Now back in print comes this stunning visual introduction to the artistic and spiritual heart of Tibetan Buddhism--the Kalachakra Sand Mandala. "Spiritual vision communicated by art and ritual."--"Tricycle." 36 color photos. 199 b&w photos.

Detailed illustrations of 132 mandalas including descriptive and historical notes. Sources: Kriya tantras (19); Carya tantras (2); Yoga tantras (20); Anuttara (Yogi) tantras (19); Anuttara (Yoginī) tantras (37); Advaya tantras (19); The Āmnāta cycle (14); and Paryavasāna-Kalyāṇa (2) making a total of 132 mandalas.

Every one of these Tibetan mandalas is rich in spiritual meaning, and the accompanying quotations and sayings will deepen your knowledge of this very special culture. Contemplate the Wheel of Becoming, a symbol of rebirth usually found in monasteries, or a transcendent Adibuddha Vajrasattva, a representation of penetrating absoluteness and the embodiment of the limitless. Other mandalas include the Eight Symbols of Happiness, the four-armed Manjushri (for wisdom), Sacrificial Offerings, and the national flag of Tibet. Each consists of a periphery and a center, which stand for the beginning and end of all being, and as meditators color them in, they will foster a deeper understanding of the universe and the inner landscape of the human soul.

What if you could combine the relaxing practice of coloring book with the spirituality that surrounds Mandalas? Let's delve into those two topics... A Mandala is a spiritual or ritual geometric configuration of symbols or a map in many oriental cultures as Hinduism, Buddhism and Shintoism. In modern, typically American use, "Mandala" has become a generic term for any diagram, chart or geometric pattern that represents the cosmos metaphysically or symbolically and a model of the structure of life itself. Instead coloring books are collections of black and white drawings to fill with colors, at first created for children to develop imagination and creativity. In recent times coloring books became popular also between adults because of relaxing and de-stress benefits. Combining Mandalas with coloring book create a perfect union of spirituality and stress relieving that will be extremely effective even just in a few minutes a day. These anti stress coloring book are art therapy for your soul. A mandala coloring book can help you escape electronic devices and provide hours of relaxation. If you are looking for this perfect union, "Tibetan Mandala" by Oyuna Sukebatar is the book for you. Thanks to Oyuna Sukebatar you will discover beautiful Tibetan Buddish Mandalas to color at your own discretion. Here is what this book can give to you: Ease your mind, sharpen your creativity and clear your mind Your skills will grow as you color Designs range in complexity and detail from beginner to expert-level. Great mandala variety; Mixed types of mandalas Makes a Wonderful Gift. If you know someone who loves to color you will make them smile by getting them a copy too. You could even color together! ...and much more! Special tip from Oyuna Sukebatar: "If you want to reach better relaxing results try to color with some Tibetan background music!" Buy Now & Relax...Scroll to the top of the page and click the Add to Cart button.

A mandala is a diagram of the universe—a map of true reality intended to provide a focus for Buddhist religious practice and inspire the devout. This book highlights the distinctive Tibetan approach to creating mandalas, exploring how it crossed over from India into Tibet, and how continuous exchanges of art and ideas between the two cultures, led by monks and spiritual teachers, gave rise to a uniquely Tibetan style of Buddhist imagery. Featuring more than one hundred paintings, sculptures, and ritual objects, this superbly illustrated volume reflects the dazzling complexities of the Tibetan imagery that has provided a foundation for mandalas through the centuries. Most notably, a mesmerizing installation by the Tibetan American artist Tenzing Rigdol (b. 1982), specially created for the accompanying exhibition and published here for the first time, offers contemporary audiences a way of interrogating and understanding their world and underscores how this ancient tradition remains a vibrant living practice.

