Street photographers will never tire of New York as a subject. It is the perfect setting for the genre, the world's most evocative cityscape, against which candid, memorable moments play themselves out every day. Nearly a decade ago, Vivienne Gucwa began walking the streets of the city with the only camera she could afford a sub-$100 point-and-shoot and started taking pictures. Choosing a direction and going as far as her feet would take her, she noticed lines, forms and structures that had previously gone unnoticed, but which resonated, embodying a sense of home. Having limited equipment forced her to learn about light, composition and color, and her burgeoning talent won her blog millions of readers and wide recognition in the photographic community. New York Through the Lens showcases the stunning results of her ongoing quest. Filled with spectacular photographs and illuminated by Vivienne's own insightful commentary, NY Through the Lens acts as a beautiful travel guide to the city; it will be a must-read for her many fans and for any lover of street photography.

A photographic celebration of musicians, artists, and everyday scenes from the Twin Cities African American community of the 1970s and '80s by a renowned local photographer.

This book provides an interdisciplinary lens for exploring, assessing, and coming to new understandings of smart cities and regions, focusing on the six dimensions of sensing, awareness, learning, openness, innovation, and disruption. Using a hybrid case study and correlational approach, people from diverse sectors in a variety of small to medium to large-sized cities in multiple countries (e.g., Canada, United States, Ireland, Greece, Israel, etc.) provide experience-based perspectives on smart cities together with assessments for elements pertaining to each of the six dimensions. The analysis of findings in this work surfaces a rich and interwoven tapestry of patterns from the qualitative data highlighting for example, the importance of emotion/affect, privacy, trust, and data visualizations in influencing and informing the directions of smart cities and regions going forward. Correlational analysis of quantitative data reveals the presence and strength of emerging relationships among elements assessed, shedding light on factors that may serve as starting points for understanding what is contributing to potentials for improving success in smart cities and regions.

During the 1970s, the National Endowment for the Arts Photography Surveys granted money to photograph American cities at the bicentennial and years that followed. In Through the Lens of the City: NEA Photography Surveys of the 1970s, Mark Rice brings to light this long-neglected photographic endeavor. From 1976 to 1981, the NEA supported more than seventy projects that examined a wide range of people and places in America. Artists involved included such well known photographers as Bruce Davidson, Lee Friedlander, and Joel Meyerowitz and many photographers who became widely known after their work with the surveys, such as Robert Adams, Joe Deal, Terry Evans, and Wendy Ewald. Rice argues that the NEA Photographic Surveys drew from two wells: a widespread sense of nostalgia and an intense public interest in photography. Looking at the works from eight key cities-Atlanta, Buffalo, Durham, East Baltimore, Galveston, Long Beach, Los Angeles, and Venice-the book uncovers marked differences as well as startling similarities in the concerns manifested by different photographers in far-flung places. Although the surveys are interesting both for their artistic merits and for their place in the history of American photography, they are equally important as a documentation of bicentennial-era America and a close examination of American cities. A major shift in the ideals of civil engineering and urban planning was underway in the 1970s. At the same time, ideas and theories about photography were changing along with our notions of what the city could and should be. These surveys, capturing American cities in a fascinating period of flux, show us American photographers matching artistry to subject matter in new and exciting ways. Mark Rice is chair of the American studies department at St. John Fisher College. His work has been published in such periodicals as Exposure, Explore, and Reviews in American History.

Through the Lens: Dallas Arts District is a collaboration between the Dallas Arts District (DAD), HALL Group, corporate sponsors and participating local photographers to raise funds for the Dallas Arts District Foundation - the granting arm that re-invests in the visual and performing arts in Dallas.'Through the Lens' was a juried photography competition, open to artists at all levels of experience, featuring photos of the Dallas Arts District. A total of 91 winning images and 57 photographers are featured in this hardbound coffee table book sold at venues throughout the Dallas Arts District. All gross proceeds from the sale of the book will be donated to the Dallas Arts District Foundation. This is the first fundraiser that will support the grants program since the first donation in 1984 by the Crow family.

