1 New York Times-bestselling author-illustrator Calef Brown. Moving away from the picture book format offers Calef the opportunity to tackle a variety of themes and poetry styles as well as reach a slightly older audience. Hypnotize a Tiger is chock-full of Calef's zany black-and-white artwork and features his wonderfully inventive characters and worlds-from the "completely nonviolent and silent" Lou Gnome to Percival, the impetuous (and none-too-sensible) lad who believes he is invincible, to Hugh Jarm (who has a huge arm, natch!). It's a whimsical world: creative, fun, and inspiring!

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Find out what would happen if a wolverine and a Tasmanian devil got in a fight and who would win. Aligned to Common Core Standards and correlated to state standards. Beginning Readers is an imprint of Spotlight, a division of ABDO.

The Avant-Garde and the Popular in Modern China explores how an important group of Chinese performing artists invested in politics and the pursuit of the avant-garde came to terms with different ways of being “popular” in modern times. In particular, playwright and activist Tian Han (1898-1968) exemplified the instability of conventional delineations between the avant-garde, popular culture, and political propaganda. Liang Luo traces Tian’s trajectory through key moments in the evolution of twentieth-century Chinese national culture, from the Christian socialist cosmopolitanism of post–WWI Tokyo to the urban modernism of Shanghai in 1920s and 30s, then into the Chinese hinterland during the late 1930s and 40s, and finally to the Communist Beijing of the 1950s, revealing the dynamic interplay of art and politics throughout this period. Understanding Tian in his time sheds light upon a new generation of contemporary Chinese avant-gardists (Ai Wei Wei being the best known), who, half a century later, are similarly engaging national politics and popular culture.

The death of high school basketball star Rob Washington in an automobile accident affects the lives of his close friend Andy, who was driving the car, and many others in the school.

Our world is changing dramatically, yet many Christians still rely on cookie-cutter approaches to evangelism and apologetics. In his magnum opus, Os Guinness presents the art and power of creative persuasion—the ability to talk to people who are closed to what we are saying. Discover afresh the persuasive power of Christian witness.

From the author of Honor and Duty and China Boy comes an ingenious thriller set in Korea in 1973—a gripping story of sorrow, corruption and redemption, with plenty of brawls to boot. A career officer who trained at West Point. The number-one son of a hardworking Chinese family. A soldier still tormented by his tour of duty in Vietnam. Jackson Kan is a man caught in the middle of clashing worlds. Now Kan is bound for Asia once again, this time to the volatile demilitarized zone between North and South Korea. His objective is to track down a missing American investigator, also his closest friend. But in fact, Kan has no idea of the enormity—and the danger—of the mission that awaits him. It turns out that the frigid, barren Korean DMZ is at the mercy of Colonel Frederick LeBlanc, known as the Wizard, a Bible-pounding zealot engaged in his own private, paranoid war on communism. Kan quickly uncovers the depravity and corruption of the Wizard's little empire. But only gradually does he piece together the explosive truth about LeBlanc's secret arsenal—a truth that burns like a fuse between Kan's missing friend and the fragile truce of the two Koreas. . . . Praise for Tiger's Tail “[Gus] Lee's narrative is irresistible.”—San Francisco Examiner & Chronicle “A dazzling literary thriller.”—Amy Tan “In the manner of Malraux, Greene, and Le Carré . . . A wise and wrenching novel, beautifully told.”—Publishers Weekly (starred review)

“A powerful, moving and beautifully wrought novel about the ways in which lives are molded by personal memory and the collective past.” —The Boston Globe Winner of the Man Booker Prize Elderly, uncompromising Claudia Hampton lies in a London hospital bed with memories of life fluttering through her fading consciousness. An author of popular history, Claudia proclaims she’s carrying out her last project: a history of the world. This history turns out to be a mosaic of her life, her own story tangled with those of her brother, her lover and father of her daughter, and the center of her life, Tom, her one great love found and lost in war-torn Egypt. Always the independent woman, often with contentious relationships, Claudia’s personal history is complex and fascinating. As people visit Claudia, they shake and twist the mosaic, changing speed, movement, and voice, to reveal themselves and Claudia’s impact on their world. “Emotionally, Moon Tiger is kaleidoscopic, deeply satisfying. The all too brief encounter between Claudia and Tom will surely rate as one of the most memorable of contemporary fictional affairs. This is one of the best novels I have read for years.” —The London Sunday Telegraph “It pulls us in; it engages us and saddens us. It is also unexpectedly funny . . . It leaves its traces in the air long after you’ve put it away.” —The New York Times Book Review “One of the very best Booker winners . . . it asks hard questions about memory and history and personal legacy; it’s stylistically demanding and inventive . . . a wonderful book.” —The Guardian