Tibetan Mandalas, Arts and Traditions pays homage to the rich history and culture of the Himalayan region, in particular that of Tibet and the Bon tradition, bringing their heritage into conversation with a modern, global society. Written by leading experts in the field, including Samten Karmay and Tenzin Wangyal Rinpoche, this book delves into Tibet's past and its present, looking at how its traditions may interact with the future, exploring the place of meditation and yoga in modern medicine, and considering the role of rituals into today's world. All proceeds from this book go to the TISE Himalayan International School (THIS), based in Siliguri, India.

Koichi Shinohara traces the evolution of Esoteric Buddhist rituals from the simple recitation of spells in the fifth century to complex systems involving image worship, mandala initiation, and visualization practices in the ninth century. He presents an important new reading of a seventh-century Chinese text called the Collected Dharani Sutras, which shows how earlier rituals for specific deities were synthesized into a general Esoteric initiation ceremony and how, for the first time, the notion of an Esoteric Buddhist pantheon emerged. In the Collected Dharani Sutras, rituals for specific deities were typically performed around images of the deities, yet Esoteric Buddhist rituals in earlier sources involved the recitation of spells rather than the use of images. The first part of this study explores how such simpler rituals came to be associated with the images of specific deities and ultimately gave rise to the general Esoteric initiation ceremony described in the crucial example of the All-Gathering mandala ritual in the Collected Dharani Sutras. The visualization practices so important to later Esoteric Buddhist rituals were absent from this ceremony, and their introduction would fundamentally change Esoteric Buddhist practice. This study examines the translations of dharani sutras made by Bodhiruci in the early eighth century and later Esoteric texts, such as Yixing's commentary on the Mahavairocana sutra and Amoghavajra's ritual manuals, to show how incorporation of visualization greatly enriched Esoteric rituals and helped develop elaborate iconographies for the deities. Over time, the ritual function of images became less certain, and the emphasis shifted toward visualization. This study clarifies the complex relationship between images and ritual, changing how we perceive Esoteric Buddhist art as well as ritual.

This visually stunning catalogue presents c. 300 iconographical materials and texts from the Tibetan collections of the Royal Library and the National Museum of Denmark. Most of the entries describe such iconographical materials as mandalas, elemental divination paintings, ritual "tsakli" cards and prayer flags. Unique handwritten meditation manuals, a Mongolian Book of the Dead, illuminated manuscripts as well as philosophical and medical works are also featured. These remarkable materials, which represent rare and unique forms of communication between man and nature in written and iconographical forms, play a central role in the performance of Buddhist and shamanistic rituals. In line with other volumes in the COMDC series, this catalogue is intended as a reference tool for scholars. It also supplements the Catalogue of Tibetan Manuscripts and Xylographs, COMDC 6.1 & 6.2. The catalogue includes over 250 colour illustrations.

The first scholarly monograph on Buddhist maṇḍalas in China, this book examines the Maṇḍala of Eight Great Bodhisattvas. This iconographic template, in which a central Buddha is flanked by eight attendants, flourished during the Tibetan (786–848) and post-Tibetan Guiyijun (848–1036) periods at Dunhuang. A rare motif that appears in only four cave shrines at the Mogao and Yulin sites, the maṇḍala bore associations with political authority and received patronage from local rulers. Attending to the historical and cultural contexts surrounding this iconography, this book demonstrates that transcultural communication over the Silk Routes during this period, and the religious dialogue between the Chinese and Tibetan communities, were defining characteristics of the visual language of Buddhist maṇḍalas at Dunhuang.

Sacred art presented as coloring templates for contemplation and creativity—stunning and detailed artwork from the Tibetan Buddhist tradition. Drawing on his brush paintings in The Encyclopedia of Tibetan Symbols and Motifs and other works, Robert Beer has selected 50 images meant to be used as templates for coloring. The book features figures spanning centuries of the tradition, including spiritual adventurers, rebellious saints, and enlightened Tantric masters. The detailed artwork is elegant and meaningful—drawing on Buddhist teachings to give each piece greater depth.