The so-called Book of Two Ways is a long and complex composition containing both texts and images. It reached us on the insides of some coffins and tomb walls, principally from the Hermopolitan nome in the Egyptian Middle Kingdom (2055-1650 BC). Wael Sherbiny presents a pioneering study based on all the original and hitherto unpublished sources. Through Hermopolitan Lenses challenges many of the traditional views related to this composition as part of the Coffin Texts. It also provides an integrated pictorial and textual analysis revealing many unprecedented facts. The oldest and longest leather manuscript from ancient Egypt (the Cairo leather roll), which Sherbiny rediscovered during his study and soon became world news, features here for the first time as well.

This volume offers the first comprehensive overview of the evolution over time of a foundational concept of the Egyptian afterlife beliefs, the Duat, or netherworld. The Duat is a complicated, multifaceted notion, which was never canonized into a single version of the beyond, but offered instead a variety of alternatives attempting to describe the metaphysical realms beyond the visible world, and beyond life. Theological speculations gave rise to a rich textual and visual repertoire, which underwent a process of evolution over thousands of years, during which newer ideas and images were constantly introduced. Through the analysis of royal and non-royal funerary texts from the late Old Kingdom to the end of the New Kingdom, this book traces the development of the conceptualization of the notion of Duat, outlining what it encompassed and where it was imagined to be located. In addition to the translation and discussion of the most significant passages of the texts analyzed, each chapter also provides an overview of the individual compositions and of the relevant theological, cosmological, and astronomical notions complementing the conceptual framework, of which the Duat formed but a part. Additionally, discussions of concurrent changes in Egyptian culture, society, and ideology are included in order to clarify the context in which afterlife beliefs and related texts evolved. An analysis of the correlation between funerary compositions and their material supports complements the study, emphasizing the Egyptians' belief in a magical synergy between texts, images, and their contexts in the activation of a suitable, effective afterlife for the recipients of the texts.

Current Research in Egyptology 2018 is a collection of papers and posters presented at the nineteenth symposium of the prestigious international student conference, held at the Faculty of Arts, Charles University in Prague on 25th–28th June 2018.

Concepts in Middle Kingdom Funerary Culture presents a collection of archaeological and philological papers discussing how ancient Egyptians thought, and modern scholars may think, about Egyptian funerary practices of the early 2nd millennium BCE. Targeting the concepts used by modern scholars, the papers address both general methodological questions of how concepts should be developed and used and more specific ones about the history and presuppositions behind particular Egyptological concepts. In so doing, the volume brings to the fore occasionally problematic intellectual baggage that have hindered understanding, as well highlighting new promising avenues of research in ancient Egyptian funerary culture in the Middle Kingdom and more broadly. "New and insightful suggestions are made, many of which challenge the basic frames of reference of Western Egyptological study, from funerary practice to issues of identity. The methodological models should be of considerable interest to those studying aspects of the HB and ancient Levant related to funerary culture, where studies have often tended towards the etic." -David Beadle, Journal for the Study of the Old Testament 44.5 (2020)

The chapters of Middle Kingdom Palace Culture and Its Echoes in the Provinces discuss the degree of influence that provincial developments played in reshaping the Egyptian state and culture during the Middle Kingdom. Contributors to the volume are Egyptologists from around the world who have developed their research following a conference held at the University of Jaén in Spain.

"Among the broad spectrum of ancient Egyptian religious literature, the Book of the Dead is the most representative of the mortuary religion and of the magical and ritual practices belonging to it. Moreover, its rich corpus of texts and images provides unique information on the scribal practices, mortuary traditions, myths, and priestly rituals in ancient Egypt from the 2nd Millennium BCE to the Roman Period. "Book of the Dead" is the conventional name given by Egyptologists to a collection of magical compositions called in ancient Egyptian "Book for coming forth by day". This title refers to the main wish of the deceased, who wished to be able to leave his tomb and move freely between this world and the next. Each Book of the Dead manuscript is unique, although we know of the existence of workshops where the papyri were bought and therefore a few common stylistic features can be recognized according to different regional traditions of writing and manufacture. The spells also present many and various parallels with other magical and ritual texts attested in temples, on magical objects, and amulets, showing that the mortuary literature had in fact a strong link with the daily religious life and beliefs of the ancient Egyptians. This Handbook is the first guide to all the aspects and topics of research both in relation to the Book of the Dead itself and to broader research on ancient Egyptian religion and magic"--

In Ancient Egyptian Letters to the Dead: The Realm of the Dead through the Voice of the Living Julia Hsieh investigates the beliefs and practices of communicating with the dead in ancient Egypt as evidenced through extant Letters and provides detailed textual analysis.

Notions of crisis have long charged the study of the European avant-garde and modernism, reflecting the often turbulent nature of their development. Throughout their history, the avant-garde and modernists have both confronted and instigated crises, be they economic or political, aesthetic or philosophical, collective or individual, local or global, short or perennial. The seventh volume in the series European Avant-Garde and Modernism Studies addresses the myriad ways in which the avant-garde and modernism have responded and related to crisis from the late nineteenth to the twenty-first century. How have Europe’s avant-garde and modernist movements given aesthetic shape to their crisis-laden trajectory? Given the many different watershed moments the avant-garde and modernism have faced over the centuries, what common threads link the critical points of their development? Alternatively, what kinds of crises have their experimental practices and critical modes yielded? The volume assembles case studies reflecting upon these questions and more from across all areas of avant-garde and modernist activity, including visual art, literature, music, architecture, photography, theatre, performance, curatorial practice, fashion and design.

The wish to affiliate with a specific cultural, social, or ethnical group is as important today as it was in past societies, such as that of the ancient Egyptians. The same significance applies to the self-presentation of an individual within such a group. Although it is inevitable that we perceive ancient cultures through the lens of our time, place, and value systems, we can certainly try to look beyond these limitations. Questions of how the ancient Egyptians saw themselves and how individuals tried to establish and thus present themselves in society are central pieces of the puzzle of how we interpret this ancient culture. This volume focuses on the topic of identity and self-presentation, tackling the subject from many different angles: the ways in which social and personal identities are constructed and maintained; the manipulations of culture by individuals to reflect real or aspirational identities; and the methods modern scholars use to attempt to say something about ancient persons. Building on the work of Ronald J. Leprohon, to whom this volume is dedicated, contributions in this volume present an overview of our current state of understanding of patterns of identity and self-presentation in ancient Egypt. The contributions approach various aspects of identity and self-presentation through studies of gender, literature, material culture, mythology, names, and officialdom.

Historical Dictionary of Ancient Egypt, Third Edition covers the whole range of the history of ancient Egypt from the Prehistoric Period until the end of Roman rule in Egypt based on the latest information provided by academic scholars and archaeologists. This is done through a revised introduction on the history of ancient Egypt, the dictionary section has over 1,000 dictionary entries on historical figures, geographical locations, important institutions and other facets of ancient Egyptian civilization. This is followed by two appendices one of which is a chronological table of Egyptian rulers and governors and the other a list of all known museums which contain ancient Egyptian objects. The volume ends with a detailed bibliography of Egyptian historical periods, archaeological sites, general topics such as pyramids, languages and arts and crafts and the publications of Egyptian material in museums throughout the world.