"Filming the city" brings together the work of film-makers, architects, designers, video artists, and media specialists to provide three distinct prisms through which to examine the medium of film in the context of the city. The book presents commentaries on particular films and their social and urban relevance, offering contemporary criticisms of both film and urbanism from conflicting perspectives, and documenting examples of how to actively use the medium of film in the design of our cities, spaces and buildings. Bringing a diverse set of contributors to the collection, editors Edward M. Clift, Mirko Guaralda and Ari Mattes offer readers a new approach to understanding the complex, multi-layered interaction of urban design and film."--Page 4 of cover.

What does democracy look like? And when should we cause trouble to pursue it? Troublemakers fuses photography and history to demonstrate how racial and economic inequality gave rise to a decades-long struggle for justice in one American city. In dialogue with 275 of Art Shay’s photographs, Erik S. Gellman takes a new look at major developments in postwar US history: the Second Great Migration, “white flight,” and neighborhood and street conflicts, as well as shifting party politics and the growth of the carceral state. The result is a visual and written history that complicates—and even upends—the morality tales and popular memory of postwar freedom struggles. Shay himself was a “troublemaker,” seeking to unsettle society by illuminating truths that many middle-class, white, media, political, and businesspeople pretended did not exist. Shay served as a navigator in the US Army Air Forces during World War II, then took a position as a writer for Life Magazine. But soon after his 1948 move to Chicago, he decided to become a freelance photographer. Shay wandered the city photographing whatever caught his eye—and much did. His lens captured everything from private moments of rebellion to era-defining public movements, as he sought to understand the creative and destructive energies that propelled freedom struggles in the Windy City. Shay illuminated the pain and ecstasy that sprung up from the streets of Chicago, while Gellman reveals their collective impact on the urban fabric and on our national narrative. This collaboration offers a fresh and timely look at how social conflict can shape a city—and may even inspire us to make trouble today.

An examination of Berlin's turbulent history through the lens of its water and energy infrastructures. In Remaking Berlin, Timothy Moss takes a novel perspective on Berlin's turbulent twentieth-century history, examining it through the lens of its water and energy infrastructures. He shows that, through a century of changing regimes, geopolitical interventions, and socioeconomic volatility, Berlin's networked urban infrastructures have acted as medium and manifestation of municipal, national, and international politics and policies. Moss traces the coevolution of Berlin and its infrastructure systems from the creation of Greater Berlin in 1920 to remunicipalization of services in 2020, encompassing democratic, fascist, and socialist regimes.

Venice is for gondolas, New York for taxis, Oxford for bicycles - and pedestrians. Oxford is a place to be taken slowly. This is a city which has survived untouched for the best part of a thousand years. And there has been a university here for nearly as long. And yet it never grows old: it renews itself each autumn with a fresh infusion of youth. Look at it closely, and ponder its secret. A familiar sense of history may well be your first instinct as you consider these fascinating pages; your second, a realisation of the originality of the images, the pictures, the representations of the photographs: perspective, balance, light and shade, above all insight into the very heart of Oxford. The soul of things: street names, bicycles, the Thames, college libraries and dining halls. Oxford is one of the great universities of the world. It has been in existence for the better part of 800 years. Its history is to be found in the colleges, in the faculties and in the departments, in the magnificent collections held in its libraries and museums, in its time-honoured traditions and ceremonies, and in the magnificent architecture of its buildings set in and around the centre of the city. A diverse selection of images offer an understanding of how the university works: the people, the staff, the students and academics, a view of the university from the inside. 0The photographs selected here catch something of its double identity; something too of the daily life of the place so many lectures, so much laughter lived out routinely, oblivious very often of all the history. The university buildings provide one sort of setting; for examinations, processions, celebrations.

Here, in more than 250 extraordinary photographs, is a showcase of the fabled days of the British Raj. India was at the vanguard of the explosion of photography and the early photographers, both Indian and foreign, mainly British, who strove to document and reveal the landscapes, peoples, cultures, and architecture of the subcontinent. India Through the Lens reveals the history and importance of photography in India, from the appeal of the panorama to the documentation of people, places, and princes. The early Indian photographer, Lala Deen Dayal for example, was unique in being embraced by both worlds- that of the British and the world of Indian Maharajahs. This book appeals to specialists and non-specialists alike- all those who love early photography, British India and the romance of the Raj.